Tag Archives: Dickens Magic

#AmWriting: What it means to me

mountains nature arrow guide

If only there were a sign that pointed the way. Photo by Jens Johnsson on Pexels.com

You’ve probably seen the hashtag #amwriting before. On Twitter, Facebook, Instagram. I don’t use it very often because if I’m on Twitter, Facebook or Instagram, I’m actually not writing. I’m putting off writing. I’m distracted. I’m looking for a way to get out of writing.

I’m procrastinating, and, as my high school chemistry teacher always said, “Procrastination is the thief of time.”

Today, for instance, I #amwriting. I’m writing guest blogs and interviews for other people as part of my ongoing blog tour for Becoming Magic with Goddess Fish. Meanwhile, my novel writing is at a bit of a crossroads. I have started and stopped several times on my new project. Nicó and Brooke (the heroes of my newest untitled project) have been left wondering what’s to become of them. And poor Galen and Frankie from Magic at Sea! I left them way back last October to finish rewriting Becoming Magic and then realized I needed to write Dickens Magic if I wanted it out before Christmas this year.

Well, Kate and Alex from Dickens Magic are all set. Now I’m torn between the two stories I’ve started, and I have to pick a direction. Or I could always go back to finish up Jack and Kaelyn’s story in Timeless. At least that one’s written. I just have to edit and rewrite and edit again.

That’s what #amwriting means. I #amwriting. I just need to pick a direction. And quit feeding the procrastination thief!

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Poetry is meant for more

I’m reeling. I read in The New York Times that The Nation apologized for publishing a poem because of social media backlash. The editors apologized—as did the poet—for using language identified as black vernacular because the poet is white.

Okay. I get the whole black face thing. I agree that no one should ever attempt to use language or cultural appropriation to make fun of another race. However, this poem (“How-To” by Anders Carlson-Wee) had a certain beauty to it and was not, in my opinion, intended to outrage anyone. But if it was…so what?

You think Mark Twain wrote Huckleberry Finn with its anti-slavery views without intending to outrage his fellow Southerners? Do you think it would have been as effective if Mr. Twain had not used black vernacular? And yes, I know in today’s world old Huck has become somewhat despised among some literary snobs, but I still—and always will—love that book.

But poetry! Poetry is meant for more than being politically correct. Poetry is meant to entice and outrage. Poetry is meant to make you think about things a different way. Why the hell do you think it’s so difficult to understand? Why do you think your English professors could spend an entire class period on a ten-line poem? Because poetry is different. And it’s off limits to political correctness.

To those who think Mr. Carlson-Wee had no right to appropriate black language, I say this: He has poetic license. He’s a talented writer who sees the world a different way. He’s white but, for this poem at least, he spoke for another race because that was what his muse whispered to him. Who are you to say he was wrong?

By the way, I had a whole other post planned for today extolling the virtues of this cover for Dickens Magic. Because I seriously can’t stop looking at it. Many, many thanks to Farah Evers Designs for the fantastic work on it!

dickens-magic

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Write the change you want to see: A Birthday Thank You for a Friend

Special Note: I’ve been fortunate to have a lot of teachers in my life. Some of these people probably don’t even realize I was their pupil at one point or another. I’d like to dedicate this blog post to a friend who greeted me in the hallowed halls of the Zoetrope writers workshop at the true beginning of my writing career. Her example and kind words of encouragement have helped many a writer over the years, whether it was as an editor or reviewer or friend. Happy birthday, Beverly!IMG_4047

Mahatma Gandhi said, “You must be the change you wish to see in the world.” I think writers have another obligation. Write the change. It’s the charge given to each of us with this calling to write our feelings and dreams down and send them out on paper airplanes into the world.

Don’t like the world with less opportunity for lower classes? Imagine it different. Write the change.

Don’t like racism? Write a world with more tolerance.

Don’t like partisan politics? Erase them with a few strokes of the keyboard—in your writing, anyway.

Horrified by the attitudes that resulted in the #metoo movement? Write a world where consent is actually romanticized. For instance:

She loved and trusted this man. Nothing they chose to do together could be wrong or destructive. —Dickens Magic, coming October 31, 2018

I’m not saying you’ll change the world with your stories. I’m saying it’s up to the writers and dreamers to reach out to others and show them what the world could be. Imagine a world where the rights of every human being are respected. Imagine a world where technology aids instead of replaces human interaction. Imagine a world where everyone is valued for what they bring to the world, no matter what their skill is.

Imagine it and write it.

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Leaving the backlist behind

Over the past week—especially since Wednesday when I discovered my dog had chewed through my computer cord—I have been working on getting the last three of my self-published books online at Smashwords. Smashwords will make these books available in multiple formats at multiple outlets, so that you aren’t just limited to Kindle if you wish to read in ebook format. In a few days, every one of my books will be available at Barnes & Noble, Amazon, Kobo, iBooks—you name it, I’ll be there. Every format.

Revisiting my backlist became less of a chore than I’d imagined it would be. I actually found myself giving my last three books (Weeds and Flowers, Ducks in a Row, and Saturday Love) a thorough proofreading…and enjoying it. I haven’t read those books in ages.

Weeds and Flowers isn’t even a romance like I write now. More of a coming-of-age story that was written in a sort of patchwork quilt way—bits and pieces that I stitched together to make a novel. Appropriately, it was actually probably the first novel I wrote, though not the first one published. I had forgotten how much that book meant to me, though. It’s the only one—so far—that has something in it that actually happened, not actually to me, but to people around me. Re-reading it was like reliving some of my own childhood, even if I was more watching than experiencing at the time.

As for the other two, Ducks was the most difficult book I’ve written thematically. I think of it as sort of an anatomy of both a marriage and an affair. I actually still dislike the heroine, though she did grow a lot during the course of the book. And I fell in love with one of the male characters. So much so that he ended up getting his own book, Saturday Love, because I just couldn’t leave him hanging like he was at the end of Ducks. Regardless of my feelings for the characters, however, re-reading those books was like visiting with family I hadn’t seen in a while. And it revived a past resolve to write a third book in that series. If I can ever get past the two or three other projects I have waiting for me now.

But for now, I am returning to work on Dickens Magic, my next in the Sleight of Hand series and my first ever attempt at a holiday-themed book. I’d reached a sort of roadblock on that one. I couldn’t quite figure a believable way to drive a wedge between the hero and heroine but over the course of the week, I had a brainstorm. I plan to give myself two more weeks to finish the first draft of Dickens Magic, then I have another start on a not-magic-related book and at some point I have to get to work on Magic at Sea… 

But maybe that would wait. Maybe I could start my third book about the Hubbard family, Agape Mou (Greek for “My Love”). There’s a reason it’s Greek. If you read Ducks and Saturday Love, you’ll understand. I have plans for a very good-looking Greek hero for that one, but his ties to the Hubbard family are very complicated and bound to result in some drama. Especially when he gets involved with the daughter of the family…

Oh crap. If I’m not careful my imagination will get stuck in sunny Greek vineyards instead of a theater all decorated for Christmas. Better get back to work! Herete, my friends.

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First Review of Becoming Magic: 5 Stars on Amazon!

Real reviews mean a lot to authors. Think about that. We actively encourage others to tell us what they really think. And no author I know would ever consider helpful any review that was less than honest, no matter how much it stroked their ego.

With that said, I was thrilled—and relieved—that my first review for Becoming Magic on Amazon was five stars. It comes, full disclosure, from an acquaintance who is a very talented magician and writer, Arjay (R.J.) Lewis. Arjay was the magical consultant on Becoming Magic, and he’s helped me design a magical holiday show for my next book Dickens Magic—plus I’ve read several of his books. So when I read his review of Becoming Magic, it was a little bit like both Stephen and Mac King had combined into one joint force to praise my book. You can read the whole thing here, but here’s the part that meant the most to me:

…Flye boldly takes on a #metoo concept, which not only explains why our heroine is reluctant, but makes understandable the hero’s confusion as to why his advances are being rejected. It was a difficult choice, because in the hands of lesser writer, it could’ve been a cheap and tawdry device. But in Flye’s excellent craftsmanship, it is handled artfully and the reader understands both sides of the conflict.

This book means a lot to me because in a way it marks my own rebirth as a writer. When #metoo came along, I realized I was guilty of perpetuating in my writing what could be seen as dangerous situations for women—in Island Magic, the heroine is actually kidnapped by the hero. Though I’ve never gone for rape fantasies and my only bondage romance (Escape Magic) was actually pretty positive in that the heroine was the escape magician, I’ve sworn off some of the favorite tropes of romances and am striving to rebuild my own corner of the romance genre with more positive heroes, heroines and romantic situations.

Time will be the only thing that will tell if romance readers are willing to accept a new kind of romance. But at least one reviewer thought it worked, and that means a lot.

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