Poem: Hypercreativity by Michelle Garren-Flye

It’s been a beat since my last update. Since then, I’ve spoken to a group of writers about my love of poetry and how it dropped me a rescue line during Covid. And I’ve had an explosion of creativity that has…

…brought me to a screeching halt.

How is that possible? When my brain is firing all its creative cylinders, how is it I can’t seem to create anything?

And it’s not totally true that I’m not creating. I am. I’m writing poetry and drawing and working on a book about my cat and gathering material for the next literary magazine. I’m entering contests and submitting poems (and getting rejected regularly). I’m working on a workshop about haiku/renga and researching poet laureates for a speech I’m giving at the end of April (National Poetry Month). I am creating.

I’m not finishing.

It’s the danger of hypercreative energy. And yet I’m still enjoying this surge because it’s been so long since I’ve felt creative at all. I’ll find a balance. Until then, I will go in as many different directions as I possibly can. All at once.

If I connect the dots and draw the lines right, maybe it’ll look like a star.

Or maybe just a jumble.

Hypercreativity

By Michelle Garren-Flye

No need to inspire

I am hypercreative

Ideas abound

Crowds of ideas

cloud my dreams each night and day

push reality

Poem: Fire (Because the world is burning and nobody seems to care)

Fire

By Michelle Garren Flye

Burning from the inside out

Is better than exploding in public

Keep it inside, don’t be loud

No one cares what’s in your heart

So you can get away with that

Live a subtle life

Don’t speak what’s not asked.

Or…

Spit out the ash and fire and lava

That’s built up all your life

Because who cares?

Once it’s out it won’t matter

Anyway.

Lava leaves only ash in its wake

Ash chokes those who dare breathe it

And Fire destroys all in its path.

So burn anyway you want—

Kick it out to your neighbors (aha!)

With their green lawns peppered by red signs

Smash it into the bumpers branded enemy…

Or breathe it deliciously

Over those too slow to resist

Caress it onto those who forget to run

From Fire.

Photo by Michelle Garren Flye

Mo Willems might be my hero.

38B7A857-CCC8-4372-A538-2543DC064778

A children’s book can give you a glimpse into your deepest soul. Photo by Michelle Garren Flye.

I remember the first time my son brought home Don’t Let the Pigeon Drive the Bus by Mo Willems from the school library. I loved reading to my kids, but I really never connected with Pigeon. Why he was so popular with my kids, I never really knew. I loved the Frances books, anything by Rosemary Wells, and when they started bringing home little beginning readers like Henry and Mudge, I was in seventh heaven!

But the Pigeon? Every time one of my kids brought one of those home, I just rolled my eyes.

Turns out I missed the point. Pigeon is much deeper and much more shallow at the same time. He’s a philosopher and a spoiled child wrapped into one, which is kind of how I see myself. Maybe I just didn’t like seeing myself on the pages of a children’s book?

How do I know all this about Pigeon? I read an interview with his creator. Check it out here: Mo Willems Interview. (My thanks to my friend Liz for referring me to this article!)

Mo Willems’s admittedly incredible ability to look into my soul and pull a pigeon out of it notwithstanding, he says some very insightful things about the nature of art and creativity and writing. “Books are sculptures” is indeed one of them. What took me most by surprise, though, was the revelation that he’s not just writing to inspire kids. He’s writing to inspire the parents to do and say and live the way they want their kids to do and say and live.

Consider this: “[W}e constantly hear, ‘Our children are the future,’ but we seldom say, ‘Hey we’re the present and it’s incumbent on us to be present.’ So there’s this silliness, but there’s also a, ‘You can do it, too.'”

Thank you, Mo Willems!

I’m 49 years old. I’ve just published my first children’s book (Jessica Entirely by Shelley Gee). I also privately published my first collection of poetry Times and Ties. I’m taking singing lessons and auditioning for plays. I’m inspired by my kids, and my only regret right now is that I’ve never done any of these things before. I didn’t model my life by living my dreams. If anything, they’ve modeled for me by bringing home books for me to read that I wouldn’t normally have read, and introducing me to movies and television and a slew of pets I never would have chosen to bring into my life.

So I’ll presume to add a little to Mr. Willems’s statements. Be inspiring to your children, but don’t be afraid to be inspired by them, too. A family circle is beneficial to all.

Something I wrote:

Jessica smiled in spite of her worries about her friends. They all had friends in town and friends who evacuated and friends who might have lost their homes in the storm. But she had her family right there with her and the idea of helping made her feel much better about things in general. She took a deep breath and followed her family to the kitchen, happier than she ever had been at the prospect of spending an hour or two with them at the table.

Hallelujahs and the creative process (with a poem)

By this point everyone probably thinks they know Leonard Cohen’s song “Hallelujah”. It’s been in movies and television. Even Kate McKinnon had a go at it on Saturday Night Live. So even if, like many, you’re confused about the meaning of the song, you probably think you have heard it from beginning to end.

Possibly think again.

For my own reasons I’ve been doing some research on this song. It was supposed to be a simple Google search, but I found a rabbit hole and plunged right in. I found that there are more than 300 recorded versions. Not surprising considering Cohen wrote more than 80 draft verses for the song. Maybe that’s why he also recorded two versions himself.

According to legend, he spent one writing session in a motel room writing verse after verse while sitting on the floor in his underwear.

That’s quite a creative process.

In spite of all he went through to create his masterpiece, Cohen never expressed disappointment that other versions came to exist when others recorded his song. (Recording artists have rearranged verses, changed words and omitted lines.) In fact, he said himself that he believed that many hallelujahs exist. To me, this explains why he let the act of creating this work of art to consume him so. And I think he’s right. If we let ourselves, we find our own hallelujah.

By the way, I listened to many, many versions of this song while I wrote this. My favorite? Cohen’s live performance in London in 2009.

Many Hallelujahs (for LC)

By Michelle Garren Flye

A mother approaches a borderline.

Safety awaits her on the other side.

Baby in her arms, clutched against her breast—

She crosses the line and whispers, “Hallelujah.”

A black man sits alone in his car.

Flashing blue lights his rear view mirror.

He knows his fate is not his own,

So when he is told to go, he says, “Hallelujah.”

A woman awaits her weekly call

From desert sands so far away.

This world has so many dangers for her heart—

The phone rings and she cries, “Hallelujah.”

The activist lays it on the line every day,

To make a difference, he argues and persuades.

He won’t stop until he’s made it right.

Then someone listens at last and he shouts, “Hallelujah!”

The writer ponders the meaning of one word

And writes and writes, thinks it will never be his.

He bangs his head—and then it’s in his grasp.

His tired hand shakes as he declares, “Hallelujah.”

Poem: Magnum Opus

“If people knew how hard I worked to achieve my mastery, it wouldn’t seem so wonderful after all.”

–Michelangelo

 

Magnum Opus

By Michelle Garren Flye

 

Is that your masterpiece?

Your legacy and estate?

 

When you look at it,

Do you know it’s finished?

Or do you want to wipe it clean?

 

Completion is nothing.

Finality is all that counts.

You could dot the last “I”—

Then black it all out.

 

The creator’s Hand decides.

Or maybe it’s accidental?

In the end, it won’t matter.

 

Shake the Etch-a-Sketch

And start over again.

 

Author’s Note: As the year draws to a close, I’m looking hard at where I am and where I want to be. I’m making plans for changes. Watch this space.

But don’t worry. I still have plenty of romance left. I’m not erasing the Etch-a-Sketch. I’m adding another one.