Fabulous and Brunette | BREATHE: Michelle Garren-Flye

Teaser_BecomingMagic Today I’m promoting Becoming Magic over on Ally Swanson’s blog “Fabulous and Brunette.” Please stop by and say hello! I’m giving away a $50 gift certificate (Amazon or Barnes & Noble) to one random visitor to my tour, so make sure you register to win while you’re there!

Ally asked me to write a guest post about my evolution as a writer. This works perfectly for me, because Becoming Magic was a sort of turning point in my writing career. Time and again I’ve been asked if my books are like Fifty Shades. I can never tell or not if people are happy with my answer, either. Because they’re not and never have been, but I, like many in my genre, have fallen into other traps of our genre.

I’ve been guilty of glorifying alpha males. If you ever actually meet an alpha male, it’s unlikely you’d actually want to spend much time with him. Being demanding isn’t, in my book, very sexy.

I’ve also had themes like kidnapping (one was friendly and one was necessary, but still). No, guys, we don’t want to be kidnapped. Oh, and a couple of times the heroine could have claimed sexual harassment—and in one case, the hero!

On “Fabulous and Brunette” I talk about how it’s important to avoid these issues and how it is possible for a hero (and heroine) to be sexy without them. So join me over there to explore the “Evolution of a Writer”.

I do a lot of thinking. Some might say too much. I’ve been thinking a lot recently in light of the Time’s Up movement in Hollywood and around the nation about how my genre of writing needs to evolve—if at all.

I’m a romantic who’s been blessed in the love and family department. It’s not always easy to see life from the viewpoint of the victimized when you live in a safe bubble. I’ve never really needed to be feminist, though I’ve had my own small #metoo moments. Still, I’ve been wondering…how do I as a romance writer make this situation better? How can I write about the flirtation and romance between men and women when so much negativity is associated with such flirtation and romance crossing a line into something much darker?

I’ve always tried to write strong female characters and caring male characters, but I’ve never considered how their romantic interactions could read to someone who has been victimized. Consider the pirate scene in Movie Magic, for instance. Or the scene in Secrets of the Lotus where the rich guy just chooses a woman at random to kiss at midnight on New Year’s Eve. In Winter Solstice, the two main characters are co-workers. Island Magic is basically about a kidnapping—a good-natured and necessary one, but still. In almost every one of my books, looking back, there is something that might be frowned upon by a feminist or trigger a victim. The only one of my books with a real feminist as a heroine is Escape Magic, which I wrote in response to my disgust over 50 Shades of Grey.

I haven’t solved this romance/feminism quandary, by the way. I’m keeping it in mind in my writing, however, so it’s most likely going to show up eventually.

On to better news. Today, in spite of its possible problematic elements, Movie Magic received TWO great reviews. See below for details and stop by to give my reviewers some love and for your last chance to enter to win a $50 Amazon gift card:

“A sudden storm brings the characters together, and very much like the Shakespearean play, “The Tempest”, the characters are introduced and the story unfolds against a background of nature, the elements, and magic. Movie Magic is a charming romance!” —Jennifer Macaire

“…for the most part I really did enjoy Mrs. Flye’s writing style as she was superior on detail. She carefully thought-out certain passages that when I read them I wasn’t reading them – I was seeing them! Perhaps like my own little movie magic occurring!” —Fabulous and Brunette