Double Promo: Becoming Dickens?

I have a guest blog post on Sharing Links and Wisdom today that’s sort of a compare/contrast thing about my two current releases, Becoming Magic and Dickens Magic. I’ve never actually had this sort of thing happen before—two fresh books out at once? I remember the first time I met with an agent and he asked me for proposals for at least three more ideas for novels. I had no idea how to go about that.

And now I have two books out, one rough draft complete (Timeless), and I’m working on my National Novel Writing Month book, Magic at Sea. I’ve also got plans for another magic book and another standalone romance. Plus, my daughter’s been asking me to write a kids’ book and I might have a rough idea for one… It’s in the process.

So I haven’t forgotten about either of my new releases. I’m hoping they’ll help promote each other. And I’ll go ahead and tell you, Connor and Carole from Becoming Magic and Alex and Kate from Dickens Magic make multiple appearances in Magic at Sea.

Wish me luck on this crazy month… For anyone keeping score, my word count is currently at 23,201, which is well ahead of the curve, but I know from experience the end of the month is when it gets hard, so I’m writing as much as possible now. They’re not all good words, but they  are words, and during NaNoWriMo madness, that’s what counts!

And hey, buy one of my books! They make great escape reading.

Shout it from the rooftops chimney-sweep style!

Three days to publication of Dickens Magic, book 6 in Sleight of Hand, and I’m doing all the normal stuff. Facebook, Twitter, blog… I’ve currently got a web tour going for Becoming Magic, and I won’t lie, I’ve plugged Dickens Magic several times in that tour.

But how do I get you guys as excited as I am?

Whenever I publish a new book, I think of the chimney sweeps dancing on the rooftops of London in Mary Poppins. If I could convince Dick Van Dyke to shout the news from the rooftops on Wednesday, would that get the word out? That’s what I feel like doing when a new book comes out. I want everyone to know!

It’s a strange world, the publishing world of today. It’s easier than ever to put your words out there, harder than ever to convince someone to read them. The best way to accomplish this now is word of mouth. So, if you’ve ever read any of my books or short stories or poems and liked them, consider telling someone I have a new book out. It’s called Dickens Magic. Shout it from the rooftops!

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Not London… But imagine me standing on the roof shouting about my new book and dancing the chimney sweep dance from Mary Poppins. That’s how I feel when a new book comes out!

 

Dickens Magic: My Exception Proves Nothing

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This picture has nothing to do with this post. It’s just a pretty picture I took and posted here to catch your eye. Do you like it?

I’ve never liked that phrase “the exception that proves the rule”. If there’s an exception, then it proves the rule is faulty, right? Or does it prove that there is a rule to begin with? Or is it that you’re “testing” (proving) the rule with your exception?

No matter what, the expression is rife with possibilities for misinterpretation.

Which is why I’ve decided that Dickens Magic, which is most definitely an exception to my normal formula for Sleight of Hand books, proves nothing. Nothing except that I will go where my characters and their story lead me.

But how is Dickens Magic different from my other books? First of all, the hero and heroine are not magicians. Neither one of them. They aren’t involved in magic (at first, at least) in any way.

Second, Dickens Magic does not take place in any exotic locales like Las Vegas or the Caribbean or Hollywood. There is one very brief scene in New York City. The rest of the book is set entirely in New Bern, N.C., one of the least exotic locales you could ever want to visit.

Third, Dickens Magic’s setting centers around a building. It’s actually a building I love. The Masonic Theatre where RiverTowne Players performs. And it’s based on my own theatrical exploits. I tell everyone my recent desire to be an actress is my midlife crisis. And I’m good with that. But the truth is, if I had never walked into that theater with my daughter when she auditioned for The Little Mermaid, Jr. at the age of five, that midlife crisis would probably have lain dormant forever. I couldn’t do it anywhere else, I’m pretty sure.

Finally, I never put myself in my books. I can honestly say I’ve never read one of my books and seen myself in it. But this one, I kind of did, although I didn’t realize it until the final round of editing. It startled me at first when I noticed it, and certainly it’s not a real clear portrait of who I am, but it’s there. I’m not one of the main characters, though, so don’t think I think I’m the multitalented Kate.

So, my exception is out there. It doesn’t prove a thing. I’ll return to the rules (or most of them, at least) next time. Though maybe I’ll decide it’s more fun breaking the rules, especially the rules I’ve made myself.

 

Time to Get Excited about Dickens Magic!

I’m super excited to share Dickens Magic with you all in a few days! It comes out on October 31 and it’s set in a place that’s become very special to me. The historic Masonic Theatre where Rivertowne Players performs is a very old building with so much history it’s practically got a personality of its own. The people inside the building are awesome, too, but it’s the place itself that has magic for me. I’m convinced that if the Masonic Theatre were a person, she and I would be the best of friends.

That’s probably a result of all the creative energy and wonderful people who have filled

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Me, backstage in my party dress, ready to go to the Fezziwig’s!

the building through the years, but whatever it is, I’ve wanted to set a book there for years. When I finally gave in and auditioned for a part in A Christmas Carol last year, I got my chance to see how the theater’s magic really works first hand. The spirit of that old place got into my blood and I started writing Dickens Magic almost as soon as A Christmas Carol wrapped up.

It’s difficult putting into words what that theater is actually like. And I’m sure some can go in and just see an old theater. Others can admire the architecture and history, but not really feel the magic. But if you go to a play there, let yourself open up to the magic…it’s an amazing thing. And if you can’t make it there, try my book, Dickens Magic. See if I did my friend justice.

To get you started, here’s an excerpt from the book, before the romance between hero Alex and heroine Kate really gets going. For fans of Close Up Magic, yes, the Andre in this excerpt is Andre Hawke!

dickens-magicAs though energized by the way they had begun, the cast fell together almost instantly and the resulting rehearsal was one of the best Alex could ever remember being involved in. Especially considering no one was actually off-script, the run-through went smoothly, as if everyone already knew the blocking that hadn’t even happened yet.

Wisely, Kate let it happen, stopping them only between scenes to make notes about performance and blocking. As Scrooge, Alex was on stage nearly the entire play, which afforded him plenty of time to take note that Andre stayed for the rehearsal. He sat comfortably next to Kate in the front row, his long legs crossed in front of him. From time to time, he’d say something to her that almost always made her smile.

And every single time, Alex felt a jolt of jealousy that threatened to push him out of character. He managed to hold it in check, incorporating it into his character of Scrooge. At least it made it easier to play a jealously guarding old man. And besides, Kate hadn’t given her script to Andre, had she? She’d given it to him. And tonight, he’d read it.

In a strange way, he felt very much like a miser—a kinship with Scrooge he hadn’t expected. But it wasn’t money he wanted to hold tight. If he really had any money, he’d give it all to her to erase the worry lines from her forehead. But he hadn’t really been able to do that, in spite of the fact that he had called Andre to get him to come early. No, Andre had done that. And now Andre was cuddled up with Kate in the front row.

Except he wasn’t. When Alex looked again, Kate was alone. She looked tired though. Her face was pale, and he could see lines of pain around her eyes. Just as it struck him that it must be nearly nine o’clock, Andre reappeared next to her with a glass of water. She gave him a quick smile and took a sip of the water. He bent down next to her and she nodded, looking back at the stage. “We’re going to call it for the night, guys. Sorry, this has been one of the best run-throughs I’ve ever seen so early in rehearsals, but I’m fading fast.”

New look for a new kind of romance

Everywhere I go now I’m touting my “new kind of romance”, so I thought it fitting that my blog should have a new look. So here it is, complete with a red rose background.

Next month I’ll be attending Mumfest in my adopted home town of New Bern. I’ll be selling my independently published books and giving away a few advance copies of Dickens Magic, which won’t be available until October 31, as well as a complete set of my Sleight of Hand series. I’m super excited about this, and I hope I’ll get to meet a lot of potential readers who are interested in my work.

For those who don’t know, New Bern suffered a great deal of damage during Hurricane Florence. The downtown area, where Mumfest will be held, was particularly hard hit as it is located at the junction of the Neuse and Trent Rivers. Many businesses were flooded, homes were lost. And yet no one has suggested that Mumfest should not happen. And so, on the fourth weekend post-Florence, our downtown streets will be crowded with booths of arts and crafts, food vendors, local businesses and non-profits. Flowers will brighten the corners which not long ago were occupied by storm debris.

And I will be there. I don’t yet know if I’ll be able to sell folks on my new kind of romance idea. I hope so. I truly believe what we read makes a difference. In the same way that what we eat affects our bodies, what we consume through books and other media affects our minds. If it’s good, wholesome and nutritious, so will our minds and hearts be. And good, wholesome and nutritious in the case of romance, does not have to mean not sexy.

I’m going to leave you with an excerpt from Dickens Magic, which takes place entirely in downtown New Bern at the historic Masonic Theatre I have come to love. I think this excerpt, which is from the POV of Alex, the hero, sums up a bit of what I feel about this town:

Alex walked without paying much attention to where he was going. He knew the way pretty damn well, after all. Every crack in the sidewalk, every storefront, every red light and stop sign was ingrained on his heart like a map of his very existence. He’d never felt that with New York, not even Broadway. Broadway was where he worked and his apartment in Manhattan was where he stayed.

New Bern was where he lived.

He paused at a corner. He stood directly in front of the old fire station, now a museum. If he looked right, he would almost see the old theater. It was just two blocks down, set back from the road with an unevenly paved parking lot in front, the crumbling façade of the building adorned with a poster of the theater’s latest production. What was it? Chicago? He’d read the review of it to his mother last week. He’d said maybe he’d take her.

Of course, that probably wouldn’t happen. He knew that.

A trolley passed in front of him and he caught a glimpse of himself in the reflection in one of the windows. Unshaven, his clothes a little more rumpled than he usually allowed them to be, his hair a little longer than he was usually comfortable with. And a worried look that wouldn’t be banished.

I hope you’ll come visit this town I’ve grown to love so much. New Bern got knocked down, it’s true, but she’s getting back up with the grace and dignity you’d expect of a 300+ year old dame. She’s strong. #NewBernStrong

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A view of the Trent River from my back deck.

 

#AmWriting: What it means to me

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If only there were a sign that pointed the way. Photo by Jens Johnsson on Pexels.com

You’ve probably seen the hashtag #amwriting before. On Twitter, Facebook, Instagram. I don’t use it very often because if I’m on Twitter, Facebook or Instagram, I’m actually not writing. I’m putting off writing. I’m distracted. I’m looking for a way to get out of writing.

I’m procrastinating, and, as my high school chemistry teacher always said, “Procrastination is the thief of time.”

Today, for instance, I #amwriting. I’m writing guest blogs and interviews for other people as part of my ongoing blog tour for Becoming Magic with Goddess Fish. Meanwhile, my novel writing is at a bit of a crossroads. I have started and stopped several times on my new project. Nicó and Brooke (the heroes of my newest untitled project) have been left wondering what’s to become of them. And poor Galen and Frankie from Magic at Sea! I left them way back last October to finish rewriting Becoming Magic and then realized I needed to write Dickens Magic if I wanted it out before Christmas this year.

Well, Kate and Alex from Dickens Magic are all set. Now I’m torn between the two stories I’ve started, and I have to pick a direction. Or I could always go back to finish up Jack and Kaelyn’s story in Timeless. At least that one’s written. I just have to edit and rewrite and edit again.

That’s what #amwriting means. I #amwriting. I just need to pick a direction. And quit feeding the procrastination thief!

Poetry is meant for more

I’m reeling. I read in The New York Times that The Nation apologized for publishing a poem because of social media backlash. The editors apologized—as did the poet—for using language identified as black vernacular because the poet is white.

Okay. I get the whole black face thing. I agree that no one should ever attempt to use language or cultural appropriation to make fun of another race. However, this poem (“How-To” by Anders Carlson-Wee) had a certain beauty to it and was not, in my opinion, intended to outrage anyone. But if it was…so what?

You think Mark Twain wrote Huckleberry Finn with its anti-slavery views without intending to outrage his fellow Southerners? Do you think it would have been as effective if Mr. Twain had not used black vernacular? And yes, I know in today’s world old Huck has become somewhat despised among some literary snobs, but I still—and always will—love that book.

But poetry! Poetry is meant for more than being politically correct. Poetry is meant to entice and outrage. Poetry is meant to make you think about things a different way. Why the hell do you think it’s so difficult to understand? Why do you think your English professors could spend an entire class period on a ten-line poem? Because poetry is different. And it’s off limits to political correctness.

To those who think Mr. Carlson-Wee had no right to appropriate black language, I say this: He has poetic license. He’s a talented writer who sees the world a different way. He’s white but, for this poem at least, he spoke for another race because that was what his muse whispered to him. Who are you to say he was wrong?

By the way, I had a whole other post planned for today extolling the virtues of this cover for Dickens Magic. Because I seriously can’t stop looking at it. Many, many thanks to Farah Evers Designs for the fantastic work on it!

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Write the change you want to see: A Birthday Thank You for a Friend

Special Note: I’ve been fortunate to have a lot of teachers in my life. Some of these people probably don’t even realize I was their pupil at one point or another. I’d like to dedicate this blog post to a friend who greeted me in the hallowed halls of the Zoetrope writers workshop at the true beginning of my writing career. Her example and kind words of encouragement have helped many a writer over the years, whether it was as an editor or reviewer or friend. Happy birthday, Beverly!IMG_4047

Mahatma Gandhi said, “You must be the change you wish to see in the world.” I think writers have another obligation. Write the change. It’s the charge given to each of us with this calling to write our feelings and dreams down and send them out on paper airplanes into the world.

Don’t like the world with less opportunity for lower classes? Imagine it different. Write the change.

Don’t like racism? Write a world with more tolerance.

Don’t like partisan politics? Erase them with a few strokes of the keyboard—in your writing, anyway.

Horrified by the attitudes that resulted in the #metoo movement? Write a world where consent is actually romanticized. For instance:

She loved and trusted this man. Nothing they chose to do together could be wrong or destructive. —Dickens Magic, coming October 31, 2018

I’m not saying you’ll change the world with your stories. I’m saying it’s up to the writers and dreamers to reach out to others and show them what the world could be. Imagine a world where the rights of every human being are respected. Imagine a world where technology aids instead of replaces human interaction. Imagine a world where everyone is valued for what they bring to the world, no matter what their skill is.

Imagine it and write it.

Leaving the backlist behind

Over the past week—especially since Wednesday when I discovered my dog had chewed through my computer cord—I have been working on getting the last three of my self-published books online at Smashwords. Smashwords will make these books available in multiple formats at multiple outlets, so that you aren’t just limited to Kindle if you wish to read in ebook format. In a few days, every one of my books will be available at Barnes & Noble, Amazon, Kobo, iBooks—you name it, I’ll be there. Every format.

Revisiting my backlist became less of a chore than I’d imagined it would be. I actually found myself giving my last three books (Weeds and Flowers, Ducks in a Row, and Saturday Love) a thorough proofreading…and enjoying it. I haven’t read those books in ages.

Weeds and Flowers isn’t even a romance like I write now. More of a coming-of-age story that was written in a sort of patchwork quilt way—bits and pieces that I stitched together to make a novel. Appropriately, it was actually probably the first novel I wrote, though not the first one published. I had forgotten how much that book meant to me, though. It’s the only one—so far—that has something in it that actually happened, not actually to me, but to people around me. Re-reading it was like reliving some of my own childhood, even if I was more watching than experiencing at the time.

As for the other two, Ducks was the most difficult book I’ve written thematically. I think of it as sort of an anatomy of both a marriage and an affair. I actually still dislike the heroine, though she did grow a lot during the course of the book. And I fell in love with one of the male characters. So much so that he ended up getting his own book, Saturday Love, because I just couldn’t leave him hanging like he was at the end of Ducks. Regardless of my feelings for the characters, however, re-reading those books was like visiting with family I hadn’t seen in a while. And it revived a past resolve to write a third book in that series. If I can ever get past the two or three other projects I have waiting for me now.

But for now, I am returning to work on Dickens Magic, my next in the Sleight of Hand series and my first ever attempt at a holiday-themed book. I’d reached a sort of roadblock on that one. I couldn’t quite figure a believable way to drive a wedge between the hero and heroine but over the course of the week, I had a brainstorm. I plan to give myself two more weeks to finish the first draft of Dickens Magic, then I have another start on a not-magic-related book and at some point I have to get to work on Magic at Sea… 

But maybe that would wait. Maybe I could start my third book about the Hubbard family, Agape Mou (Greek for “My Love”). There’s a reason it’s Greek. If you read Ducks and Saturday Love, you’ll understand. I have plans for a very good-looking Greek hero for that one, but his ties to the Hubbard family are very complicated and bound to result in some drama. Especially when he gets involved with the daughter of the family…

Oh crap. If I’m not careful my imagination will get stuck in sunny Greek vineyards instead of a theater all decorated for Christmas. Better get back to work! Herete, my friends.

First Review of Becoming Magic: 5 Stars on Amazon!

Real reviews mean a lot to authors. Think about that. We actively encourage others to tell us what they really think. And no author I know would ever consider helpful any review that was less than honest, no matter how much it stroked their ego.

With that said, I was thrilled—and relieved—that my first review for Becoming Magic on Amazon was five stars. It comes, full disclosure, from an acquaintance who is a very talented magician and writer, Arjay (R.J.) Lewis. Arjay was the magical consultant on Becoming Magic, and he’s helped me design a magical holiday show for my next book Dickens Magic—plus I’ve read several of his books. So when I read his review of Becoming Magic, it was a little bit like both Stephen and Mac King had combined into one joint force to praise my book. You can read the whole thing here, but here’s the part that meant the most to me:

…Flye boldly takes on a #metoo concept, which not only explains why our heroine is reluctant, but makes understandable the hero’s confusion as to why his advances are being rejected. It was a difficult choice, because in the hands of lesser writer, it could’ve been a cheap and tawdry device. But in Flye’s excellent craftsmanship, it is handled artfully and the reader understands both sides of the conflict.

This book means a lot to me because in a way it marks my own rebirth as a writer. When #metoo came along, I realized I was guilty of perpetuating in my writing what could be seen as dangerous situations for women—in Island Magic, the heroine is actually kidnapped by the hero. Though I’ve never gone for rape fantasies and my only bondage romance (Escape Magic) was actually pretty positive in that the heroine was the escape magician, I’ve sworn off some of the favorite tropes of romances and am striving to rebuild my own corner of the romance genre with more positive heroes, heroines and romantic situations.

Time will be the only thing that will tell if romance readers are willing to accept a new kind of romance. But at least one reviewer thought it worked, and that means a lot.