Goodbye

This is my mother. It was taken not long ago by my brother. He often took her and my father out to lunch since he lived nearby. My mother had Alzheimer’s. She was diagnosed in February 2020. She passed away on February 21 this year. I like this picture because her smile is bright and though the disease she fought had taken so much of her by this point, you can still see her intelligence and humor. And there’s a bit of innocence there, too. Like maybe she was already becoming an angel.

I saw her a month ago. She was still awake and still knew me, though communication was difficult by that point. But I could see she knew who I was, and I am grateful for that. I got to hold her hand and even felt her squeeze it a little. I know this is not always the case. I miss her. I’ve missed her for a long time, but now, knowing she won’t wake up and talk to me again one day, it’s different.

My mother taught me to laugh whenever I could, to curse when I had to, to enjoy music and reading, how to clean toilets (although I don’t use that much), that you always vacuum before you dust (again, not something I use much), to clean as you cook, that the beach is a bit of heaven on earth, that fried potatoes and country-style steak are the best food you’ll ever have on this earthly plane, to apologize when you’re wrong, and that loving and protecting your children takes precedence over everything else and doesn’t end just because they’re adults.

Among many other things.

I remember hearing that you’re not truly dead until no one is left to remember you. That’s part of why I’m putting this out there. Tomorrow is her funeral, and I will say goodbye to my mother. But I don’t believe she will truly be gone. Because I will always remember her. And maybe now some of you will, too.

Goodbye

By Michelle Garren-Flye

Let’s say goodbye as many times as you like:

once when I’m lying in bed unable to face the day,

and again when I’m packing my bags,

when you refold my underwear unnecessarily.

We can say goodbye over breakfast toast,

lingering until our coffee turns cold.

Say goodbye to me later

when I get in my car and wait

an extra moment to close the door

so I can see you standing on the front porch

without the glass and metal between us.

Call me later and say it again and again

over the too far away phone line.

Just say it

again

and again

with tears

and anger

and finality

and reluctance.

Don’t stop…

Don’t ever stop.

Just say

goodbye

one more time.

A love poem for Valentine’s Day

When I set out to write love poetry, I knew I’d have to find a different angle for it. I am still working on that, and I may have taken it to the extreme with this one. Anyway, Happy Valentine’s Day!

Poem and illustration copyright 2023 Michelle Garren-Flye

Poem: Today I’m Drawing Yellow

I’m writing another poetry book. It’s a book of love poems.

No. I’m not in love. Not even close.

But I do have love. I have love for a lot of things and people and places, and if I concentrate on that love, I’m never lonely. If I let it fill me up, it lights up all the dark spaces so even when I’m scared, I know I’ll find my way.

If you think I’m lucky, you’re right. If you think it’s easy, you’re wrong. The worries of the world, mean people, personal problems, Chinese spy balloons…I could go on but I won’t because those things sneak in too easily. Instead, I will make the decision to live my life in love because it will make me stronger. I will draw my life the way I want it to be.

And I will not wait to be in love to write my love poems.

My first ghazal and thoughts about choosing constraints

If you follow my writing at all, you know I am fascinated by different styles of poetry. I’ve written haiku, sonnets, villanelle and am now tackling the dreaded ghazal. I’ve often said that if I have writer’s block, I will write haiku to break it.

So when one of my favorite e-newsletters arrived in my mailbox featuring an article about Oulipo, an organization of French novelists and poets, I was intrigued. These writers believe writing with certain constraints actually inspires creativity. For example, very restrictive forms of poetry as far as rhyme and/or length and even more daring constraints on works of fiction. Like writing an entire novel without using the letter “e”. Some of these works have been translated from French to English…also without using the letter “e”, if you can believe that.

What would it be about restricting yourself that actually inspires creativity? I can’t answer this, but I know that historically adversity can lead to great works of art. The Renaissance, for instance, was conceived during the darkness of the Bubonic Plague. Amazing works of art resulted from the pain of the Aids epidemic. Wars have always inspired great art. And the Covid-19 lockdown released a flurry of works of art, literature, and music that we are only beginning to appreciate.

Is it because we as humans have to hope that adversity creates great work? And following that, do we as artists create artificial constraints on our work just so we can burst out of it? Does restriction force something else out of us? Or is writing a sentence without the letter “e” just silly? (Or: Is it silly to try to show our thoughts without using a common symbol?)

I can only really answer to what works for me (and it’s not not using the letter “e”). Although I don’t totally agree with Robert Frost that “Writing free verse is like playing tennis with the net down”, I do believe that I write good sonnets…and haiku…and villanelle. Not sure about ghazal yet. What do you think?

Star Falls

By Michelle Garren-Flye

Recite poetry in a husky voice—I hear your calls!

Tell me the story of the world and the star that falls.

How is it okay to whisper it all in my ear?

Count every moment from now to when the star falls.

It won’t matter anyway, I won’t let myself care.

I’ll run away—I swear I will—run ‘til that star falls.

But wait!, you say, are you sure that’s really okay?

The moments don’t pause, though, no, not until the star falls.

You’re silent at last, peace surrounds me and I will stay.

Last chance to wish on my whisper (sun’s rising!)…and star falls.

RIP Calliope, 2015-2023. Photo by Michelle Garren-Flye. Copyright 2023 Michelle Garren-Flye.

Learning Curve is at the printer: Want a peek?

I just sent my latest poetry book, Learning Curve, to the printer. This is the third poetry book in my Poietry Diaries series, my sixth poetry book overall. I think. If I counted them right…

Anyway, it’s done. I started this one in July. Now in mid November, almost exactly four months later, it’s done. And I’m proud of it. The poems are well written, edited and illustrated. The format of the book makes sense. I’ll be proud to have it on the shelf at my store. It’s a good addition to my repertoire.

Here’s the blurb for it:

Learning Curve is a contemporary collection of poetry written in the style of villanelle, originally a rustic Italian song, later developed into a French form of short poetry and then into a format with a rigid and demanding rhyme scheme and format. Award-winning poet Michelle Garren-Flye takes on this form in the latest volume of her Poetry Diaries, taking the reader along on not only an emotional journey but also one that promises to introduce the reader to a beautiful form of song-like poetry that will delight and enchant any poetry lover.

Let the reader beware, however. As the poet acknowledges, poetry is the most true of any form of literature. If the truth is anywhere, it’s definitely in these pages.

And finally, it took me a while to decide on how to format this book. It’s a little different from my others. For one thing, I went with black and white again. I was going to go with all simple line drawings, which is more my forte anyway, but I wound up adding shades of grey (lol) to many of them. Here’s one I particularly like that I thought I’d share with you. If you like it, stay tuned. Release date will be announced soon!

Poem and illustration copyright 2022 Michelle Garren-Flye

Putting on my author hat…over my bookseller one.

This Sunday, November 20, I get to do something I don’t often get to do anymore. I’ll be just an author selling her books.

I’m not totally certain I remember how to do that…

Running a bookstore was a dream of mine for a long time. I used to haunt the two little bookstores in my hometown. The Book Nook was my favorite because it was used books that I could actually afford. (I did buy my first new hardback book there, though. Black Beauty and Other Horse Stories. It cost $15 and I still own it.) Highland Books was where I went to dream. I didn’t have enough money usually to buy the books, but the owners were tolerant and didn’t say anything if I curled up in a corner with a brand new science fiction novel they knew I couldn’t buy. I wonder how many people bought books there that I had already read?

But I digress. I dreamed of owning my own bookstore for a long time but I didn’t realize that when I got one, I couldn’t just be an author anymore. Yes, I write in my bookstore. And sometimes I sell one of my own books. I’m on the bestseller table here, so I do sell some here and there, and it’s definitely exciting when I do. But I’m mostly here to sell other people’s books.

On Sunday, however, I will be at the New Bern Farmer’s Market from 1-4 p.m. with a slew of other authors, all selling our own books! I’m planning to take all the books I have here at the store (well, maybe leave one copy of each on the shelf) and hope to sell them and maybe get some people reading my poetry.

And still I won’t be able to resist asking what kind of book people like to read. And I know enough of the other authors there so I’ll know if their books are a better fit than mine. And I won’t hesitate to send them that way…so it might not be that different from being in my little bookstore at all. 🙂

Bookbuilding: How it all falls together

It’s been a bit since I last updated. I’m busy busy getting Learning Curve finished up. Sometimes it amazes me how synchronous bookbuilding can be. I set out to write fifty villanelles. Actually, I set out to master the art of the villanelle, which is an accomplishment in itself. During the course of writing villanelles, it occurred to me that I could make a book out of them. It also occurred to me that two of my previous poetry books were actually the beginning of a series that Learning Curve could continue.

Synchronicity, man.

And now I’m putting together Learning Curve, and synchronicity seems to be more a factor than ever. I didn’t write the villanelles with any sort of organization or sections/chapters in mind. And yet, they seem to be dividing themselves up perfectly in groups of ten. Almost perfectly, anyway.

For me, this part of bookbuilding takes some time. I have been drawing all along while writing villanelles, and many of those illustrations are finding their way into my book. But I’m also drawing special illustrations for some of my poems. I’m putting together each page separately, just as I’ve done for past books, but I think I’ve gotten better at it.

Plus, it’s been very synchronous.

One of the illustrations from Learning Curve. Copyright 2022 Michelle Garren-Flye

I just wrote the fiftieth villanelle.

And that’s that.

Well, not quite. I’m a bookmaker, not just a writer. Now I am entering the phase of putting the book together. In some ways it’s more fun. In others, I miss the constant search for rhyme, the debate about rhythm, thinking in verse.

I’m trying something different with the illustrations this time. I’ll still have them. This is going to be a black and white book, though, so it will be less expensive. And I sort of felt like the color in my other books sort of interfered with the poetry. Maybe not quite as much with 100 Days as Hypercreativity, but some. And villanelle, man. Villanelle needs to be admired for what it is.

I had never heard of villanelle before July 16 of last year. I had just written Far & wee, my book of 20 sonnets. I felt fairly confident I had a good grasp of sonnet writing and I wanted to try something new. I asked on Facebook what kind of poetry I should try next and a friend suggested villanelle.

The more I researched villanelle and tried to write it, the more it became obvious that I’d have to write much more than twenty to come close to mastering the form. There’s so much to think about. Not only rhyme, but placement of the rhyme. And finding new rhymes. I mean, you could write ten to twenty villanelles with rhymes ending in -ay and -ate but it would get old. (Trust me.)

So this book is going to be a bit different, even, than the other two in my poetry diaries series. It documents what was going on in my life somewhat, but it’s also a literary journey for me. I’m learning how to write something new and hopefully you’ll be able to see that I get better.

I know some of my favorite poetry that I’ve written thus far is in this book. I won’t tell you which ones they are. I’m also kind of fond of some of the illustrations, even though I don’t imagine I’ve improved that much in that respect. (That is not false modesty. I have improved, but only so far.)

So, I’m off to make a book. Hopefully I can have it done soon. Maybe even in a week or so.

copyright 2022 Michelle Garren-Flye

Sometimes it’s enough to write the next first line

The other day I wrote that I had completed my fortieth villanelle. This project has taken much longer than my last one (Far & wee). I’ve been writing villanelle since July. I still haven’t perfected it, but the forty I’ve kept are decently passable. Some are even quite good. I think there’s at least one that’s among my favorite poems I’ve ever written.

I’m trying to write fifty total for the book. And I haven’t yet figured how I’ll illustrate them, although I’ve also been drawing at the same time. I have an idea or two. We will see what works out.

At any rate, although I can see the finish line, I’m so far away still! So even after a busy day, I take my computer up to my room with me and before I sleep I try to write a little. Yesterday was one of those days. Busy from 6 a.m. to 9 p.m. I collapsed and ate a bagel and watched a bit of television with my daughter. And then I went to bed and wrote.

A line and a half.

It took me thirty minutes.

And still when I closed the computer, I was happier than I would have been if I hadn’t written anything. Because I knew today I would finish that poem. I haven’t done that yet. But I did finish the first verse. And I like where it’s going.

Copyright 2022 Michelle Garren-Flye

Meraki, a risk worth taking.

lol.

Of course.

I have sold literally dozens of a certain book recently. Great news, right? (Keep in mind I don’t sell dozens of books usually.)

Except I don’t actually like this particular book…

It’s not a badly written book. I don’t write bad. It’s even got a more complex plot than some of my simpler romances. It’s just that I tried an experiment with this one and I don’t think it worked. At the time I wrote it I’d been writing romances with the typical sweet, likable, strong female protagonists who had faced down challenges in their lives and come out the better for it. (huh) So I decided to write a less likable female protagonist for this one. She’s supposed to be brittle on the outside with a soft core. She’s a bit bitchy, to be honest. And while she was sort of fun to write, I never really connected with her.

I recently heard a word that I relate to. A friend posted it on Facebook. The word is meraki. It is Greek for leaving something of yourself in everything you do. Every artist strives to do this, I think. It’s a risk, though. When you leave something of yourself in your work and it’s rejected, that’s a part of you that suffers. Maybe at the time I chose to write a romance with less of me in it than usual without thinking I’d be less likely to connect to it? Maybe that’s why I am loving poetry so much now. Because it’s easier to leave me in my poetry because if I’m writing it right, I’m lost in it anyway.

Whatever the reason I wrote that way then and this way now, every time I see the numbers tick up on this particular book, I think, No, not that one! Because there’s no meraki to it. There’s not enough me.

From Learning Curve, coming soon! Copyright 2022 Michelle Garren-Flye