New poetry book announcement: Far & wee (with excerpt—sort of)

Cover copyright 2022 Michelle Garren-Flye

So you’ve been with me from the beginning of this thing. May 21 doesn’t seem like that long ago, right? What is that, 19 days?

I never would have thought in a million years that I would write, illustrate and publish a book in nineteen days. But I did.

I’ve often felt that I write what is given to me from…somewhere else. I write for someone else and there’s a purpose I don’t necessarily know about for my writing. I don’t know who it is out there who needs to read this book, but it’s here now. It was my obsession, pushing everything else out of the way for 19 days. Now I need to move on to finish up some other projects. Projects that took me longer than 19 days. But I think I can do it now.

Anyway, as a little introduction/excerpt to the book, here’s the actual introduction of the book as it appeared on my computer while I was laying out the book.

Copyright 2022 Michelle Garren-Flye

Poem 10 (National Poetry Month): World of Fire

World of Fire

By Michelle Garren Flye

It’s hard to inspire

In a world of fire.

It’s best to prevent

Such a common event.

If day to day life

Is uncommon strife

The world fails

To hear your wails.

In a world of fire,

Down to the wire,

Very little impresses.

Even your caresses.

Every day a travail

No way to set sail

No way to escape—

This is your fate.

Photo by Michelle Garren Flye

Mo Willems might be my hero.

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A children’s book can give you a glimpse into your deepest soul. Photo by Michelle Garren Flye.

I remember the first time my son brought home Don’t Let the Pigeon Drive the Bus by Mo Willems from the school library. I loved reading to my kids, but I really never connected with Pigeon. Why he was so popular with my kids, I never really knew. I loved the Frances books, anything by Rosemary Wells, and when they started bringing home little beginning readers like Henry and Mudge, I was in seventh heaven!

But the Pigeon? Every time one of my kids brought one of those home, I just rolled my eyes.

Turns out I missed the point. Pigeon is much deeper and much more shallow at the same time. He’s a philosopher and a spoiled child wrapped into one, which is kind of how I see myself. Maybe I just didn’t like seeing myself on the pages of a children’s book?

How do I know all this about Pigeon? I read an interview with his creator. Check it out here: Mo Willems Interview. (My thanks to my friend Liz for referring me to this article!)

Mo Willems’s admittedly incredible ability to look into my soul and pull a pigeon out of it notwithstanding, he says some very insightful things about the nature of art and creativity and writing. “Books are sculptures” is indeed one of them. What took me most by surprise, though, was the revelation that he’s not just writing to inspire kids. He’s writing to inspire the parents to do and say and live the way they want their kids to do and say and live.

Consider this: “[W}e constantly hear, ‘Our children are the future,’ but we seldom say, ‘Hey we’re the present and it’s incumbent on us to be present.’ So there’s this silliness, but there’s also a, ‘You can do it, too.'”

Thank you, Mo Willems!

I’m 49 years old. I’ve just published my first children’s book (Jessica Entirely by Shelley Gee). I also privately published my first collection of poetry Times and Ties. I’m taking singing lessons and auditioning for plays. I’m inspired by my kids, and my only regret right now is that I’ve never done any of these things before. I didn’t model my life by living my dreams. If anything, they’ve modeled for me by bringing home books for me to read that I wouldn’t normally have read, and introducing me to movies and television and a slew of pets I never would have chosen to bring into my life.

So I’ll presume to add a little to Mr. Willems’s statements. Be inspiring to your children, but don’t be afraid to be inspired by them, too. A family circle is beneficial to all.

Something I wrote:

Jessica smiled in spite of her worries about her friends. They all had friends in town and friends who evacuated and friends who might have lost their homes in the storm. But she had her family right there with her and the idea of helping made her feel much better about things in general. She took a deep breath and followed her family to the kitchen, happier than she ever had been at the prospect of spending an hour or two with them at the table.

Music and the Writer

photography of person holding headphone

Photo by rawpixel.com on Pexels.com

It’s a fact of life that music affects humans in a way that very little else does. Throughout the ages, music has developed with human beings. Today, the history of music is studied along with the psychology of music, musical therapy and ethnomusicology—and many other branches of music studies. All because we like to hear pretty sounds.

I’ve never met a writer who doesn’t have a playlist for writing. It varies, and sometimes one song is more strongly featured than others, but almost all of us have music playing in the background when we write. Why is this? Music can inspire and lift the spirits. Music can remind us so strongly of where we’ve been and make us long to go somewhere completely different. Music sets the mood.

Most of the time, my playlist is pretty eclectic. For six months after David Bowie died, I remember I only listened to his music. And then other songs began to sneak in. He’s still pretty heavily featured on my playlists, but it’s not all Bowie all the time like it was. I have some country, some pop, some classic rock, even a bit of classical. Recently, Enrique Iglesias has snuck onto my radar, possibly because of my most recent work-in-progress (more about that later).

Today, I’m over at Laurie’s Thoughts and Reviews promoting Becoming Magic with ten of my favorite playlist songs. Guaranteed, I listened to all ten while writing Becoming Magic. I’m probably listening to them today, too.  Join me over there and leave a comment with your favorite song. I’d love to know what inspires you!

Teaser_BecomingMagic

Plastic fiction: What happens when writers give up on soul

Three years ago, Ursula K. Le Guin gave an impassioned speech in which she basically implored writers to write what they wanted to write and not what the publishing industry told them to write. She asked that literature in all forms return to being considered an art form. “Books aren’t just commodities,” she said.

I’ve often wondered if I would sell out if someone offered me the opportunity to sign with a big publisher that would basically guarantee my book would be a bestseller with an awesome marketing plan and everything all taken care of—but I had to write a book the publisher wanted with the plot all spelled out for me. Would I do it? Would I sell out? Would I turn out a plastic fiction book with no soul and no art just to gain readers?

I can’t answer that question. I fear I might. It’d probably be easy enough to write if I didn’t have to come up with the plot myself. And I have a respectable backlist now. Surely I should consider that in the equation. If I gained lots of readers with my plastic fiction—readers who enjoyed my style of writing and who would then consume my other books—wouldn’t it be worth it? But then, too, I’d be feeding the plastic fiction industry that has taken over the publishing world and made it more difficult for writers to be the artists they are meant to be.

Not sure you know what I mean by plastic fiction? Oh yes, you do. It’s especially prevalent in my chosen genre at the moment. For a while it was vampire romances (which has now morphed to include werewolves and shapeshifters and lots of other paranormals). I’m not saying these are all bad. I’ve even read a few that are exceptionally good. But those can be hard to find. And then there’s the fifty-shades phenomenon that is reflected in everything from content (way more explicit than just a few years ago) to covers (haven’t you noticed the trend to monochromatic still life since Christian Grey’s silk tie?).

I think the surge in independent publishing has been a reaction to writers trying to avoid the plastic fiction publishing industry. I’m proud to be a part of that surge. I love what I write, and I love publishing my little bits of art. They aren’t the highest quality—maybe they’re made of aluminum instead of gold or silver—but they aren’t plastic, either. I know this because they come from my heart and contain bits of my soul.

So Much Magic…

Since I have just returned to dry land after seven days on an Alaskan Cruise, I am now an expert on all the magical (and non-magical) aspects of cruises.

We’ll start with the non-magical. There are three. The coffee, to me, was the most important. The coffee on a cruise is just…coffee. It is what it is and you either make do or you actively dislike it and make yourself miserable.

But then you see something like this and suddenly coffee is no longer important because the world is magical. It just is.

Juneau moonlight

Juneau magic

The second non-magic thing about cruises is the toilets. As we found out the morning after we set sail when an entire section of toilets on our side of the boat stopped flushing because somebody threw a tissue in one. It didn’t take long to resolve, but until then, you had to go potty elsewhere. But then you look out the window at 10 p.m. and see something like this:

Sitka Midnight Sun

Midnight (almost) sun magic

Side Note: That’s a container ship on the right. One of those enormous things that dwarfs everything—or at least I used to think so.

The only other thing that I didn’t find magical on the cruise was the size of the shower. Tiny. Closet-sized. Impossible to shave your legs while showering. But then you approach British Columbia after a cool, gray day at sea and this sight greets you:

British Columbia magic

Sunlight magic

Of course with all this magic around me, I was amazingly productive. Seriously. I finished another pass through Movie Magic (coming October 31), and then I got an idea for a magical romance set on a cruise ship and started outlining and making notes…and writing. I say this a little sheepishly because I know it’ll be a couple years before I get this one out. My next magic book, which I plan to write during National Novel Writing Month this year, will tie in to Movie Magic and is tentatively titled Hollywood Magic. (You’ll meet Carole, the heroine, in Movie Magic.) So what the heck am I doing writing Magic at Sea now? Talk about getting the cart before the horse.

In case you’re curious, Magic at Sea will tie in with the adventures of Lady Lydia and Tony Hawke from Escape Magic. I had a lot of complaints about that book. It was my only attempt at a novella in this series, and evidently it didn’t work for a lot of people who wanted more about this particularly passionate couple. So, even though I feel I told their story pretty well (especially for a 99 cent novella), I’m going to pick it up a little more in this one.

But you’ll have to wait. Because before that can happen, I have Timeless, the last book of my Synchronicity series to get through (January 2018?), then Hollywood Magic (October 31, 2018). And then I’ll get to Magic at Sea. And you’ll meet Frankie, Lady Lydia’s protege, and her as-yet unnamed hero.

And just in case you think I’ve forgotten that magic can be found on land as well as at sea, here’s a little bit of heavenly magic perfection I found in Seattle:

Seattle rose

Seattle rose magic