Tag Archives: Island Magic

Four magicians who’ll make you believe

Seriously, in today’s world, why would you NOT want to believe in magic? When I started writing the Sleight of Hand series, I knew very little about the stage magicians I was writing about. I found magic entertaining and fun and I always had, so I figured why not write about it? I tried it and the result has been incredibly entertaining for me.

My fourth book in the series, Movie Magic, will be out October 31. I’m planning a day of festivities for its release, but I love this series so much, I decided I should re-introduce my magicians here.

So I started with Close Up Magic. Andre Hawke is the magician hero in this one, and he’s your typical tall, dark and sexy with a family he’s devoted to and protective of. He’s already got a lot going on in his life when Stacey Matthewson, a talented entertainment reporter with a checkered past, shows up. How does he deal with her? With a little magic, of course.

Excerpt: Her chest felt tight and she found it hard to breathe. Was he going to kiss her? Dear God, she felt paralyzed. Was this really just desire or did he actually know enough magic to CloseUpMagicEbookRevhold her immobile while he considered whether or not to kiss her? Or did she want his kiss so bad she was willing to sacrifice what was left of her career to get it?

She cleared her throat and fought her way out of whatever spell he’d cast. “I, um, do have another reason—” She reached into her purse.

“Save it.” He dropped her hand. “I don’t talk to the press before shows.”

She couldn’t disguise her astonishment. “How do you know I’m a reporter?”

“Fresh off the plane. I recognize the smell of the soap. Congratulations, you’re the first. This evening, anyway.” He glanced at his watch. “I’m not expecting any more for at least a couple hours.” His glare was sharp. “They probably won’t catch me until after the show.”

Keep in mind that throughout the writing of Close Up Magic, I refused to look up how magic tricks were done. I didn’t want to know. I made up my own magic tricks for the books and tried to imagine ways they could be done, but I didn’t want to spoil the magic for myself.

When I started writing Escape Magic, I figured I better change that. Escape magic is very different from close up magic in that the performer relies on a lot of physical strength and dexterity to accomplish their tricks. I’d been challenged to make one of my magicians a female, and, to my surprise, escape magic lends itself very well to female performers. When I started researching the subject, I was surprised at how many women escape artists there actually are. This led me to create Lady Lydia, a friend of Andre who becomes the love interest of Andre’s brother Tony.

Excerpt: Lydia was not easy to find. He finally located her in a knot of cheering male magicians. She was seated on a table with her legs crossed and her arms bound behind her. A handsome, dark complected man teased her with a wine glass. “C’mon, Lady Lydia! Get loose and it’s all yours.”Escape MagicEbook

Lydia pretended to have trouble with the knot. “Oh, you might just have me with this one.”

The dark man smiled a little lasciviously and leaned on the table so his body half covered hers. “Oh, I really hope so. But give it a try anyway.”

Lydia remained perfectly calm. Tony knew she’d probably already worked her way out of the knot, or at least knew how to, but she gave no indication of it. “How on earth could I possibly—oops!” She held up her hands with the rope dangling from one and gave him a little push away from her. “Did you lose something, Samir?”

“Just his pride.” Tony recognized the little toadlike man who spoke as Phil, an illusionist. He frowned, searching his mind. Had Phil even been invited? Before he could speak, Phil made a beckoning motion. “Everybody pay up.”

“Not the right venue, Phil.” Tony stepped forward as Lydia took the wine from the handsome magician’s fingers. Tony noticed a line of empty wine glasses on the table next to her. It wasn’t the first bet, then. His resolution to put a stop to the illicit activities strengthened into an almost protective resolve. “Lydia.”

She glanced at Tony as she sipped the wine. “What? You want to go next?” She dangled the rope in front of him. At his disbelieving look, she laughed. “Sorry, don’t have any cuffs. You have to bring your own.”

Of course, after all that partying in Las Vegas, I was ready for a change of scenery with my next book. That resulted in Island Magic and its reclusive magician hero Ian Logan. Logan is in a sort of self-imposed exile from magic, but when he encounters an old friend in trouble—sexy and damaged divorcee Rachel Duvall—Logan just can’t help but slip back into his magic ways to help her heal.

“I’ll tell you a secret.” He brushed her hair back and leaned over, his lips close to her ear. “Real magicians never have to prepare—as far as you know.”

A pleasant shiver went through her. A vague memory stirred. Her mother in the kitchen prIsland Magic eBookeparing for a dinner party. A good hostess has all her preparation done before the party so it looks like she gets to enjoy everything as much as her guests. She pushed the memory away, knowing it would lead to others where she was the perfect hostess with everything prepared ahead of time. She’d already broken her vow never to cry again once that day. She steeled herself against doing it again.

Lifting her chin, she stepped past him onto the deck. Her hands gripped the white-painted wrought iron railing. His body was solid and warm behind her, but she clung to the cold metal rail as if to keep herself from flying up into the stars. She felt almost certain whatever he was about to do—whatever she was about to see—would surely turn her world upside down.

The tropical sun had set long before. She wondered what time it actually was but didn’t really care enough to find out. Diamonds peppered the velvety black sky, and he wanted her to pick one. She lifted her hand and pointed. “That one.”

He rested his chin on her shoulder, bending his legs so his tall frame molded against hers. She watched his hand the entire time as he reached past her arm, closed his long fingers and brought them back to the glass, releasing the light into the bowl of the wineglass. She stared in wonder at the blue light.

“Did you see a trick?” He smiled at her, offering her the glass, his hand still firmly on top of it.

Finally, we come to Movie Magic. This may be my favorite of the Sleight of Hand books so far. I love the heroine, Sabrina Parker. She’s a plucky, ambitious woman in the Hollywood special effects business. She’s befriended all the other magicians we’ve met so far, using their expertise to create effects for movies that go beyond CGI. But when she needs help on a very special movie, her old friends fail her. They’ve all got projects of their own. What’s a girl to do? Our girl finds Walt Bryson, a sexy, talented children’s magician who lives on the coast of North Carolina. And magic ensues. Magic that involves everything from pirates and Carolina Beaches to the Magic Castle of Hollywood.

She missed the pleasant buzz from the rum. The coffee cleared things up for her too much. Half of her really wanted nothing more than to drink rum and make out with him on this couch in the late afternoon sun while the deck below them bustled with waiters anPageflex Persona [document: PRS0000038_00074]d the other pirates cleaning up from the afternoon. She really wanted to give in to some crazy impulse. She glared at the innocent cup of coffee. “I miss the rum.”

He laughed softly, brushing her hair back from her face, his fingers tangling briefly in the soft curls. “So do I.” His gaze flickered to her lips and she knew in that moment that she wouldn’t need the rum buzz to kiss him. Oh please, just kiss me already. The thought whispered in her heart, and all she could see for a breathless moment was his lips.

He brushed his thumb over her lips, so tenderly her belly filled with a melting fire. But then he backed away with a reluctant smile. “But maybe we don’t need rum, huh?”

All of my Sleight of Hand books are available at Smashwords, Amazon, iTunes, Barnes & Noble and many more of your favorite online book retailers. Pick up one and be ready to believe!

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Movie Magic (Book 4) Available October 31!

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Do you want to believe in magic??

Sleight of Hand Series 2-page0001

Movie Magic (Book 4) Available October 31!

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Magic in the Wings…

I seem to always have about three novels in the works these days. So after Time Being‘s release in June, I took a couple weeks off and then I picked up one of my previous projects, a Sleight of Hand novel I wrote way back in 2014 during NaNoWriMo.

If you’ve ever completed a National Novel Writing Month novel, you know what you tend to end up with. It’s usually a huge mess. This one, in particular was a bit of a mess to begin with because I’d taken two ideas, Pirate Magic and an untitled novel about a children’s magician, and thrown them in together. The result couldn’t be pretty, right?

Actually, it wasn’t as bad as I’d first thought. I actually enjoyed unraveling the knots I’d tied my plot into and filling in the holes. I really fell in love with my characters all over again. If you’ve read Island Magic, you’ll recognize Sabrina Parker, the tough and talented special effects expert who helped magician Ian Logan fake a plane crash on a remote tropical island. And Walt Bryson, children’s magician, makes a perfect love interest for the intrepid Ms. Parker.

It’s a match made in the stars—Hollywood stars, that is!

Anyway, here’s the blurb, which may change a bit before I’m done. I’m always tweaking these things, right up until I’m ready to publish it. I’m hoping to have this one out by October. It still needs another copy-editing run-through and maybe even a little light editing, but for the most part the story is done, and here it is:

Lights…camera…magic!

Sabrina Parker has spent her professional life creating unbelievable stunts and magical effects for movies and stage magicians. Now she needs a magician to help her bring a very special movie to life. Her search leads her to the very unlikely stage of Walt Bryson, host of a long-running children’s television show in Beaufort, North Carolina.

Walt isn’t terribly happy about taking Hollywood’s call. He’s never sought the same notoriety as his Ian Logan and Andre Hawke. But there’s something about the beautiful, levelheaded Ms. Parker, and when he reads her screenplay, he knows he wants to work with her. For the first time in years, he’s willing to put tragedy behind him and make real magic.

 

Can Walt and Sabrina use love as their guide or will their past mistakes haunt their future?

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The Pinch: Michelle Garren Flye

Today I was interviewed by fellow author A.J. Brown. Check it out here: The Pinch: Michelle Garren Flye.

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Welcome Nakul Shenoy! And happy birthday, ISLAND MAGIC

Aha! Welcome to party central! It’s the birthday of my new book, Island Magic, and I figured…what better way to celebrate than to have a real live email interview posted on my blog? Nakul Shenoy and I have been twitter buddies since I first started getting seriously interested in magic. He was the first magician to take me seriously, and he’s even read a couple of my books! Now it’s my turn. He has a book about magic coming out, and I thought it’d be a good chance to return the favor. Please help me make him welcome. Also, I’ve decided to give out a $10 Amazon gift card to one random commenter on my blog today, so leave Nakul a question, then beat tracks over to Amazon to buy your copy of Island Magic, if you haven’t already!

~The Interview~

#001_NakulShenoy_ProfileFirst of all, let me be honest, I dont want to know the secrets of my favorite magic tricks. I prefer to believe. Should I read your book?

Indeed, Michelle! I agree. Belief in magic is what keeps many of us going; it inspires us to create effects and presentations that represent ‘real magic’. Anyway, my book is not as much about the tricks, as much as it is about learning to present and perform magic. In many ways the real secrets to creating a magical experience.

This book will serve as a good guide to anybody interested in putting together an effective performance in magic, while also helping them in various ways to improve their confidence, public speaking, and social skills.

You should read my book simply because it is a wonderful thing to be able to amaze and entertain others using magic, and it helps us bring smiles to people’s faces.

Whats the biggest misconception about learning to perform magic?

Good question! The way I see it – and this is based on the numerous interactions I have had over the years – there are two major misconceptions about learning magic.

One, people think magic is performed using hypnosis. That in many ways could be attributed to the mysterious passes and gestures that the magicians perform as part of their act. As romantic as it may sound, hypnotism has really not much to do with the stage magic that we encounter most of the time.

The second misconception is that tricks make magic. Much as this is true, the technical aspects of the trick itself – also called method – has a limited role to play in the performance of magic. A magical performance is embellished with the story, presentation, and premise of the effect; it is this that makes a trick into a miracle. Yet, many of us – including professional magicians – cannot get over the search for the perfect method. Somehow, we can’t get over the belief that learning the secrets of tricks is what makes the best magic.

Whats your best advice for aspiring magicians?

The first, second, and third rule of magic is Practice, Practice, Practice. You really have to internalise the workings and handling of a magic trick, before you can even take it to a rehearsal stage – let alone perform before a live audience.

That aside, the focus of the magician has to be on making magic, magical. As weird as that may sound, in many ways we forget what made us get into magic – that feeling of something being real and amazing – and get too caught up in performing magic tricks, because we can. As far as the aspiring magician remembers to give all the attention to the performance, the presentation that creates the feeling of magic in the audience’s minds, they will create magic, and not just perform a puzzle for the audience to solve.

How do you go about teaching someone to perform magic?

Magic is both an art and a craft. It involves skills that have to be learnt first, then mastered, before they can be crafted together into a charming performance. Much like a musician has to learn and master musical notes and a dancer has to learn and master dance steps, the aspiring magician too has to first concentrate on the basics. Once that step has been crossed comes the performance part, where the focus has to shift on learning and mastering the basics of acting. The words of Jean Eugène Robert-Houdin – the father of modern magic – comes to mind here: the magician is but an actor playing the role of a magician.

Why did you decide to write the Smart Course in Magic?

I took to magic as a 5-year-old kid, fascinated by Mandrake the Magician. I wanted to be Mandrake. In many ways, I still do. I took to seeing any magic show that came my way, as many times as I could. I took to reading anything and everything remotely connected to magic. Somewhere down the line, I found books that dealt with tricks, and later also some that dealt with the performance of magic.

It is just fortuitous that I am where I am today in the world of magic, as I had a lot of things falling into place at the right time – to get the proper guidance, mentorship, and of course friendship. This is linked to a lot of circumstances coming together in the right way – a feat no less magical.

The idea for the Smart Course in Magic came though as I wanted to create a workshop in a book. Not one that taught numerous magic tricks – there are too many already in the market – but one that focused on presenting magic in the way it should be. So in this book, the tricks are incidental; they are taught only in the context of learning a larger concept of magical performance. I do believe I have delivered what I intended with this book.

 

How did you choose mind reading as your specialty in magic?

This came more recently. I was performing stage magic – the conjuring and illusion variety – for about 10 years. Yet somewhere I found that I was going away from my idea of Mandrake The Magician. He did not seem to have a 10-member troupe or a truck load of equipment. That was when I discovered psychological magic or magic of the mind. Dabbling in that allowed me to create an onstage persona of The Mind Reader. And so most of what I do today is limited to the ‘powers’ that I have attributed to that persona.

Have you ever performed other types of magic? Illusion? Sleight of hand?

Yes! I have walked the path, so to say. I began with close up and conjuring magic – mostly the sleight of hand variety. Then I moved to the stage magic – as I found that more fitting to my context, and performed shows with illusions and conjuring effects. As I said earlier, the move to mind reading was my need – to push myself to other realms of magical performance; to entertain audiences in the best way available to me.

Mind reading is very different from other types of magic, but I imagine they use some of the same psychology. How do you see this?

Yes, they are all various genres of magic. And in many ways, the basic rules remain the same. The methods are varied and different, but what makes any type of magic – magic, is the performance of the same. Yet, there is a great difference in the way you are perceived by the audience, basically because of the premise you are performing in and of course the story of the presentation itself. I like it because there is nothing much to hide behind, and it is magical performance at its purest. It is just the audience and you the performer – with minimal focus on props.

Do humans as a whole want to be fooled?

I do have a theory on that, but in this context I would say that we do wish to be entertained. And in the best possible way. Dariel Fitzkee once wrote, “the audience is there to be entertained – entertained by magic” while reminding that magic was only one of the various other modes of entertainment available. This is a truism I hold dear, and remind myself all the time.

If the focus of our performance is to entertain and entertain with magic, then it never matters what the audience is there originally for and with what intent. So again, whether we wish to be fooled or not, I sincerely believe we wish to be entertained.

What is the biggest challenge magicians face today?

Like everything else in life, the digital age is changing things faster than we realise. Television brought along opportunities to take magic to homes, and now the internet has provided the opportunity to take it to everybody in the connected world. Yet, the real joy of magic is in the performance of it – in front of a live audience. And similarly, it is best enjoyed in first person, live. Somehow, in today’s tech world we are losing the charm of the live theatre performances, and this to me is the biggest challenge for the craft and its practitioners.

Okay, you knew I was going to ask. Can you read my mind over the internet?

Haha! Yes, I indeed did. I think it is best that I share that thought offline!

Ha! Get on out of here, magic man. Thanks for stopping by!

If you want to know more about Nakul, check out his bio below:

NAKUL SHENOY is The Mind Reader – an expert magician and hypnotist based in Bangalore, India. A leading corporate speaker and entertainer with unique insights on communication and people behaviour, he travels the world addressing elite audiences drawn from top corporates.

Nakul took to magic at the age of five via his fascination for the comic book ‘Mandrake The Magician’. He performed his first public show at the age of 15, and since then has continued in his self-professed journey to be “a real-life Mandrake”.

Over the last two decades, Nakul has grown to be a sought-after entertainer for Fortune 500 companies and other coveted events, and has performed at venues in Asia, the Middle East, Europe, UK and the USA.

A compulsive reader of books “on every topic under the Sun and beyond,” he haunts Twitter as @nakulshenoy. Nakul’s first book on performance titled ‘Smart Course in Magic’ will be published by HarperCollins India in December 2014.

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Life as a Self Published Writer and the Road Not Taken

Tomorrow morning, Island Magic goes on sale. My tenth book (nine novels and a novella). It seems like a good point in my career to sit down and look at the road I didn’t take for a minute.

I see the roads of Self Publishing and Traditional Publishing like this. Self Publishing is a rural route. Part of it isn’t paved, and part of it is freshly hacked out of the forest undergrowth. It’s windy and long and sometimes difficult to get through, and there are a lot of little side paths you might find yourself on if you’re not careful. Traditional Publishing, however, is a highway. Well-paved, but sometimes jammed up. Littered with rejection letters from editors, publishers and agents. It’s only once in a great while that a writer can make their way through the pack and over the bridge and into the big, golden city named Published. And once you do, you have to go back to the beginning and start all over.

I reached the fork in my road a while back. Traditional publishing had paid off only mildly for me (two ebooks with Lyrical Press and one with Carina Press). I tried self publishing with my book, Weeds and FlowersMH900058885, because I had literally no idea how to sell it. It isn’t literary or genre fiction. It’s fairly intense for young adults, but the main characters are teenagers. I tried to rewrite it as a young adult romance, but that didn’t work. So I self published it, telling myself it wouldn’t hurt anything.

And it didn’t hurt anything. But it opened up a whole new world to me. Suddenly I realized, as a writer, I don’t have to sit in a traffic jam on the Traditional Publishing Highway. I don’t have to spend my precious writing hours anguishing over cover letters and synopses. If I took this exit onto Self Publishing Route, I could spend them writing what I want to write. Books.

I can still see Highway Traditional Publishing. It crosses Route Self Publishing from time to time. I check out the market, consider submitting, wish for a moment that life could be easier, that my books would sell themselves. And then I continue writing. Because that’s what I want to do, and if I have to pull out my machete and hack my own way through the wilderness, so be it.

Island Magic goes on sale tomorrow. Don’t forget to buy your copy of my seventh self-published book.

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Island Magic: Let it go…unless it’s a misplaced comma.

commaThis is the story of how a misplaced comma very nearly brought down all my plans to publish Island Magic on time. Okay, maybe not really, but it did cause a very frustrating morning for me.

I spotted the comma in one of my “extra” rounds of editing. I call them “extra editing” but I don’t really have a name for them. It’s what I do when I’ve finished all the other rounds and want to spend a few minutes re-reading and admiring what I’ve done. “Patting myself on the back” doesn’t sound as good as extra editing.

And what I definitely do not expect is to find a mistake. A glaring error. An imperfection in the form of a tiny, itsy bitsy punctuation mark…a misplaced comma.

THE misplaced comma.

I knew immediately where this comma came from. It was stuck in the middle of a sentence between the subject and verb. How on earth did I do that? In no realm of alternate punctuation would I ever think a comma belonged in that spot. But in this particular instance, it was a sentence I’d rewritten on my last pass through the document. I rewrote the sentence because it struck me on that last pass as being too long and complicated. I deleted a clause, but somehow I neglected to delete one of the commas that went with it.

But what to do about this comma? I could leave it. Everything else in my document was perfect. At least as far as I’d seen. But I knew that comma would haunt me. I couldn’t let it go.

So I opened up the document and fixed it. Then I downloaded the fixed file to Createspace and KDP.

That’s when I noticed a mysterious tab had appeared on the left side of most of my document. Where it came from I didn’t know, but it definitely threw off my page count. Which threw off my cover. The tab had to go. Unfortunately, not only was it a mysterious tab, it was also a stubborn one. No matter what I did, it remained.

And then, as suddenly as it appeared, it disappeared. Taking with it all of my formatting. Line spacing, first paragraph indent and all chapter headings and scene break indicators (you know: ****).

During the course of the morning as I fixed the missing and messed up formatting, I cursed myself for ever touching that comma. Really. It was like a zit on your nose that you squeeze and make a big red mark instead. About fifty percent of my readers would never have even noticed that comma zit and forty-five percent of the others wouldn’t have cared. I can only think of a couple who’d ever have mentioned it to me.

I’m not really certain what my take away from all this was. I’m not the type to ignore little zits, even if messing with them causes bigger problems. But the end result, I hope, of striving for excellence is at least a step closer to it.

What about you? Do you let the little mistakes go or are you willing to cause bigger problems to fix them?

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