Bite-size philosophy and me

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Today’s world and politics often inspire a fit of philosophy in me as I try to make sense of what is happening and how to deal with it. –photo by Michelle Garren Flye

I’m a closet philosopher. Seriously, I’ve been accused of thinking too much. The problem is, if I try to read an entire book—or even an entire essay—by a philosopher, I get bored. I find myself thinking about what’s for lunch or what my kids are doing or when I need to go grocery shopping again.

The Internet has solved that for me. When I find myself pondering a philosophical problem, I can look it up on the Internet and find bite-size nuggets of inspiration in philosophical quotes. And since I always like to check my sources, I end up reading at least a paragraph or two from the quoted philosopher. Until I started this up, I had no idea who Bertrand Russell was but now I’ve read several paragraphs from him!

Google this one if you’re likely to fall for internet hoaxes: “…it is undesirable to believe a proposition when there is no ground whatever for supposing it true.”

–Bertrand Russell

That’s how I found out Albert Camus agrees with me that today’s attitudes toward “West Coast elite” writers, actors, and artists is a bad thing. Camus would have been heartbroken by the fall of Hollywood in today’s world. Of course, Camus died in 1960, and I don’t even know if he ever saw a movie, but I found a quote that seems to support this idea of mine. Camus wrote: “Beauty, no doubt, does not make revolutions. But a day will come when revolutions will have need of beauty.”

What a wonderful thought. I pictured men on a bleak battlefield ceasing the fight while they looked for the beauty of what they were fighting for. How many wars might end if we stopped to think about what we fought for? I checked the source of the quote and found a longer section of Camus’s essay “The Rebel: An Essay on Man in Revolt.” In this section, Camus expounds on the necessity of art to make sense of history. Look, for instance, at this sentence:

“Every great reformer tries to create in history what Shakespeare, Cervantes, Moliere, and Tolstoy knew how to create: a world always ready to satisfy the hunger for freedom and dignity which every man carries in his heart.”

–Albert Camus

I dare to believe that Camus wrote, in 1951, how I’ve been feeling about the way many artists are treated today when they dare to make their feelings about the larger world known. Stephen King, Barbra Streisand, Colin Kaepernick (yes, sports can be art), J.K. Rowling—even Rob Thomas—all of these artists and many more have been slammed on Twitter and in conservative media for daring to make political opinions known in today’s highly divisive atmosphere.

To the artists I say, you have vision and you must keep seeing. Keep seeing and keep speaking out because though you are outnumbered by those who can’t see, your light shines brighter than theirs. And that’s your job.

In case you were wondering, Camus would have agreed with me about this. In that same essay, he said something which I can only take as a message to me and to all like me who see the world as oppressive and who want to make it freer and more beautiful and welcoming to all:

“The only way to deal with an unfree world is to become so absolutely free that your very existence is an act of rebellion.”

–Albert Camus

And that is how I will seek to live my life.

Four Days to Becoming Magic: What do I hope to accomplish?

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Yesterday I uploaded my files to Createspace, KDP and Smashwords. A few tiny bumps in the process gave me plenty of time to reflect.

What do I hope to accomplish with this book?

It reminded me of the best writing advice I’ve ever been given: Make sure you have a clear goal for each and every scene you write. How does that scene or chapter help move your story along? Before I got that advice, I’d taken as gospel the “just write” theology of writing. Well, just writing can get you into literary holes and take you down paths you never intended. You’ll end up backtracking and deleting a good bit of whatever you “just write”. (I know a lot of plotters are out there shaking their heads at my “pantsing” attitude, but it’s the way I write.) If you have a clear idea of what your scene will accomplish, you’ll stay on track much better.

So what does that have to do with what I hope to accomplish with this book? Well, I think of each and every book I put out there as a chapter in my life. So many chapters of you life are not within your control. But some are. And each book I put out is something I control. What is my goal with this one?

I’ve given up on the getting famous thing. Not every writer is Stephen King. I’ve given up on getting rich. Not every writer is Nicholas Sparks. I doubt I’m writing blockbuster movies here because I’m not J.K. Rowling. I’m not a literary pioneer like Jack Kerouac. And yet, I can’t give up on the hope that my writing has a place out there. Somewhere.

This year is a year of change for me. My oldest graduated and starts college in the fall. I’ll go from being in charge of most of his life to having only the influence of a (hopefully) trusted advisor—though in truth I’ve been making that transition for a couple of years now. We’re in the process of transforming our home into something we actually enjoy living in. My office is nearly at the point of being my dream space now.

And my writing changed.

In the past, I’ve often followed the formulaic manly hero/submissive heroine (not always, but my characters usually had some of those characteristics). I’m proud to say I fought that tendency in Becoming Magic. I want to see a change in the romance genre. I feel like we’ve swung too far the other way of things by accepting casual references to marginal practices into our genre. In today’s world, romance heroines need to take charge of their lives and loves. This is, after all, what our daughters may read.

So yeah. That’s what I’m hoping to accomplish with my writing and this particular book. In my own little corner of my genre, I hope I will make a difference. In a way, Becoming Magic marks my emergence from a chrysalis of sorts. Though only time will tell if I’m a butterfly or just a stunted caterpillar.

Nine days to Becoming Magic: What do I know about #metoo?

It’s a fair question. I’m happily married to a wonderful man. I’ve never been sexually assaulted. Not by a significant other, a trusted family member, a stranger, a friend. I know people who have, though. Several.

Think about that for a minute. I know several people (I could name about six) who have been a victim of a violent crime. If I know 600 people (and that’s generous because I’m practically a hermit) and I could name six who have told me what happened to them (and it varies all along the spectrum of sexual assault from date rape to outright attack), then one out of a hundred people I know have suffered from this crime. If you count the number of women who have been sexually harassed or touched inappropriately against their will, that number skyrockets. It’s probably more like one in five.

That’s where #metoo gets its power. The sheer number of women who have suffered from this crime is overwhelming. And the rest of us? We live in fear of it. That’s me. When my mother sent me off to college it was after a strict talking to about what could happen. I already knew of course. Even in my small town, bad things happened. A teenage girl my older brother knew was raped and killed when I was a child. During my sophomore year in college, a woman was raped and killed about a block away from my apartment.

Now I’m a middle age woman and I’m still aware of how men look at me. Over the years I’ve read more and more about sexual assaults and I know better than ever what men can do to a woman. I have had moments when I’ve been certain I was in danger, when I would reach for my keys and line them up between my knuckles like claws (a move I was taught in a self-defense course), when I would go into the nearest lighted building because I thought maybe someone was following me.

And now I have a daughter.

#Metoo isn’t just about having survived an attack. It’s about women banding together to prevent those attacks from happening. It’s about creating a world where our daughters don’t have to live in fear and wear their keys like weapons. It’s about taking charge of our lives and our happiness. And that’s what Becoming Magic is about. As a romance writer, I can’t do much to change the world, but I can refuse to put the dangerous fantasies in my books. I’m changing. I hope my genre will change, too.

She looked around, spotting Connor almost immediately. She took a half step toward him and froze, stumbling a little, her eyes on the dark-haired man at the next table. He was the large, powerful type you got used to seeing in Hollywood. The kind who worked out at a gym first thing in the morning and then again at night. He was good-looking in a slick, well-kept way. Nothing about this man was an accident.

And nothing about his appearance should make her want to find the nearest potted plant and puke in it, but that was exactly how she felt, nonetheless. She felt hot and cold in quick fluctuations. She swallowed hard against the bile that rose in her throat and wheeled around, knocking into a waiter with a tray full of glasses as she did, sending them flying with a crystalline clatter.

The icy water erased the need to throw up, but not the need to flee. She wanted to look over her shoulder, to see if Connor had seen, but nothing mattered except getting away now. The world whirled and refocused on a narrow aisle leading her away and she followed.

A New Kind of Romance

Pageflex Persona [document: PRS0000038_00074]On July 1, 2018, I will release my latest romance, Becoming Magic. In a very real way, this is an apt title for a turning point in my own writing. In it I address some pretty difficult issues facing the world at large as well as writers of romance today.

I’ve written before about how today’s empowered women have influenced my writing. Once upon a time romance was filled with shrinking, helpless “heroines” dominated by dark, brooding, melancholy “heroes”. Women were overpowered by the sexual demands of men in those romances. Rape fantasies were played out in the pages by manly men—remember the “macho man” from the eighties?—men who took what they wanted without asking.

Is it any wonder men of former generations thought we liked to be wolf whistled at, called “darlin” and sweetheart, and that it was okay to cop a feel if we left an opening?

But it seems women are finally willing to speak up and say they don’t like that. We prefer to be asked appropriately before touching begins. In today’s world, the dukes and tycoons of those old romances would find themselves on the wrong end of a sexual harassment lawsuit.  So how do romances change?

It’s a good question. Romances, at their heart, are fantasies. In the post-50 Shades world of romance, authors have begun to push those fantasies to the limit. Rape fantasies are more blatant and much more graphic in many romances. Is there really any need to stop pushing those limits, though?

The simple answer is yes. Fantasies are only fantasies until they touch on reality, and psychologists are already concerned about the effect mainstream media’s acceptance of borderline practices like S&M will have on developing teenage minds and their sex lives. I believe that the problem has existed all along and goes much deeper. I believe romance authors must address sexual harassment and face the #metoo movement head on.

We have a place in this. We can write a new kind of romance, shape the fantasies of the future. We can write first and foremost about love. Sex is a part of love, a way of expressing love and, in some romances, an essential part of character development. It is not, however, an end without means, and romance writers can and should, at least for our own characters, define what those means are.

I hope you’ll read Becoming Magic. And I hope I’ve succeeded, at least partly, in starting to write my own new and more mindful kind of romance.

Thoughts and Reviews

I do a lot of thinking. Some might say too much. I’ve been thinking a lot recently in light of the Time’s Up movement in Hollywood and around the nation about how my genre of writing needs to evolve—if at all.

I’m a romantic who’s been blessed in the love and family department. It’s not always easy to see life from the viewpoint of the victimized when you live in a safe bubble. I’ve never really needed to be feminist, though I’ve had my own small #metoo moments. Still, I’ve been wondering…how do I as a romance writer make this situation better? How can I write about the flirtation and romance between men and women when so much negativity is associated with such flirtation and romance crossing a line into something much darker?

I’ve always tried to write strong female characters and caring male characters, but I’ve never considered how their romantic interactions could read to someone who has been victimized. Consider the pirate scene in Movie Magic, for instance. Or the scene in Secrets of the Lotus where the rich guy just chooses a woman at random to kiss at midnight on New Year’s Eve. In Winter Solstice, the two main characters are co-workers. Island Magic is basically about a kidnapping—a good-natured and necessary one, but still. In almost every one of my books, looking back, there is something that might be frowned upon by a feminist or trigger a victim. The only one of my books with a real feminist as a heroine is Escape Magic, which I wrote in response to my disgust over 50 Shades of Grey.

I haven’t solved this romance/feminism quandary, by the way. I’m keeping it in mind in my writing, however, so it’s most likely going to show up eventually.

On to better news. Today, in spite of its possible problematic elements, Movie Magic received TWO great reviews. See below for details and stop by to give my reviewers some love and for your last chance to enter to win a $50 Amazon gift card:

“A sudden storm brings the characters together, and very much like the Shakespearean play, “The Tempest”, the characters are introduced and the story unfolds against a background of nature, the elements, and magic. Movie Magic is a charming romance!” —Jennifer Macaire

“…for the most part I really did enjoy Mrs. Flye’s writing style as she was superior on detail.  She carefully thought-out certain passages that when I read them I wasn’t reading them – I was seeing them!  Perhaps like my own little movie magic occurring!” —Fabulous and Brunette

Five stars on Amazon and an excerpt from Movie Magic

Currently Movie Magic has five stars on both Amazon and Smashwords. If you enjoy romance (and possibly even if you don’t), you’ll like Movie Magic. I’m confident about that. It has everything. I realized that when I was coming up with tags for searches on Beaches, small town, Hollywood, contemporary romance, movies, movie making, California…the list goes on. I could even have included “pirates” in it, but I didn’t. What are you waiting for? It’s only $2.99 for an ebook! Here’s an excerpt to help you make the decision to commit to reading Movie Magic:

During a lull in their work, she laid her head on the sofa arm and closed her eyes. The storm raged on outside. She opened her eyes to see Walt sitting beside the sofa, his gaze locked on the fire. He held a beer in one hand, his elbow resting on the knee of one long, denim-clad leg. She smiled a little, watching the dance of the firelight on his beard. “A sandy cowboy and a sexy pirate.” She yawned. “Hollywood really would love you.”

He glanced at her. “I thought you were asleep.”

“Mm. Maybe I will. I bet my dreams will be sweet.”

“Did you have more wine than I thought you did or are your internal censors busted?” He took a sip of the beer.

“Just sleepy and a little high off a job well done.” She reached out to touch the stack of crumpled paper on the coffee table.

He smiled, turning back to the fire. “Get some rest.”

“Where will you sleep?”

Did his smile deepen a little bit? His voice rumbled with amusement when he answered. “Everything you say right now sounds like an invitation, you know.” He took a sip of his beer. “And I’m having a really tough time not replying in the affirmative.”

Wrapping up launch day so I can go trick-or-treating!

I’ve spent today having so much fun talking to some of you, blogging, bragging about knowing Arjay Lewis and even reading to you (check out my first post of the day). It’s been a blast of a launch day (pun intended), but all things must come to an end. By now I’ve contacted my winners of books and Amazon gift cards. I’d like to thank everyone who helped make this day a success, whether it was by leaving a comment or just by reading the blog. Special thanks to Arjay for letting me interview him!

Everyone have a wonderful Halloween. And if anyone hears from Houdini, please let me know. And above all else, BELIEVE.

Happy Launch Day, Movie Magic! (Check out the reading at the end…)

It’s October 31, and that means the launch of my new book, Movie Magic. I so enjoyed writing this one, and I’m so hoping you will enjoy reading it.

Today, we celebrate. At the end of the day (about 5 p.m.), I’ll draw names from all my commenters for prizes. Everything from signed copies of Movie Magic to Amazon gift cards. Every comment is eligible, and multiple entries are encouraged.

By the way, Ann Marie was the winner of the special edition Sleight of Hand perfume from Waft.com. I’ll be in touch with her to arrange delivery!

I leave you with this. It’s me, reading from chapter one of Movie Magic. I’m not big on public performances, but I really believe in this book.

Facing fear of publishing (with excerpt from Movie Magic)

In January I made the usual New Year’s resolutions: eat healthier, exercise more, etc. But I also made a resolution I had never made before. Fight fear.

Fear has held me back my entire life. I’m a timid person by nature, though I’ve overcome much of that through the love of my family. Yet still, I have more than my share of phobias. Spiders, stage fright, dentists (that’s a big one).

I haven’t overcome these phobias, but I have forced myself to face them. Just last week I smashed a spider that had my daughter cornered. In a gesture at fighting off my general timidity, I recently took the opportunity to travel with my son to Germany. And I tried out for and got a bit part in our local theater’s production of “A Christmas Carol”. So, yeah, I’m working on it.

And this morning, I went to the dentist for the first time in…a while. My teeth are still sore. Like everything, I began to draw a parallel between sore teeth and publishing a book.

When you write a novel, you bare a part of your soul, and the more covering you can pull away (just like the dental hygienist did to my teeth this morning), the better your writing will be. And just like my teeth, which are now sore and more exposed to temperature changes, so the writer’s soul becomes exposed to critics.

The temptation is to keep part of the soul covered. A thin veil. Remove yourself from the story and tell yourself it’s the characters’ story you’re telling. And while this is true to a point, the truth is, the writer is in every story she tells. And once that story is published, the writer is exposed. Perhaps this is why Emily Dickinson published less than a dozen poems in her lifetime. So much of her soul exposed through her poems might have been too much for her to bear.

So publishing is a leap of faith in our own work and our own souls. It might be ignored or disliked or even loved, but it’s bound to be painful in one way or another. With that thought in mind, I present a taste of my soul in the form of an excerpt from Movie Magic:

“What’ll it be, Cowboy?” Her eyes flickered over him in a just slightly less than shameless fashion.

“What would you recommend, Gypsy?”

The woman looked pleased that he remembered her name. “Depends. Are you just here to drink tonight, Walt, or are you eating?”

“You know I’m not going to pass up the burgers.” He leaned on the bar. “We want beer. Maybe one of those pepper beers you guys are so proud of.”

The woman raised her eyebrows and looked at Sabrina. She nodded, her appraisal obviously satisfactory. “Two ghost brews coming up.” She reached beneath the counter and with a flick of her wrist produced two bottles with a label bearing a picture of an ethereal white spirit sporting a pirate hat. She stopped short of handing it to them. “They’re on the house if you do that trick again.”

“Which trick?” Walt raised his eyebrows, trying to look innocent.

“You know which trick.” She uncapped the beer and set it in front of him.

He glanced at the beer, then back to her. “You got a glass?”

“Better than that. I’ve got a bottle of cheap beer back here. You don’t even have to waste yours.”

“What if it doesn’t work?” He looked anxious.

Sabrina laughed and Gypsy grinned at her. “I like this one. She’s got faith.”

“I kind of like her too.” Walt’s sideways grin warmed Sabrina and she couldn’t help smiling back. Walt tapped the bar. “Bring it on, Gypsy. I’m up to any challenge tonight.”

Gypsy let out a whoop that attracted the attention of everyone in the bar area. By the time she’d set the bottle of beer and a glass in front of Walt, the other patrons were crowding around. Sabrina enjoyed her front row seat as she watched Walt pick up the bottle, unscrew the top and take a swig. Then he upended the bottle on the bar with a flourish, somehow not spilling a drop. The crowd oohed appreciatively, then waited as Walt placed a coaster on the bottom of the upended bottle, flipped it back over the right way, then upended it again over the glass. When nothing happened, he pretended to be confused, peered inside for a second while Sabrina and probably the rest of the crowd held their breath, then held it over the glass again, removed the coaster and tapped the bottom of the bottle, producing a gush of beer into the mug. Walt handed the mug to Gypsy with a bow while everyone applauded.

 

Abracadabra: When writing is fun.

Movie Magic, like all of my Sleight of Hand books to date, was seriously fun to write. I wrote it a few years ago as a National Novel Writing Month project, then let it sit for a year or two to ripen. Rewriting was even more fun, and even now I can’t seem to stop re-reading parts of it. Here’s one of my favorites, which takes place during a casting call for a movie:

“Ma’am, are you all right?”

She opened her eyes to see the sandwich girl standing in front of her holding a white Styrofoam carton in her hand. She looked concerned, an expression that clashed strangely with her tattooed arms but not with her delicate features and blue eyes. Sabrina smiled but it felt like a grimace. “Sure. I’m fine. Just looking for someone who can read.” Without thinking, she handed the girl the paper. “You’d think that would be easy enough, wouldn’t you?”

The girl looked at the paper. Her eye fell on a passage and she read, her voice clear and well inflected, “I think you might do something better with the time than waste it in asking riddles with no answers.”

Sabrina sat up straighter. She didn’t have to look at the paper. “If you knew Time as well as I do, you wouldn’t talk about wasting it. It’s him.”

The girl backed up a step. “I don’t know what you mean.”

That’s it. The perfect combination of confusion and irritation. A harder edge than most people would take with Alice. Sabrina stood. “Of course you don’t. I dare say you’ve never even spoken with Time.”

The girl gave her a hooded glare of contempt. “Perhaps not. But I know I have to beat Time when I learn music.”

The others had turned by now, their attention caught by the unexpected little drama taking place. Ignoring them, Sabrina stood and waved a hand in the air. “Ah, that accounts for it. He won’t stand beating. Now, if you only kept on good terms with him, he’d do almost anything you liked with the clock. For instance, suppose it were nine o’clock in the morning, just time to begin lessons: you’d only have to whisper a hint to Time, and round goes the clock in a twinkling! Half-past one, time for dinner!”

The girl, who Sabrina couldn’t help but think of as her Alice now, shook her head, “That would be grand, certainly. But then—I shouldn’t be hungry for it, you know.”

“Not at first, perhaps.” Sabrina’s mouth curved in an almost seductive way and she took a step closer to the girl, lowering her voice in an intimate way. “But you could keep it to half-past one as long as you liked.”

This was the moment of truth, and Sabrina’s newfound Alice didn’t fail her. Her expression changed from irritation to an odd mix of disgust and hope. She held it for just a second, then laughed, dropping out of character. “That was fun!”