Sadly, Becoming Magic is NOT up in the Kindle store in spite of everything having been done right by me. I’ve sent them a message and hopefully it’ll be fixed within 24 hours. In the meantime, I’m sending everyone to Smashwords who have a lovely big sale going on in which ALL of my other books have a 100% off coupon (SS100) for the month of July only. And Becoming Magic is only $2.99, so you could catch up on all the Sleight of Hand books for the single price of $2.99—who wouldn’t want to do that? Check it out here: Smashwords Summer Sale!
Tag Archives: love
Happy Birthday, Becoming Magic! Time for a new kind of romance.

I pray I am not shouting into the whirlwind of too many voices this time. Photo by Pixabay on Pexels.com
Happy birthday to my newest baby, Becoming Magic! It’s high time for this book. In a world with so much denigration of women, it’s past time for the genre of books most heavily written by women to honor what women really are.
We are powerful.
We are beautiful.
We are creative.
We are romantic.
We are sexy.
We are strong.
Does anyone want to deny any of the above? As a member of the “lesser” sex, I can say honestly that the only reason I can see that we were ever called that is so men can make us think less of ourselves. We’ve been victims long enough. It’s time to rise up and recognize the men who actually appreciate what women really are.
They are equal partners.
They are not afraid of us.
They are willing to treat women as equals.
They are romantic.
They are sexy.
They are strong.
Please notice that I didn’t say they are dukes or melancholy or macho or sadists. All except the last could, possibly, be part of who they are, but as women, it’s time to defy the melancholy, macho, duke hero who practices S&M. We know what we want, and it doesn’t include rape.
That’s what a new kind of romance is all about. Please try out my new kind of romance, Becoming Magic. You can find the first chapter here. Read it. If you enjoy it, download the whole book at your favorite ebook retailer. The paperback version should be available soon.
Read it.
And then tell me what you think.
Dear God, may this book please not be lost in the shuffle of many. May it not be caught up in a whirlwind of other voices that drown it out. May it please make it to the eyes of the readers who need it. In your name I pray, Amen.
Love,
Michelle
One Day (!!!) to Becoming Magic: Why do I write about love?
Just one more day to the release of Becoming Magic. My fourteenth—if I’m counting right—novel. All of them, to one degree or another, about love and the importance of love in life.
As a child, I wrote fairy tales, dreamed of dancing with a handsome prince and living happily ever after. I peopled my daydreams with heroes and heroines from the books I read nonstop. They weren’t all romances that I read, either. Mysteries, science fiction, fantasy—they all had romance in them, I realized. Or they could have. Sometimes I rewrote those stories in my mind so they went the way I wanted them to.
So I guess I have always been fascinated by love. Love has great power that has nothing to do with paper valentine hearts and fat cupids. Love can rule the world if we let it. Or it can destroy lives.
I know, of course, that love stories don’t always end well. Maybe that’s why I write romances. I want that happily ever after, not just for me, but for everyone. So, if you’re struggling in life and are lonely, it’s sort of my letter of encouragement to you. Maybe you haven’t found love yet, but I’m rooting for you.
Love,
Michelle
Two Days to Becoming Magic: A Salute to Just Journalists

Photo by Daria Shevtsova on Pexels.com
It’s just two days to the release of my new romance, Becoming Magic—and I can’t seem to stop thinking about The Capital Gazette‘s dead.
This probably wasn’t considered a mass shooting. A mass shooting, I think, is defined as ten or more victims. There were only five in Annapolis yesterday.
Just five people who didn’t get up and go to work this morning. Because yesterday a man decided it was okay to take a shotgun into their office and shoot them.
This is not a very magical way of thinking.
This is not romantic at all.
This is the life we’re now living.
Somewhere along the timeline of my life it became somehow okay to solve your problems by picking up a gun and shooting the people who you see as causing it. How did we get here?
Some say we need to go back to God.
Some say we’ve lost our common decency. Those people may be right because I can’t help but think that yesterday there was a certain dismissive attitude about the five dead people. I heard the whisper of common conception as plainly as if someone were standing behind me shouting it into my ear.
They were just journalists.
Just journalists. I went to journalism school. I worked on small newspapers in both North Carolina and Virginia. I remember getting up in the morning to drive an hour to the small newspaper I worked at and feeling like I was the luckiest person alive to have gotten a job doing something I loved doing. I loved writing the news in that tiny town. I loved helping with the layout and typesetting and taking photos of people’s kids playing soccer and even—a couple of times—driving all over the back country of North Carolina delivering the papers.
So I was just a journalist, too.
I wasn’t even that great at it, and the hours were terrible, and I got paid next to nothing. But I was proud to have a press pass and to work to uphold the basic principles of journalism.
I imagine those journalists at The Capital Gazette felt the same way.
Just journalism is nothing to sneeze at, fellow citizens. Just journalism is all that holds those in power in check. Just journalism holds a light of truth on the unethical. Just journalism verifies and monitors and maintains independence.
And all too often, just journalism suffers because of it.
I apologize for the length of this stream of consciousness column. I encourage you to read up about the victims of yesterday’s shooting. They were just journalists and I salute them.
Oh yeah, and buy my book, on sale July 1.
Three Days to Becoming Magic: Magic Numbers and Jack’s Beans
It’s three days to the publication of Becoming Magic and today I started thinking how in folk stories, three is magical and that number has entered our own lives in ways we might not really notice at first. Jack had three magic beans. The first time I pitched a book to a literary agent (someday I’ll write about this rather painful memory), he asked for three things: a 3-page synopsis, the manuscript and proposals for three more books.
I can’t help but wonder if Jack had five magic beans would I have been asked for a five-page synopsis? And five more book proposals?
At any rate, I’m hoping the magical number three will work for me today. I’m going to post three excerpts from Becoming Magic. And if the day is as magical as Jack’s beans, you’ll be intrigued enough to climb the Becoming Magic beanstalk to find the treasure.
Excerpt #1:
She gathered her notes and then slapped them back on the table, turning to him. “Look. We’re obviously going to be working together since there’s no talking my bosses out of this, so let’s lay down a few ground rules.”
He sat back in his chair. “Go ahead.”
“I know you’re a big movie star and you’re probably used to getting your way with women without even having to work for it, but let me just tell you here and now, there’s nowhere to get with me. I’m not looking to get laid, and your charming ways are not going to work with me. Okay?”
A light frown creased his handsome forehead. His eyes were very serious and he nodded. “Noted.”
In a probably vain attempt to keep from looking too vulnerable, she forced herself to take a deep breath. “I would also like to say that I don’t like dirty jokes. They make me uncomfortable and are mostly just rude, not funny.”
The frown on his forehead had deepened. But he just nodded. “Got it.”
“And finally, I don’t like to be touched. I’m not going to let you touch me to further my career, and I don’t care if you fire me. So don’t go for the brush-the-boob casual move or the light hand on my back or pinching my butt or whatever. None of it. I don’t enjoy it and if I don’t enjoy it, you have no right to enjoy it.”
He sat for a moment after she finished speaking, his expression very sober. Then he stood. For a moment, she thought he would just walk out of the room and she wondered what would happen if he went to Sabrina or Walt with what she’d just said. Her heartbeat pounded in her chest, thundering against her ribcage. But she raised her chin in defiance. If she was going to be working in Hollywood again, she was damn well going to do it her way.
He didn’t leave the room, however. After a moment, he asked politely, “Was there anything else?”
She’d expected indignation. His polite acceptance took her by surprise. “Umm, no.”
“Then we can get to work.” He held out a hand and she took it, bemused. He shook her hand and dropped it. “One condition of my own, however. I’d appreciate not being lumped into the same category as an abuser when I don’t think I’ve earned it.”
Excerpt #2:
“What were you feeling right then?”
“Right then?” He studied the screen. “Betrayed, I think. She was supposed to accept the rose. She was supposed to kiss me and later, she was supposed to make love to me. Because it was magic.” He shrugged, then glanced at her. “Sorry, was that too much information?”
“Maybe a little, but I did ask.” She watched onscreen Connor walk away—toward his trailer, probably.
“Why did you ask?”
“Why did you answer?” She countered him neatly, then hit the pause button. “But since you did, I’ll answer your other question. Yes. There are so many things I’d cut from my life if I had a delete button. Things that I worry not only delayed my reaching my eventual goal but may actually prevent it.”
“Like what?”
She hesitated, again torn between blurting out her whole sordid story and hiding it away in the dark reaches of her soul. Hiding won. “I don’t want to talk about it.”
He reached across and caught her hand. “That’s not really fair.” His thumb caressed her knuckles. “I told you mine.”
“Your what?” Her heart pounded in her throat.
“My secret. My too much information. It’s only fair if you share yours.”
Why did his lightest touch set her skin afire? It was so hard to think. And whatever the wine was, it must have a much higher alcohol content than she was used to. Or maybe he’d refilled it more often than she’d thought. At any rate, she felt like everything pleasant was intensified—like the feel of his light caress—and everything unpleasant had faded to the background. How much did Hollywood even matter, anyway?
She answered herself almost instantly, jerked back to reality by her need to conceal her too much information. “It’s not the same thing.”
“How so?” He closed his fingers over hers.
“I—mine isn’t so pleasant. Even yours is romantic and sweet. You just wanted her to love you as much as you loved her. But mine is—not that.”
Excerpt #3:
“How do you do that, anyway?”
“Do what?” He blinked innocently.
“Charm everyone. Her. The waitress the other night. Sabrina and Walt—”
“Oh, if you’d heard the talking to Walt gave me about none other than little old you, you’d know he’s not so charmed.”
“Oh, he’s charmed. But anyway, other people. People you’ve never even met like my sister. They’re all so taken with you. I don’t get it.”
“Well, that’s flattering.” He quirked an eyebrow at her.
She laughed a little. “I mean, I do get it. Sort of. But you and I—well, we know each other a little better, don’t we? It’s not like we’re passing acquaintances and I’m already charmed by you. I mean…”
She trailed off, but he nodded understanding. “Yes, that’s true. We’ve both seen a little of what makes each other tick. You’re wondering how others can see I’m someone worth investing in.”
“Well, yeah.” She shrugged. “For want of a better way of putting it.”
He paused, thinking. “I believe it’s like anything. It’s like picking up a book by an author you’ve never read before and deciding you want to read it. Or even listening to a song all the way through. You don’t know you’re going to like it. You might even hate it. But you sort of judge it from the beginning notes of the song or the first line of the book. I’ve got a good beginning note, I guess.”
She smiled. “I like that way of putting it. Like choosing a dessert. I can tell from the smell that you have some ingredients I like.” Her glance caught his and she felt her face heat up a little as she realized what she had said. “Or something like that.”
Thanks for reading. Hope your day is magical!
Four Days to Becoming Magic: What do I hope to accomplish?

Photo by freestocks.org on Pexels.com
Yesterday I uploaded my files to Createspace, KDP and Smashwords. A few tiny bumps in the process gave me plenty of time to reflect.
What do I hope to accomplish with this book?
It reminded me of the best writing advice I’ve ever been given: Make sure you have a clear goal for each and every scene you write. How does that scene or chapter help move your story along? Before I got that advice, I’d taken as gospel the “just write” theology of writing. Well, just writing can get you into literary holes and take you down paths you never intended. You’ll end up backtracking and deleting a good bit of whatever you “just write”. (I know a lot of plotters are out there shaking their heads at my “pantsing” attitude, but it’s the way I write.) If you have a clear idea of what your scene will accomplish, you’ll stay on track much better.
So what does that have to do with what I hope to accomplish with this book? Well, I think of each and every book I put out there as a chapter in my life. So many chapters of you life are not within your control. But some are. And each book I put out is something I control. What is my goal with this one?
I’ve given up on the getting famous thing. Not every writer is Stephen King. I’ve given up on getting rich. Not every writer is Nicholas Sparks. I doubt I’m writing blockbuster movies here because I’m not J.K. Rowling. I’m not a literary pioneer like Jack Kerouac. And yet, I can’t give up on the hope that my writing has a place out there. Somewhere.
This year is a year of change for me. My oldest graduated and starts college in the fall. I’ll go from being in charge of most of his life to having only the influence of a (hopefully) trusted advisor—though in truth I’ve been making that transition for a couple of years now. We’re in the process of transforming our home into something we actually enjoy living in. My office is nearly at the point of being my dream space now.
And my writing changed.
In the past, I’ve often followed the formulaic manly hero/submissive heroine (not always, but my characters usually had some of those characteristics). I’m proud to say I fought that tendency in Becoming Magic. I want to see a change in the romance genre. I feel like we’ve swung too far the other way of things by accepting casual references to marginal practices into our genre. In today’s world, romance heroines need to take charge of their lives and loves. This is, after all, what our daughters may read.
So yeah. That’s what I’m hoping to accomplish with my writing and this particular book. In my own little corner of my genre, I hope I will make a difference. In a way, Becoming Magic marks my emergence from a chrysalis of sorts. Though only time will tell if I’m a butterfly or just a stunted caterpillar.
Five Days to Becoming Magic: What is “a new kind of romance”?
Another romance writer might well ask me what I mean by “a new kind of romance”?
It’s not a new old idea. I’m not saying we need to go back to the days when women were women and men treated them like delicate flowers. I’m not saying you shouldn’t write about sex in your romances. Sex is an integral part of character development in romance. I’m not even saying tying people up isn’t sexy. If you read Escape Magic (which I call my anti-50-shades bondage romance), for instance, you’ll see there are ways for that to be worked in that are definitely okay.
A new kind of romance is not about going backward. It’s about moving forward. It’s about recognizing that the problems women face today are very much rooted in attitudes we’ve faced all along that are perpetuated by the submissive heroines and macho man heroes from the romances of yesteryear. If we don’t want to be dominated, our reading material should reflect that. Here’s my best definition of what a new kind of romance is, followed by the print cover of my new book with the blurb:
Five days to the release of Becoming Magic! If you want to know why I call it “a new kind of romance”, check out my blog at http://michellegflye.com or read this:What is a new kind of romance?A romance where women are in charge of their own fate and aren’t considered property. A romance where rape is rape, not fantasy. A romance about what real women really want—real men secure enough in their own masculinity to be able to both protect a woman who wants it and back off when she doesn’t.That’s real romance. It’s sexy and fun and no holds barred. It’s loving and tender and passionate. And for me it starts with Becoming Magic.

Six Days to Becoming Magic and I feel bad for Laura Ingalls Wilder
In six days my new book Becoming Magic will be unleashed upon the world. I’m calling it “a new kind of romance” because I think it’s time my genre addresses the #metoo movement and accepts that, in the past, our books have been part of the problem—and can now be part of the solution.
Just yesterday, the Association of Library Services to Children played a key role in a cautionary tale for all authors who don’t pay attention to changing times. They removed the name of one of America’s great pioneer women authors from an award. The Laura Ingalls Wilder Award will now be known as the Children’s Literature Legacy Award because Wilder’s famous Little House series contains a number of racist (by today’s standards) references to Native Americans and black people.
Understand, first and foremost, that I get it. I read these books as a child and never thought twice about “The only good Indian is a dead Indian” or the reference to blackface. I’m reading them again with my daughter and am extremely grateful that she has a good, analytical head on her eleven-year-old shoulders. She knows those statements are wrong. She didn’t understand the blackface and “darkie” reference until I explained them, and then she knew they were wrong, too. We talked about how times and people’s perceptions change and evolve, and while Wilder may not have thought twice about writing those passages, they are considered wrong now.
She got it.
With all that said, I feel for Wilder. Her writing accurately reflected the social attitudes of her time. And now it is a victim of today’s more evolved social sensibility. Wilder even apologized for some of her writing during her lifetime and lived to see one passage changed from saying “no people, only Indians” to “no settlers, only Indians”, which shows she actually at least partially got it, too. I’m glad to know that.
I hope the removal of Wilder’s name from the award does not mean her books will someday be removed from library shelves. Read with the correct context, these books are invaluable to understanding and remembering our history and the history of our literature. Along with Huckleberry Finn and To Kill a Mockingbird, these books form a map to remind us of where we’ve been so we don’t go back there.
And, Laura Ingalls Wilder, rest assured I get it, too. Writing of any genre may reflect the current time and sensibility, but eventually those times and sensibilities—and sensitivities—will change.
Seven Days to Becoming Magic: I miss the old days…

A book with no one to advocate for it gets shelved quickly in today’s overwhelmed literary market. I know that. And yet. Photo by Janko Ferlic on Pexels.com
Just a week away from the release of Becoming Magic, my new kind of romance in which I attempt to prove real heroes are not the dark, brooding macho men of old.
Just a week away from the part I hate—promotion. Literally, the worst part for someone like me. I’m a hermit. I live in my office with my little dog and my cats. It’s my happy place.
Cormac McCarthy sold books for forty years without ever doing a television interview. Emily Dickinson wrote her amazing body of poetry while secluded in her family home—literally lowering baskets from windows for packages and speaking to visitors through doors. Of course, the largest part of her work was discovered after her death…
And then there is William Faulkner, who famously shunned public speaking, but should have spoken out more, as evidenced by his Nobel Prize Speech:
The poet’s, the writer’s, duty is to write about these things. It is his privilege to help man endure by lifting his heart, by reminding him of the courage and honor and hope and pride and compassion and pity and sacrifice which have been the glory of his past.
Yes, writers are reclusive. We prefer to sit at our desks and tap away at our computers. But in today’s world of technology and television and Netflix, it’s up to us—the writers and poets—to seek out new ways to do what Faulkner charged us to do: To remind human beings that there is more to us than our exterior shells show—we have heart and soul and history to prove it. And that means promotion because like the proverbial tree with no listeners, there’s not much point to a book with no readers.
Eight Days to Becoming Magic: Last Steps and Nerves
So many things can go wrong.
What if I miss a huge typo that changes the meaning of something? Think that can’t happen? In 1631, The Holy Bible was printed without a very important word. It earned the nickname “The Wicked Bible” for saying, in black and white, “Thou shalt commit adultery.”
What if my formatting is wrong? This problem is universal to independently published and traditionally published books. No matter how many times you go through a book in word and even pdf format, spaces vanish, indents undent themselves and typefaces may turn to gibberish. My first few independently published ebooks have several reviews that mention “head-hopping” as being a problem. At first I couldn’t figure this out. I usually tell my stories from two POVs—hero and heroine—but I never change POVs without leaving white space. Well, turns out white space alone doesn’t translate to Kindle or other ebooks very well. It just vanishes, leaving your poor reader with no indication that your story is about to hop to another head.
And finally, what if nobody gets it? I don’t mean, what if nobody buys it. That’s a whole different problem. I’m talking about what if nobody who reads it understands why I wrote it? Why spend hundreds of hours sitting at my computer writing something nobody understands? If nobody gets it, why did I waste my time? I mean, I’m not writing Salman Rushdie type books or a Codex Seraphinianus here. (Google that if you want to get sucked down a rabbit hole!) So basically, if I don’t get my point across, that’s on me.
So it’s eight days to publication. Eight days til I find out the best and the worst.
Eight days to Becoming Magic.