Cover Reveal: Timeless! (Finally)

Drum roll, please…Ta…DAAA!

Yes, that is the cover for the final book of my Synchronicity series, Timeless. And yes, it does have a unicorn on it! As all my best covers are, this one was designed by my talented friend Farah Evers of Farah Evers Designs, and I gave her a tough task, asking her to make a non-dorky cover with a unicorn on it. 🙂 (Sorry to all you unicorn fans out there, but…) As you can see, she rose to the challenge magnificently!

This one has been a long time coming. I started writing this trilogy in 2015, and Out of Time was published in 2016. I followed it up with Time Being in 2017. And now, finally, I’m ready to release Timeless. These worlds I invented and the portals between them have been fun to travel. Steeped in the legends of the Cherokee (T’sali) people of the Blue Ridge Mountains where I grew up, I feel like, more than any of my other books, these have a bit of my soul in them. I mean, what little girl doesn’t dream of finding out she’s a princess from a faraway land?

I’ve enjoyed my time in Eladi/Ayeli/Gadusi, consorting with Elves and Meti as well as humans, but I am ready, now, to let it go. So, on June 1, 2019, you can find out how it all ends. For those who have followed this story, the Raven Mocker does make another appearance, and yes, there really is a unicorn.

And if you haven’t followed the story? I’ve slashed the prices on the first two ebooks, Out of Time and Time Being, to 99 cents! (Come on, Disney/Marvel didn’t make you that good a deal and you still went to see End Game!) Don’t get left behind. Be ready for the end of this epic story on June 1!

Jack and Kaelyn have battled an army and realigned space and time to be together. But their greatest challenge yet looms, and it’s from Kaelyn’s own people. 

The joyous reunion with Todd and the Ayeli Meti should bring peace to all they love, but instead Kaelyn discovers a dark underbelly of prejudice. The Ayeli Meti have not forgotten the war with the Elves, and it takes very little to push them over the edge. Now Kaelyn must decide between love and duty.

Trapped on Ayeli, can she overcome the lingering anger against Elves? And can Jack defeat his father on the lost world of Gadusi, making it safe to reopen the portals? Most important, can Kaelyn and Jack find their way back to each other through the locked portals—or are they doomed to spend eternity alone?

Trump Tilts at Windmills

They might be giants…they aren’t, but they might be.

Very seldom these days do the worlds of great literature and American politics coincide, but Donald Trump’s recent attack on windmills cannot help reminding me of the passage in the great novel about an insane man, Don Quixote.

Don Trump says, “They kill birds, they cause cancer, you can’t depend on them to power your television for an entire night because if the wind’s not blowing, there’s no power.”

Don Quixote says, “They’re giants and I shall slay them.”

But where is Trump’s Sancho? Where is the voice of reason to tell him that they aren’t actually giants, but very useful and beneficial machines? If we continue the parallel, Sancho would probably be Trump’s voters. The ones he’s promised will benefit if they follow him. Yet Trump’s Sancho doesn’t seem capable of pointing out that the windmills are not actually giants. So, it would seem, Trump Quixote is destined to break his lance without even a word of warning from his companion.

We might laugh at this. Cervantes certainly intended you to laugh at his misguided knight and even at Sancho. But if we’re stuck in Don Trump, or the Man of Queens, we better hope there’s a Knight of the White Moon out there somewhere who will defeat Trump and make him promise to go home to be cured of his madness.

Otherwise, we may be doomed to subscribe to Quixote’s belief near the end of the first volume that knights errant “are exempt from the application of all laws and statutes, that for them law is their sword, statutes are their spirit, and edicts and proclamations are their will and desire.”

Sounds uncomfortably familiar.

Hidden room dream: Getting older, getting busy again, getting to know who I am

Yesterday, I had to admit—at long last—that I just can’t see my computer screen as well when I wear contacts. So I pulled out an old pair of reading glasses I once used for a Halloween costume. In spite of myself, I was hoping they wouldn’t work.

They did.

Here’s me seeing my computer screen clearly without squinting. So I’m getting older. Better than the alternative, I always say.

Today I find myself in a quandary in spite of my new ability to see clearly. I want to write again, but I’m unsure what to write. I’ve been in stasis mode for a few weeks, though, you see, so it’s harder than I anticipated jumping back into the pool of work. I usually get anxious if I’m not writing something, but I’m surprisingly calm about it this time. And I think I can attribute that to the hidden room dreams.

If you’ve never had hidden room dreams, let me tell you, they’re a trip. For me, I was always wandering through our extraordinarily cluttered house (it was worse in the dream than in reality) only to find a door I opened to reveal rooms I never knew my house possessed. These rooms were always furnished, as though ready for use, but in my dreams I always realized it would take some work to make them functional.

I had this dream often enough so I looked it up online. Hidden room dreams, I found, were an indication that there’s some talent or ability hidden in our psyche that we aren’t making use of. Interesting, considering I started having these dreams right after my first foray into community theater. If ever there was someone you wouldn’t have thought suitable for the stage, it is probably me. I have a definite fear of public speaking. I remember nearly fainting in high school when I had to give a three-minute speech. Just a few years ago, I attempted to conduct a few writing workshops, and, well, they weren’t bad, but they weren’t what I would call good, either.

But theater is different. You’re somebody else, from the makeup (I never wear eyeliner except onstage) to the clothing (ah, those sumptuous nineteenth century dresses I wore!) to the words (speeches I would never have made on my own). Okay, I’ve only had bit parts so far, but in one play I did have more than a dozen lines!

And now, here I am, having just finished directing (and writing, at least a little bit) my daughter’s talent show, taking singing lessons in preparation for auditioning for another musical—and no longer haunted by hidden room dreams. Is it possible my hidden rooms were theater-related all along? Maybe the “clutter” in my dreams was my desire to tell stories, that I’ve always restricted to the arena of writing. If I move it into theater as well, I’ll have another outlet and more room in both parts of my psyche.

But never fear, I’m not giving up on my writing, either. Jessica Entirely, the first of my middle grade Jessica mysteries, will be ready for publication in June. I’m now working on the polishing of Timeless, the final book of my Synchronicity series. And Magic at Sea, book 7 of Sleight of Hand, should be ready for an October 31 release! Plus, I’ve already started planning Jessica Naturally, which I’m hoping to have out by Christmas.

So even as I explore these hidden rooms and try to dust them off so they’ll be functional, I’m adding to the clutter on the other side of my psyche. Can’t be helped, though. I guess I’ll just have to add more shelves over there!

Poem: Red Sky Vow

I’ve been thinking a lot about the nature of the promise. Like the old saying, “Red sky at night, sailors’ delight.” How do we know a red sky at night means clear sailing? Because nature makes a promise and actually follows through.

This year I’ve decided to depend less on others’ promises to me and more on my own promises to myself. Promises from outside entities may never become reality. I am the one in charge of promises to myself. Michelangelo agreed with me, evidently. He said:

“The promises of this world are, for the most part, vain phantoms; and to confide in one’s self, and become something of worth and value is the best and safest course.”

Was he right? Undoubtedly. We cannot depend on the “world”, whether that be our government, our friends, our schools or our churches. What really matters is the promises we make ourselves—more specifically the promises we make to ourselves that we keep.

Nature, after all, does not make its red sky vow to us. It makes it to itself. Tomorrow, it tells itself, I will make a beautiful day. And that vow shows in its beauty that it will be followed through on.

I’ve made myself a vow to reach beyond my comfort zone and try things I’ve never tried because I thought I couldn’t do them. I’ve promised myself when things are wrong in the world, I’ll do what I can to make them right. My promises are not to others. They are to me.

The result is a kind of red sky in my own soul. I’ve written a children’s book though I’ve always sworn I’m not smart enough to write for children. I’m taking singing lessons because, in spite of a lifelong love of music and singing, I’ve never thought I could sing—but I can, at least a little. I’m not as tone deaf as I thought. I’m writing poetry and I’m speaking out instead of shrugging things off. It feels right.

What red sky vow could you make?

Red Sky Vow

By Michelle Garren Flye

Make a red sky vow today.

The power comes from within.

Tomorrow is the promise—

A better and brighter day;

The end of rain, the sun will shine.

Follow through comes from you—

Light the candle of your vow,

Watch the air brighten and clear.

A red sky vow is one you make yourself

And fulfill for the good of your soul.

Kept in the Dark: The dark twin to Dickens Magic

My “magic consultant” R.J. (Arjay) Lewis just happens to have released his own book today, possibly more appropriate to the date than mine is. I was lucky enough to get to read this book ahead of time so I could post a review for him. If you like horror at all and want an extra chill today, give Kept in the Dark a try. Plus, it’s free!

My review of R.J.’s “dark twin” of Dickens Magic:

Kept in the Dark“Everything will make sense once you know what I know.”

Arjay Lewis draws that line in the sand that you just have to cross. You have to know what he—and his protagonist Jake Hurd—know. And once you know it, maybe it makes sense…or maybe you wish you didn’t know it anymore?

Kept in the Dark is Arjay’s latest foray into the psychological thriller/horror genre. A delightfully frightening mix with well-developed characters and a chilling plot, it takes you through the experiences of Jake as told to his psychiatrist Dr. Sam Lucas. Sam has to face the fact that Jake may not be the delusional night guard who’s afraid of the dark, but instead a man who’s been damned by his glimpse into another dimension—and the monsters he accidentally released.

I loved the tie-in to the Ecuadorian legend of El Cucuy and the tragic and the chilling view of mental illness. Well done!

Full disclosure, I was provided a free copy of this novel, and Arjay has worked with me on a number of projects. But I have enjoyed his work since before I met him when I first read The Muse. I think you will enjoy this novel, too.

Weekend Update: Busy and Wonderful!

It was, I won’t lie, an exhausting weekend here. Mumfest happened in a big way! I had a chance to connect with a lot of readers and potential readers, a few aspiring writers, old and new friends. Fantastic!

img_4767

With the help of my friend Noel, my purple tent was transformed from this…

img_4789

…to this magical place!

I was lucky enough to be able to partner with a very talented artist, Noel McKelvey of Blissworks. (You can see some more of her lovely creations on her Facebook page.) Her artwork grabbed a lot of attention, and I’m thrilled to say she sold several of her lovely paintings! Yay, Noel! Added bonus, some of the folks who stopped to admire her art also took a moment to check out my books. So good for me, too, right? I sold a few, talked to lots of neat people and basically regained a little of my ambition, which can easily be lost when you sit in your office day after day writing words and wondering if anyone will ever read them.

Added added bonus, theater friends also stopped by. I reconnected with several cast and members of Anne of Green Gables and A Christmas Carol. Which was timely since Dickens Magic, which is set in Rivertowne Players’ Masonic Theatre, comes out in just over two weeks!! Though I swear I never base any of my books on actual events in my life, I will say that those two plays gave me the experience I needed to write a story from the point-of-view of an actor/director. Sort of intensive research, I suppose!

So, overall, a great experience. I hope “The Artist and the Author” will make another appearance at another location one day. Noel and I made a good team. Plus, we now have the banner and the tent!

Teaser_BecomingMagic

In other news, my virtual tour for Becoming Magic continues today. Check out my interview on Bookaholic where I discuss the difficulty of writing a romance with a #metoo theme—and why I wanted to do it in the first place.

Poetry is meant for more

I’m reeling. I read in The New York Times that The Nation apologized for publishing a poem because of social media backlash. The editors apologized—as did the poet—for using language identified as black vernacular because the poet is white.

Okay. I get the whole black face thing. I agree that no one should ever attempt to use language or cultural appropriation to make fun of another race. However, this poem (“How-To” by Anders Carlson-Wee) had a certain beauty to it and was not, in my opinion, intended to outrage anyone. But if it was…so what?

You think Mark Twain wrote Huckleberry Finn with its anti-slavery views without intending to outrage his fellow Southerners? Do you think it would have been as effective if Mr. Twain had not used black vernacular? And yes, I know in today’s world old Huck has become somewhat despised among some literary snobs, but I still—and always will—love that book.

But poetry! Poetry is meant for more than being politically correct. Poetry is meant to entice and outrage. Poetry is meant to make you think about things a different way. Why the hell do you think it’s so difficult to understand? Why do you think your English professors could spend an entire class period on a ten-line poem? Because poetry is different. And it’s off limits to political correctness.

To those who think Mr. Carlson-Wee had no right to appropriate black language, I say this: He has poetic license. He’s a talented writer who sees the world a different way. He’s white but, for this poem at least, he spoke for another race because that was what his muse whispered to him. Who are you to say he was wrong?

By the way, I had a whole other post planned for today extolling the virtues of this cover for Dickens Magic. Because I seriously can’t stop looking at it. Many, many thanks to Farah Evers Designs for the fantastic work on it!

dickens-magic