A Thrilling Excerpt…

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Out of Time Excerpt5-page0001

Writing and publishing and what comes between.

I’m getting better at this self-publishing thing. I’ve even started thinking of it as a four-step process. The first step is writing/editing. This includes all the drafts and all the deep editing and re-writing. (I’m going to skip a step here, but stay with me.) The third step is publishing. This mostly consists of pushing a button and saying a prayer as your book begins its journey into the world. The fourth step, which actually begins somewhere between the second and third step and continues well into the future, is marketing. I’ve talked about that some, but it includes blogging, tweeting, sending out excerpts, begging for reviews, putting together a press kit…you name it, it’s there.

The second step, which is what I’ve been deep in the process of recently, is book-making. I include copy editing and formatting for ebook and print in this step, and it’s the step that many authors miss out on in traditional publishing. This is the step I’ve had to work to perfect over the years. I’ve found it’s not as simple as typing up a book and plugging it into a publishing platform like Smashwords or CreateSpace. It involves a lot of work, a lot of oversight and a lot of experimentation to get a good, clean-looking book. Chapter headings, white space, margins… Oh, and book covers! Book covers are so much fun. I usually have to get professional help with these, but I also get to make some suggestions and requests (much more so than with traditional publishing). And when it’s all done and you’re ready to move on to Step three, you can call yourself something new, something beyond an author, editor or even publisher. You can call yourself a book-maker.

Pretty stinking awesome.

I’ve been at it for a couple weeks now. I’ve finished the copy-editing and am into the formatting stage for Out of Time. It’s already up for pre-order on Smashwords and Amazon. Go check it out, even if just to look at the beautiful cover designed by Farah Evers Designs. But don’t forget to come back here often. As soon as I’m done with formatting the print version, I’m throwing myself headlong into marketing, and I’ve got a few surprises lined up that will culminate in the day long Out of Time Launch Party on June 15.

See you soon!

Promotion: The dirty word of writing.

With the launch of Out of Time less than two months away, I’m throwing myself into the process of making certain readers know about the book. In other words, promotion.

Promotion. It’s not a four-letter word, but it might as well be. As writers, we want readers to read our books, but we would rather stay away from the actual hawking of said books. But if we don’t hawk the books, they don’t get read, and to get the books read, we have to sell them.

Hence, promotion.

I’ve never yet gotten a real handle on the promotion thing. I would love to be one of those writers who writes only and hires someone to do all the dirty work for her. Tweeting and Facebooking and advertising…everything short of standing on the corner of Main and Broad yelling, “Buy my book! You’ll love it!”

But that’s not really possible, is it? I have to promote my book, but why can’t I have fun with it? So I’ve decided on June 15, I’m going to host a big party here, complete with party favors (i.e. e-giveaways) and a grand door prize of a Kindle Fire. Please spread the word. Invite your friends. And here’s your invitation:img_3990

One last note, I’m running a campaign on Thunderclap to promote the launch party, too. If you’d like to support the campaign, here’s a link: Help Me Launch Out of Time. Remember, I’m promoting the launch party, which will hopefully promote the book, but no purchase is necessary to participate! Just come and join the fun, and maybe take home some goodies!

When you don’t want lemonade.

So today I got a second rejection on my romantic fantasy novel, Out of Time. It’s the first book in a planned trilogy. I had hoped to return to the world of traditional publishing for these books, but I’m starting to think it might not happen.

No, that’s not bitterness.

It’s resignation.

So when I’d written my polite note of thanks to the sweet editor who took the time to write my rejection (complete with a compliment on my writing and style), I started thinking about what to do with the lemons I’d been handed.

And I’ve never been much for making lemonade.

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When life hands you a slightly spotty lemon, create a still life on your bookshelf with it.

Labyrinth II continues…

Sarah woke in the darkness and her very first thought was for Davey. She sat up, an afghan sliding from her shoulders as she did so. Voices in the hall warned her and she lay back quickly. A moment later, the door opened and someone looked in.

“She’s still out.”

“You think she’s okay, though?”

Her husband and her father. She felt guilty about deceiving them, but she couldn’t really help it. She had to get to the Labyrinth. She had to find Toby and force him to return her son. That wouldn’t happen if she couldn’t get out of the house, though.

“She’s fine, son. You were right to call me.” The tone of worry in her father’s voice almost made Sarah flinch, but then the door shut and their voices grew fainter.

She sat up again, looking for her backpack. There it was, on the chair. She slipped out of the bed, found her boots and a light jacket, and tucked everything under her arm, ready to leave.

“You think all the preparations in your world can prepare you for another stint in mine, Sarah?” His voice slid from the mirror in a silvery shard.

She turned slowly, knowing she’d meet those mismatched eyes in the mirror, the ones that saw into her very soul, the only ones that could still see the frightened but determined fourteen-year-old girl she’d once been. The one who’d lost Toby in the first place because she’d been too self-involved and thoughtless to believe her own actions had consequences.

By that token, Davey’s disappearance could be traced directly back to her.

“Jareth.” She took a deep breath. “Tell Toby I’m coming for him. He can’t take my son and get away with it.”

“You once said that about a stuffed bear, if I remember correctly.” He tented his fingers below his chin in the reflection, grinning a lopsided grin at her. “You had second thoughts about that, I think.”

“Well, it won’t happen now.” She turned to the bedroom door.

“You won’t get there that way, Sarah.” He laughed. “But I can help you.”

“Why would you help me?” She gave the mirror a scornful look over her shoulder.

He shrugged. “Maybe because I enjoy the game as much as you.” His grin faded. “Or maybe because your brother has pissed me off and it’s time to teach him a lesson.”

Sarah did a double-take, hearing the sincere irritation in his voice. She turned all the way around and gave him her full attention. “I’m listening.”

New Year: My Love/Hate/Like/Respect Relationship with Social Media

I was first introduced to social media at my 20th high school reunion. “Are you on Facebook?” is the second most important question I remember being asked.

“Are you pregnant?” is the first most important.

I wasn’t.

In fact, my daughter who was just over a year old was with my two boys at my parents’ that night. My father called me about two hours into the event to tell me she was running a fever. Happy to get away from schoolmates I’d never really fit in with but still longed to impress, I fled the scene in the ill-fitting dress that had led to pregnancy question.

The next week I looked up Facebook, started a profile, friended every old Facebook_like_thumbschoolmate I could find and posted a flattering picture of myself, very obviously NOT pregnant. Facebook was a lot of fun!

I’ve had a hilly relationship with social media since then. When I started publishing romance novels, it was useful for getting the word out. Hey, look what I did! But I can’t honestly say it’s resulted in a spike in sales at any point beyond release days. And to be honest, constantly posting and tweeting saps any creative energy I might have, cutting dramatically into my writing time.

I’ve used social media, especially Facebook, to brag about my kids, to post funny pictures, to share articles about politics, education, writing, child-rearing, etc. I’ve been guilty about bragging about the places I travel to, special achievements, and wonderful experiences.

Last October, I read an article about the darker side of social media. People who post the good stuff and leave out the bad. A mother who posted pictures of her beautiful children, loving husband and perfect home–found dead of a drug overdose. Another mother who posted loving comments about her toddler’s accomplishments and growth–discovered disposing of the child’s body. Teens who maintain two profiles. One that shows a perfect life, the other full of angst and worry that they’ll be found out to be much more normal and less…perfect.

Is this what social media turns us into? Is it really just another way of keeping up with—or besting—your friends and neighbors? Since reading these articles, I’ve been more thoughtful about what I post to the point of almost posting nothing. What if something I post makes someone else out there feel unworthy or like a failure? That’s not what I want.

Facebook currently has a feature letting me know what my “memories” are from that date in the past. Sometimes I force myself to look. They are mostly drivel and nine-tenths of the rest are not worth sharing with the world or even good friends. The only truly worthwhile ones are pictures of my kids, and maybe I should never have posted those anyway.

Which has led me to my New Year’s resolution. I’m going to use social media and the Internet in a more thoughtful way. I’ve been going over and over what this means and I’m still not totally clear about it. I know it means to think twice before posting, to consider carefully what the effects of my posts might be. I don’t think I’ll stop using social media, because I do like and enjoy it for the most part, but I will respect it more.

My Least Favorite Word

Yesterday I had to face facts. My work-in-progress was done. I had written it. I had rewritten it. I had rewritten it in third person. And then I had gone over it again with a fine tooth comb. If there’s a single typo in the whole thing, it’s a miracle.

So then I had to make a decision. I’m a pretty good hand at self-publishing now. I know how to make some covers myself and I know who to call for others. I could publish this story (which I’m really excited about) and have it out there for public consumption by the end of the year, including marketing. Or I could submit.

God, how I hate that word. Submit. Submit to the inevitable. Submit to the machine. Submit to your fate.

Submit to a publisher.

I’m not saying publishers are bad. In truth, the two or three I’ve been fortunate enough to work with have been awesome, actually. It’s fantastic having a professional editor go over my book and point out its weaknesses. I thrive on deadlines. I love what an editor can wring out of me that I didn’t even know was there. Like a washcloth you thought was dry until you really put the pressure on.

Still, I haven’t submitted to a publisher in more than a year, and yesterday, as my cursor hovered over the “Submit” button, I knew I was submitting to something else. Loss of freedom. I love this story. I could do a good job putting it out on my own. I could have a real hand in designing the cover. And since it’s the first of three books, if it’s accepted, I’m submitting those other two as well.

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But I know a publisher can offer this book much more visibility than I can do on my own. Not to mention that ever elusive validation that we as writers are always looking for. I mean, sure, I love the story. But if a publisher likes it enough to put their resources behind it, well, that’s validation.

So, I submitted. To my fate, to the inevitable, to whatever the future holds. And if this publisher doesn’t like it, I’ll make a decision then about what to do with my story. Another publisher? Self-publishing? Trunk novel?

Writers: Don’t Wait. Write a Banned Book Today.

“If a story is in you, it has got to come out.” –William Faulkner

I love that quote by Faulkner. It’s how I’ve always felt about my best writing. When the story is in there, it just needs to come out, and the only way is through my fingertips. It’s a wonderful feeling.

What isn’t a wonderful feeling is how I feel about the publishing industry right now. I feel like writers are becoming less of artists because they’re at the mercy of publishers and consumerism. Will a story sell? If a publisher, editor or agent says no, too often the story is never written. Or if a writer sneaks and writes it between his/her agent-approved projects, it becomes one of Stephen King’s “trunk novels.” Filed away in a forgotten place.

When did writers start writing what everybody else WANTS them to write? If that were always the case, there’d be no banned books week (September 27-October 3, just fyi). Can you imagine Huxley pitching A Brave New World? Or Ray Bradbury trying to sell an agent on Fahrenheit 451? What if, at the time these books were being written, the publishing world said no and the writers didn’t write them? What if those books had never been there to inspire thoughts and feelings that aren’t always pleasant, but nonetheless help us to become a better place?

I believe it is the duty of writers and artists to bring things into the world that wouldn’t otherwise be there. If it’s a story that sells a million copies, great. The important thing is to get it on your computer screen and out of your head. Then do your damnedest to send it out into the world. Through the normal channels, through a small publisher, in ebook form or pamphlet or on your own blog, if need be.

“Let the world burn through you. Throw the prism light, white hot, onto paper.” –Ray Bradbury

Because that’s your job. That’s why you’re a writer.

In honor of banned books week, I’d like to urge all my fellow writers to join me next week in writing something they want to write. Don’t write it because somebody else thinks it will sell. Write it because it’s in your heart. You may rediscover that joy that writing used to bring you.

What’s next?

Ever get to that point in your life where you can’t help but wonder: what’s next? It happened to me this summer, and something changed.

I had four works-in-progress and none of them were panning out. I’ve got one complete manuscript in my Sleight of Hand series that needs editing before it can go anywhere else. But I had lost all my inspiration. I was plagued by the normal questions. What’s next? Do I want to be a writer? Do I want to continue to pursue the “traditional route” of publishing or plough on through the rocky road of the independent?

And then it happened. My work-in-progress, tentatively titled “Out of Time” smacked me in the face and told me to get to work. If the title doesn’t sound particularly romantic, well, that’s because it isn’t, totally, a romance. And I’ve held off talking about it this long because it was something so new to me, I didn’t want to jinx how well it was going.

Turns out what I really wanted to write was a romantic fantasy. I’ve always loved fantasy and science fiction (give me a good Anne McCaffrey novel any day!), but the amount of world building required scared me. I mean, how do authors do it? Coming up with everything from political systems to the amount of gravity on a planet…that’s mind-boggling. Better to stick on good ol’ planet earth.

Well, I managed and the results have become something I’m very pleased with. I can’t say they’ve answered all my questions about what’s next, but I will say I’ve already got a rough outline for a second novel in the series and an idea for a third.

So maybe what’s next is something a little different. A road I haven’t yet taken.

Speaking of roads not yet taken, please note that this weekend, September 17-19, I will be at the Hampton Roads Writers’ Conference. I’m presenting five workshops (!!!) on everything from marketing to writing a series, and while I’m really looking forward to it, it’s with trepidation since I’ve never done anything like this before. You can find more information about the conference here: Hampton Roads Writers’ Conference 2015.

Let’s be honest: We can’t blame E.L. James.

So, E.L. James decides to try to do what many authors do. In an attempt at promoting her new book Grey, James went live on Twitter, allowing other Tweeters to ask her questions using #AskELJames. What ensued was…troubling. Tweeters used the opportunity to criticize James’s writing and to accuse her of everything from glorifying abuse to setting back women’s rights a good fifty years.

Now, I’m not a fan of 50 Shades. I read the first one, or at least started it, after hearing a great deal of buzz about it. I ended up skipping through a good bit of it, and when I reached the end, I was actually disappointed to learn that there were two sequels. I’m no fan of E.L. James, but I don’t blame her, and I certainly would never have participated in the monstrous activity that took place on Twitter.

E.L. James is a writer. Maybe not a great one, but she did write, as of last count, four enormously popular books. Is it her fault that a publisher chose to publish her books, a gazillion people chose to buy and read them, and a movie producer chose to make a movie—which another gazillion people went to see? Not really.

So who is there left to blame if the author is out of bounds? The publisher for pulling 50 Shades out of the slush pile and giving it the type of promotion that most authors can only dream of? Maybe, but publishers are, in the end, just salesmen. They see a need in the market and they try to be the first to fill it.

The troubling thing about the whole 50 Shades phenomenon is that, at the end of the day, there was a market for the book. In spite of its disturbing thematic material. In spite of its sub-par writing. In spite of the fact that “those type” of books (which have been around for many, many years) were once hidden at the back of the bookstore, not prominently displayed at the front door to greet me and my children when we go in looking for summer reading.

So don’t blame E.L. James for writing what a large part of our society now wants to read. Writers write. Publishers publish. Readers buy the books.

Dear Amazon: I am one of your writers.

Dear Amazon,

I am one of your writers. One of your writers who truly believed up until yesterday that your Kindle Select Program would eventually prove to be a winning game for me. I have written and published seven books using your Kindle Select Program. I’ve taken advantage of the promotion system you had in place of rollback deals and free days for my Kindle books. Because of this, my self-published e-books were available exclusively on a Kindle platform, in spite of the fact that I know people who own Nooks. When I gave away e-readers, it was always a Kindle.

Yesterday, to my sorrow, I lost faith in you, not because I think your program is a bad one, but because you made a move that I believe takes advantage of writers like me. Writers who are trying to get our words out to the public. Writers who believe we have something to say, even if we don’t always have the patience and forbearance to deal with the traditional publishing system. Writers with talent and passion for their work.

By changing your policy of paying Kindle Select authors by the download to paying them by the number of pages read, you devalued my work. You said my work is worth less than traditionally published authors. You said you have lost faith in me.

My work is worth as much as any traditionally published book out there, whether it be a bestseller or a struggling indie book. I already charge less for my e-books, and when they’re borrowed through the Kindle Select Program, I get a fraction of my already small profits. But I guarantee you, I put as much work into my romances as any Harlequin or Kensington author out there, and I insist that that work be respected.

With regret, I have stopped the automatic re-enrollment of my books in your Select program. By the end of the summer, I will be free to seek other platforms to publish my books on, and if your new policy is still in effect, I will do so. I imagine I won’t be the only one, either. Any smart self-published author out there will also look elsewhere if they want the world to know they respect themselves and the writing process.

Sincerely,

Michelle Garren Flye