The Freedom (and Responsibility) of Self Publishing

I have a new book coming out on May 28. Did I mention that? I scheduled that release date myself. I wrote the book, too. And edited it. And proofread it. Again and again and again… (I’m actually in the last round of proofreading right now.) And hired a book cover guru (Farah Evers Designs). I did all this on my own without consulting anyone (except Farah because she has a skill set I do not). No editors, no agents, no publishers.

This is my book.

Why don’t I get an agent and sell my book to a real publisher? I guess the short answer to that is I have no patience. I used to think that was the only way to publish legitimately. But over and over I kept hearing “You’re a good writer, but it’s not what we’re looking for.” Well, I heard that when I could get any response at all. And that was usually after six months to a year of anguished waiting and checking my email and wishing and hoping and praying…

Self-publishing, though. Wow, that’s freedom. You can finish a book today and put it out tomorrow. Well, almost. It does have to pass a vetting process through Amazon or Smashwords or whatever. Still, it’s really easy comparatively. When I realized this (after my first self-published book, Weeds and Flowers), it didn’t take long or many rejections to decide my next one would be self-published.

It also didn’t take me long to realize the universal truth behind Uncle Ben’s immortal words: “With great power comes great responsibility.” I have spent the past decade perfecting my skills, not only in writing, but also book designing, editing, even a little cover design (though I still prefer Farah), and everything else that is involved in creating a beautiful book for my readers. I’ve studied and read articles, trying my best to learn to craft a perfect sentence or just to learn the difference between lie and lay (that one is my kryptonite, but don’t get me started on who and whom).

Am I there yet? Hell, no. Why do you think I’ve been reading and re-reading my book? I have not the slightest doubt there are mistakes in it, but tell me, when was the last time you read a 70,000-word book (whether it was professionally or self published) that didn’t? Most 700-word magazine articles have typos. Hell, CNN makes mistakes routinely in seven-word headlines. So, yeah, in spite of my best efforts, you may find a typo. But you’ll find fewer mistakes in Magic at Sea than you’d probably find in Secrets of the Lotus (my first novel published by Kensington Press).

(It’s worth mentioning, too, that any traditional publisher would probably have put off publishing Magic at Sea indefinitely considering the bad press that the cruise industry has received recently. Is that going to stop me? Oh no. I wrote this book based on a cruise to Alaska that my family and I took that is still one of my favorite vacations ever. I would do it again in a heartbeat.)

I often wonder what I would do if a professional publisher offered to publish my books. Purchase my whole backlist, professionally edit it, and put it out in paperback. It’s no doubt a pipe dream because, as I’ve been told often enough, I don’t write what they want to publish, but what would I do if someone made that offer after the love and care I know I’ve put into every one of my books? Sign or no?

Who am I kidding? I’d sign.

In the meantime, however, here are approximately 700 of my words that I’ve pored over (yes, pored, not poured, I looked that one up a while back) to entice you to buy Magic at Sea. Hopefully with no mistakes!

As they sat to partake of the drinks and snacks he’d arranged, Galen found himself settling into the unintentional role of Frankie’s escort. Yet it felt natural when Connor and Carole sat together with Kate and Alex next to them for Galen to hold a chair for Frankie.

“So you really get to live on this ship?” Kate looked around with appreciation, then back to Frankie. She sighed. “Just imagine the amount of writing I could get done.”

Frankie smiled. “For six months, as long as I behave myself.” She batted her eyelashes at Galen. “I wasn’t everyone’s first choice for onboard entertainment, though.”

Galen felt the full force of the little group’s curious gazes. How could he not adore Frankie? How could he not be certain she would be an asset to the cruise—not just this ship but the entire line? He shook his head inwardly. Though from what he’d gathered Frankie had only met Connor once before, she was already a part of the group. Maybe it was some sort of magicians’ code. More likely it stemmed from her association with their friends. Any friend of mine…

“You don’t approve of escape magic, then?” Connor’s good humor didn’t falter. “I’ve never tried any of it myself, mainly because it’s a whole different skill set that takes years to learn, and if you don’t know what you’re doing…” He shrugged and looked back to Frankie. “But I’m looking forward to seeing your show. Lydia and Tony speak very highly of you.”

“Thank you.” Frankie took a little sip of her champagne and glanced at Galen. Her eyes sparkled. Your turn.

He accepted the unspoken challenge. “Frankie’s show marks a bit of change in our focus as far as entertainment goes. The magic shows have always been more kid-centric.”

“I can do kid magic.” Frankie spoke up.

“Can you?” He shot back.

“Of course I can. I got my start as a kid, after all. I know the rings and the scarves and the cup and ball routine. Why don’t you let me prove it?” She leaned forward. “If you think the kids will be missing the magic show because you’ve made it the ten o’clock show, let me go to the kids’ clubs.”

“What happens when they want to come to your show that evening?” He raised his eyebrows.

She shrugged. “I’m not ashamed of my show. You’re the one who decided it needed a parental guidance rating.”

“I—” He hesitated. It sounded silly now. He hadn’t even seen the whole show, after all.

Alex looked amused. “If there’s one thing I’ve learned, you slap a parental warning on a show, the kids immediately want to get in even more. What’s wrong with the show?”

“It’s…” He couldn’t complete the sentence satisfactorily in spite of the polite silence that stretched uncomfortably.

Frankie appeared to take pity on him. “In his defense, it is a little edgy. And some of the effects might be a bit scary. Tense.”

“Has nothing to do with what you look like, then?” Connor’s voice had taken on an edge of its own now. He leaned forward, his eyes on Galen’s. “Because that wouldn’t exactly be the best standard to base a decision on, would it?”

Carole put a hand over her fiancé’s and he glanced at her, then returned to his original position. She gave Galen a curiously sympathetic look. “Not everyone judges women based on how they look.”

Feeling strangely as if he’d been given a rare compliment he didn’t really deserve, Galen cleared his throat. “At any rate, I did make the decision that Frankie’s show would do best in the ten o’clock slot. But if she’s popular enough, she’ll get an encore show as well.”

“And now I can do the kids’ shows, too.” She smiled happily.

“I didn’t agree to that.”

“I believe you did.” She looked around the table and the others nodded agreement.

He groaned. “Fine. But I need to see what you’re hoping to perform first.” His phone dinged and he realized he must have been there for more than an hour. The first day at sea had a lot of programs to run, and though they mostly ran themselves, he needed to make the rounds. He rose. “Sorry. Duty calls.”

And the beautiful cover designed by Farah Evers Designs

Happy May Day!

No poem today.

But do not fret and worry.

Poetry returns.

🙂

Seriously, I’m kind of happy to be done with the poem-a-day challenge. Writing poetry—everyday, anyway—gives you a new respect for Emily Dickinson. Not appreciation. Respect. There is a difference! I’ve always appreciated Dickinson, but the volume of poetry she wrote is something I now respect. It’s hard to write a poem every day.

But on to other things. It’s May Day! Let’s celebrate spring in spite of quarantine. What better way than by anticipating my upcoming new book? This is my new romance novel that takes place, of all places, on a cruise ship. Lol, right? If you can stop laughing long enough, though, take into account that I began writing this novel three years ago after I went on a cruise to Alaska. It was an amazing, truly magical experience, and to me, there is nothing so romantic as the sea. So, if you can clear the tears of laughter from your eyes, here’s the cover and a brief excerpt.

Cover by Farah Evers Designs

“Do you want me to leave?” He turned his hand over in hers so he could curl his fingers around hers.

“I think it would be best. Yes.”

“I will then.” He dropped his hand from hers, but then he leaned forward and kissed her, very quickly and softly, on the lips. “I’ve got plenty to do and you don’t need me here. I won’t see you again before your show tonight, though, so I want you to think about one thing for me.”

She wasn’t sure she could think about anything else but how his lips felt on hers and how much she wanted to repeat that experience. “What?” 

“Have you ever once worried about what would happen if this thing doesn’t work out? Or have you just wondered what will happen if it does?”

His words gave her a jolt as she recognized the truth in them. She hadn’t thought about what it would be like to be stuck working on a ship with a man she’d attempted to date, perhaps to see him start another relationship with someone else. Not even once had that occurred to her. Why wasn’t she worried about that

Because it won’t happen. I feel it. If we let this thing get started between us, it’s not going to stop. And maybe that’s what I’m scared of.

He stepped away from her, his eyes still locked on hers. He nodded. “Neither have I.”

From Magic at Sea by Michelle Garren Flye

So go celebrate May Day with cake, dancing (even if it’s solitary, dance anyway) and singing. If you have a May Pole, decorate it. Smell some flowers. Enjoy life a little. We all deserve it.

Photo by Michelle Garren Flye

Happy National Poetry Month (a day late)

Yesterday was April 1, 2020, the first time I’ve ever wished someone would declare the whole year thus far as an April Fool’s joke.

It didn’t happen.

But while I was waiting for it to happen, I did get something done. A little something, anyway. I took a picture. You can see it to the left.

Yes, I published a book of poetry. A couple of those poems go back several years to the first year I wrote a poem a day for National Poetry Month. That’s when I first realized I liked writing poetry. And that I was pretty good at it.

I’ve come a little ways since then. I’m more confident about what I can do and why I do it. I’m pretty sure I’ll write poetry for the rest of my life. I guess that’s why I decided to go ahead and publish a small collection publicly. If you know there’s more coming, why not, right?

Speaking of which, there’s never been a better time for whiling away the time writing poetry than now. A bookstore, the most essential place of business in the best of times, isn’t, exactly, right now. So, in the interests of the public health, I’m staying home. And since it’s National Poetry Month, I’m writing a poem a day. Since I missed yesterday, you get two today. Let me know what you think!



April 1, 2020
 
April Fool’s, I cry, wishing it applied.
If only the past four years could dissipate
And life go on with no reason to hide.
But go back inside and shut the gate;
No use waiting for a change in the tide.
 
Store’s closed, theater’s shuttered, all gone.
No more help from those in charge
Than that you give yourself alone.
No superheroes will arrive and barge
In to help you, so change your tone.
 
Would life be better if other decisions were made?
Oh yes, but we can’t live for yesterday when
Worries about tomorrow still pervade.
Close your eyes and count one to ten.
Then go on with life, there are debts to be paid.




April 2, 2020
 
How long until we trust a hug again?
How long before we open up to life,
And throw our arms around each other?
I’d like to buy the world a coke—
But that’s tough from six feet away.
 
They say it will happen eventually.
Slowly, we’ll see this thing go away.
Can a hug happen carefully,
Or is it more of a spontaneous thing?
Can we learn to embrace that way?
 
I guess it will work out for us, though.
When this is over, we’ll be delicate.
It’s better to be careful when you’re hurt.
And oh, we will be tired and we will ache—
When we get there, don’t squeeze too hard.

Finishing Something

It’s a good feeling, right? Finishing something. I recently realized my next book is finished. I mean, yeah, it was written a while back, but even the editing stages are finished. It’s as polished as it’s gonna get, I think. Well, maybe one last run through.

I’m not going to tell you anything about this book except that it’ll be book 7 of my Sleight of Hand series. If you haven’t read any of my Sleight of Hand series, never fear. All of them are stand-alone romances with occasional appearances of characters from previous books. It’s like a romance series that focuses on a family or a particular small town, but the community that these books focus on is actually a little more…magical. The characters are not related except by marriage (well, there’s one set of brothers…). As for being set in one small town, nope. Settings range from the coast of North Carolina to Hollywood, Las Vegas and New York.

It’s kind of fun to think that this all began with Close Up Magic in 2013. I’d always been fascinated by stage magic. I often tell the story of five-year-old me being chosen by a magician to be on a “flying carpet”. I was instructed to keep my eyes closed so the magic would work. My mother told me afterward it certainly appeared that I flew. Ever since, I have loved stage magic. I know there’s a trick and I sometimes try to catch the magician at it. But even if I do figure out how a trick is done, it doesn’t spoil the fun for me. Often it just increases my respect for the magician’s performance.

So why am I not announcing more about my next book in this series? I obviously am very excited about it. It’s the best one yet, I know it. I put a lot of thought into this one, which is why it took so long. The answer is simple. I’m planning to roll out the next book on The Next Chapter Books & Art’s social media first. This bookstore has become so much a part of my life, including my writing life, it just makes sense.

So if you want to be one of the first to see the cover (which is bound to be beautiful due to being designed by the fabulous Farah Evers Designs) and read all about my new book, follow The Next Chapter Books & Art on Facebook and Instagram.

In the meantime, I have a couple of other projects in the works. I’d like to put out another booklet of my poetry, rework my backlist now that I’ve discovered Vellum, and Book 8 is calling me already. Not to mention my alter-ego Shelley Gee wants to get to work on Jessica Gravely as soon as possible.

So I’m off to the bookstore. Come join me there!

Just the next step

The local author “cove” of my bookstore, The Next Chapter Books & Art. Yes, my books are on the shelf!

“I guess I should have expected it,” my husband teased when I said I wanted to take over the local bookstore. “I mean, first you’re a published author, then you start self-publishing, and now you want to own a bookstore.”

I laughed. But really, is he totally wrong?

I want to sell my books.

I told a fellow author who stopped by the store to wish me well that the other day. “I want to sell books. My books, your books, whatever.” And it’s true. That’s what I want to do as a bookstore. Highlight and sell local authors’ books. Because there’s a surprising number of us here in my little town who can spin a pretty good yarn.

My friend, who has several books at the store himself, smiled. “True. But you want to sell your books most. And there’s nothing wrong with that.”

And he’s right, too. I do want to sell my books. Most. So I’m owning it. It occurred to me when I heard that the bookstore was going to close if someone didn’t take over that my books wouldn’t have a spot on a bookstore shelf anymore. I’d have to go looking for more stores willing to take them on.

As I don’t like beating the pavement, maybe it was just easier to take on a bookstore and learn to be a small business owner and pay bills and create a marketing plan and write press releases and be a grownup?

Maybe there’s something slippery about that slope, but it does seem to be working, and I can’t deny taking over this bookstore has been one of the best things I’ve ever done. I look forward to going in to work every day, I work on bookstore ideas at night, the store is my favorite subject—when I started considering setting a picture of the store as my background on my phone, I had to admit, I might be in love.

Everyday it seems a little stronger,

Everyday it lasts a little longer.

Come what may, do you ever long for

True love from me?

—James Taylor, Everyday

So I guess it’s okay if I’ve taken another step along the road of self-publishing. Yeah, I want my books on the shelf, not just here but in bookstores everywhere, but until that happens and as long as the only reason I’m here is not to sell my books only (just most), I’ll do my damnedest to keep this beautiful store open and selling all the books, including mine.

One moment a maniac…

IMG_1947If you’ve ever read Victor Hugo’s The Hunchback of Notre Dame, you know it’s full of bitter truths. That love has no reason. That mankind is cruel. That wealth and status are merciless and religion can be flat out wrong. Of course, most of us haven’t actually read the masterpiece. At best, we’ve seen a movie adaptation. At worst, however, we’ve heard the music of Disney’s adaptation at some point.

When Notre Dame burned last year, I cried. I hadn’t seen it yet and it was on my bucket list. It still is, even though I’ll never see the cathedral that was termed “The Forest” for the network of wooden beams that made up the roof. But some of the grand church was preserved. The fabulous rose windows and stone walls still stand. I can see those…someday.

And then I heard one of our local theatres was doing the musical adapted from Disney’s Hunchback of Notre Dame, which was adapted from Victor Hugo’s epic novel. Of course, I had to audition. And somehow, in spite of my audition, I made it into the choir, so I get to sing many of these songs while sitting or standing on stage the entire time. And as an added bonus, I have a couple of lines as a gargoyle.

It’s been fun. Nerve-wracking at times, but fun. I’ve listened to the music so much I may never want to hear it again, even “God Bless the Outcasts” which I’ve been known to blast in my car for no real reason at all. I’ve enjoyed getting to know the people—theatre people are great. Differences don’t matter when you’re on stage. I’ve noticed that particularly with this cast. Race, religion, sexual orientation and the big one—Politics—none of that crap matters when you’re telling the story you’ve been charged to tell.

As for the production, well it’s fun. It’s exhausting. It’s taken a lot of time away from my family, and I’m really kind of looking forward to being done with it. But being in this production has also reminded me of what’s perhaps the most cruel of Hugo’s lessons to his readers: That dreams don’t always come true but life really isn’t worth living without them.

What is Utopia?

As a writer, I get to imagine things all the time, but one thing for me has always been sort of amorphous. What, exactly, would Utopia be like? I can imagine a place with green fields where everyone does their fair share, but eventually I start seeing flaws in the system. For instance, I don’t like working outdoors, I tend to kill plants, and I hate bugs. Would I be expected to help grow crops the same way my brother, who has a green thumb, would? And as a librarian, I wonder, would people who don’t care about books be expected to help me take care of them? How can you be a caretaker for something you have no care for? Who’s making all these rules, anyway?

Usually, I end up deciding I’d rather just retreat onto a mountaintop or desert island with the people I love most and have supplies air dropped to me. But what kind of liberal does that make me if I can’t even picture a Utopia that works?

Today I read this wonderful opinion column by Ross Douthat in the New York Times called Watership Down and the Crisis of Liberalism and I practically clapped my hands. If you’ve never read Watership Down, the classic tale by Richard Adams, you must. Go get a copy. I’ll wait. Okay, maybe not, because it is like 500 pages long, but Watership Down was a masterpiece, and Douthat hits the nail on the head with what makes a true Utopia and how Adams created one with this sentence:

And what makes the regime the rabbits are founding good — and successful, but first and foremost good — is the integration of the different virtues, the cooperation of their different embodiments, their willing subordination to one another as circumstances require.

Bam. Right there. Each rabbit that embarks on the quest to found a new home after they lost their old home to ecoterrorism (a subdivision) has a unique skill that they offer to the group. The leader, the strong, the religiously gifted, the athletic, the intelligent, the creative—all have something to offer the group.

So that’s what Utopia is to me. It’s a world in which we all have our unique gifts and they’re all valued. Imagine a world where you could find your gift and pursue it and contribute to the world in your own way. If a teacher’s offering of education, a doctor’s offering of healing, a policeman’s offering of safety, a politician’s offering of governing, a writer’s offering of…whatever we offer—it was all valued. Every skill, from acting to playing a sport or inventing, all the way to trash collecting and housecleaning.

Isn’t that what we all want? A world we can live in without fear of someone taking what is ours? Our job, our belongings, our happiness. In a world where everyone already had theirs, maybe that wouldn’t be such a problem. To me, that is Utopia.

(Side note: The only other place I’ve ever seen a Utopia that looks like it could work is Starfleet in the Star Trek universe.)

But what is Utopia to you? In our highly divided culture today, maybe this isn’t what everyone wants. Utopian dreams come to us all, though. I’d love to hear yours.

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Utopian perfection? Photo by Michelle Garren Flye

Cover Reveal: Timeless! (Finally)

Drum roll, please…Ta…DAAA!

Yes, that is the cover for the final book of my Synchronicity series, Timeless. And yes, it does have a unicorn on it! As all my best covers are, this one was designed by my talented friend Farah Evers of Farah Evers Designs, and I gave her a tough task, asking her to make a non-dorky cover with a unicorn on it. 🙂 (Sorry to all you unicorn fans out there, but…) As you can see, she rose to the challenge magnificently!

This one has been a long time coming. I started writing this trilogy in 2015, and Out of Time was published in 2016. I followed it up with Time Being in 2017. And now, finally, I’m ready to release Timeless. These worlds I invented and the portals between them have been fun to travel. Steeped in the legends of the Cherokee (T’sali) people of the Blue Ridge Mountains where I grew up, I feel like, more than any of my other books, these have a bit of my soul in them. I mean, what little girl doesn’t dream of finding out she’s a princess from a faraway land?

I’ve enjoyed my time in Eladi/Ayeli/Gadusi, consorting with Elves and Meti as well as humans, but I am ready, now, to let it go. So, on June 1, 2019, you can find out how it all ends. For those who have followed this story, the Raven Mocker does make another appearance, and yes, there really is a unicorn.

And if you haven’t followed the story? I’ve slashed the prices on the first two ebooks, Out of Time and Time Being, to 99 cents! (Come on, Disney/Marvel didn’t make you that good a deal and you still went to see End Game!) Don’t get left behind. Be ready for the end of this epic story on June 1!

Jack and Kaelyn have battled an army and realigned space and time to be together. But their greatest challenge yet looms, and it’s from Kaelyn’s own people. 

The joyous reunion with Todd and the Ayeli Meti should bring peace to all they love, but instead Kaelyn discovers a dark underbelly of prejudice. The Ayeli Meti have not forgotten the war with the Elves, and it takes very little to push them over the edge. Now Kaelyn must decide between love and duty.

Trapped on Ayeli, can she overcome the lingering anger against Elves? And can Jack defeat his father on the lost world of Gadusi, making it safe to reopen the portals? Most important, can Kaelyn and Jack find their way back to each other through the locked portals—or are they doomed to spend eternity alone?

Trump Tilts at Windmills

They might be giants…they aren’t, but they might be.

Very seldom these days do the worlds of great literature and American politics coincide, but Donald Trump’s recent attack on windmills cannot help reminding me of the passage in the great novel about an insane man, Don Quixote.

Don Trump says, “They kill birds, they cause cancer, you can’t depend on them to power your television for an entire night because if the wind’s not blowing, there’s no power.”

Don Quixote says, “They’re giants and I shall slay them.”

But where is Trump’s Sancho? Where is the voice of reason to tell him that they aren’t actually giants, but very useful and beneficial machines? If we continue the parallel, Sancho would probably be Trump’s voters. The ones he’s promised will benefit if they follow him. Yet Trump’s Sancho doesn’t seem capable of pointing out that the windmills are not actually giants. So, it would seem, Trump Quixote is destined to break his lance without even a word of warning from his companion.

We might laugh at this. Cervantes certainly intended you to laugh at his misguided knight and even at Sancho. But if we’re stuck in Don Trump, or the Man of Queens, we better hope there’s a Knight of the White Moon out there somewhere who will defeat Trump and make him promise to go home to be cured of his madness.

Otherwise, we may be doomed to subscribe to Quixote’s belief near the end of the first volume that knights errant “are exempt from the application of all laws and statutes, that for them law is their sword, statutes are their spirit, and edicts and proclamations are their will and desire.”

Sounds uncomfortably familiar.

Hidden room dream: Getting older, getting busy again, getting to know who I am

Yesterday, I had to admit—at long last—that I just can’t see my computer screen as well when I wear contacts. So I pulled out an old pair of reading glasses I once used for a Halloween costume. In spite of myself, I was hoping they wouldn’t work.

They did.

Here’s me seeing my computer screen clearly without squinting. So I’m getting older. Better than the alternative, I always say.

Today I find myself in a quandary in spite of my new ability to see clearly. I want to write again, but I’m unsure what to write. I’ve been in stasis mode for a few weeks, though, you see, so it’s harder than I anticipated jumping back into the pool of work. I usually get anxious if I’m not writing something, but I’m surprisingly calm about it this time. And I think I can attribute that to the hidden room dreams.

If you’ve never had hidden room dreams, let me tell you, they’re a trip. For me, I was always wandering through our extraordinarily cluttered house (it was worse in the dream than in reality) only to find a door I opened to reveal rooms I never knew my house possessed. These rooms were always furnished, as though ready for use, but in my dreams I always realized it would take some work to make them functional.

I had this dream often enough so I looked it up online. Hidden room dreams, I found, were an indication that there’s some talent or ability hidden in our psyche that we aren’t making use of. Interesting, considering I started having these dreams right after my first foray into community theater. If ever there was someone you wouldn’t have thought suitable for the stage, it is probably me. I have a definite fear of public speaking. I remember nearly fainting in high school when I had to give a three-minute speech. Just a few years ago, I attempted to conduct a few writing workshops, and, well, they weren’t bad, but they weren’t what I would call good, either.

But theater is different. You’re somebody else, from the makeup (I never wear eyeliner except onstage) to the clothing (ah, those sumptuous nineteenth century dresses I wore!) to the words (speeches I would never have made on my own). Okay, I’ve only had bit parts so far, but in one play I did have more than a dozen lines!

And now, here I am, having just finished directing (and writing, at least a little bit) my daughter’s talent show, taking singing lessons in preparation for auditioning for another musical—and no longer haunted by hidden room dreams. Is it possible my hidden rooms were theater-related all along? Maybe the “clutter” in my dreams was my desire to tell stories, that I’ve always restricted to the arena of writing. If I move it into theater as well, I’ll have another outlet and more room in both parts of my psyche.

But never fear, I’m not giving up on my writing, either. Jessica Entirely, the first of my middle grade Jessica mysteries, will be ready for publication in June. I’m now working on the polishing of Timeless, the final book of my Synchronicity series. And Magic at Sea, book 7 of Sleight of Hand, should be ready for an October 31 release! Plus, I’ve already started planning Jessica Naturally, which I’m hoping to have out by Christmas.

So even as I explore these hidden rooms and try to dust them off so they’ll be functional, I’m adding to the clutter on the other side of my psyche. Can’t be helped, though. I guess I’ll just have to add more shelves over there!