Far & wee: The origin story

I was really shy about admitting the whole story about how Far & wee came to be. Why on earth would that be? I mean, I’ve already admitted I wrote twenty sonnets (and illustrated them) in nineteen days (okay, maybe that’s a bit of a flex…). I’ve admitted that I had no patience for getting feedback on the sonnets (this wasn’t that kind of project, honestly).

So I’m impatient and proud and may have rushed this project through (not just to be able to brag that I got it done in twenty-five days, but that doesn’t hurt). Why would I be embarrassed to admit what the spark was that put this whole thing in motion?

Well…

And here’s the shy part.

…the spark came from my persistent and somewhat consuming fandom for a K-Pop group.

There. I said it. I’m a K-Pop fan. K-Pop came along in my life when I needed a lift. And it gave me that! It started with BTS, but it quickly expanded to include groups like TXT and Enhypen…but especially the self-produced group Stray Kids.

If you come into my store, you’ll no doubt hear Stray Kids. If you surprise me in there, you might catch me dancing and sometimes singing along (you don’t need to hear that—I’m bad enough in English). I was fascinated when I found out they write and produce almost all of their songs. They help with choreography and producing the music videos. But especially the writing part. The poetry of these songs is incredible. In three different languages, no less. Mostly Korean and English, but they also write entirely Japanese songs as well as Japanese songs with some English mixed in.

It doesn’t hurt at all that they’re also handsome and charming in addition to prodigiously talented. And they adore their fans.

So how did they inspire me to write Far & wee, a book of sonnets about the balloon-man in e.e. cummings’s “[in Just-]”—when I’d been considering writing such a book for a long time?

It all came about when the leader of Stray Kids, Bang Chan, who loves to tease fans with spoilers they’re never going to figure out until it’s far too late, messaged his fans that his favorite color combination was pink and blue. And how together they made a whole new color.

Well, my first thought was that pink and blue really just makes purple. But I started thinking about pink and blue and purple and somehow it got mixed up in my head with the balloon-man (balloons come in all colors!). And there you go.

I won’t call Far & wee Stray Kids fan art, because it isn’t. But it is art that was done by one of their fans and definitely owes some of the inspiration to them. And a good bit of it was done with them playing in my AirPods or in the background.

So, thank you, Stray Kids. Because I’m really proud of this little book.

Wolf Chan and my book Far & wee.

New poetry book announcement: Far & wee (with excerpt—sort of)

Cover copyright 2022 Michelle Garren-Flye

So you’ve been with me from the beginning of this thing. May 21 doesn’t seem like that long ago, right? What is that, 19 days?

I never would have thought in a million years that I would write, illustrate and publish a book in nineteen days. But I did.

I’ve often felt that I write what is given to me from…somewhere else. I write for someone else and there’s a purpose I don’t necessarily know about for my writing. I don’t know who it is out there who needs to read this book, but it’s here now. It was my obsession, pushing everything else out of the way for 19 days. Now I need to move on to finish up some other projects. Projects that took me longer than 19 days. But I think I can do it now.

Anyway, as a little introduction/excerpt to the book, here’s the actual introduction of the book as it appeared on my computer while I was laying out the book.

Copyright 2022 Michelle Garren-Flye

Cover reveal of the book I wrote, illustrated and prepared for publishing in less than three weeks

Is there a correct amount of time to spend writing a book?

If there is, I broke every rule with this one.

My previously untitled “balloon-man project” is nearing completion. I designed the cover this morning. I finished the layout last night. I’ll probably publish it tomorrow.

This book is really about obsession—especially as it applies to us creative types. There’s nothing quite like the feeling of need that an especially appealing project creates in the belly of a creative.

And there’s nothing like that feeling of knowing it’s done. Even if you broke all the rules getting there.

Copyright 2022 Michelle Garren-Flye

Balloon-man Project: Excerpt from Sonnet #12

It’s 12:30 a.m. and I have to be up at 7 a.m. My son graduates high school this weekend. I’m working between graduation events. It’s a busy weekend.

But I’m up right now because I really wanted to share something else from my balloon-man project. You know, the one that seized me by the freaking throat, picked me up and shook me until I agreed to indulge it? And now it won’t let me go.

Okay, maybe that’s a bit violent of a description for what’s going on here, but I do feel like this one came out of nowhere. I mean, I decided to write sonnets one day and bam. There it was. Twenty sonnets in two days, all connected, telling a story. And now I’ve illustrated more than half of them and I’m pretty sure I know how to lay them out in book format (a very tiny book), and I’m thinking it’ll be ready about the same time as Hypercreativity, which I worked on for months.

I’ve never had a book happen this way before.

Poem and illustration by Michelle Garren-Flye