The art of action in Time Being

I had great fun writing action scenes in Time Being. This may be the most action-packed book I’ve written so far. Fighting, supernatural beings, and threats galore! Plus a smattering of physics, which is something I know very little about but if you’re going to write science fiction, you better be able to fake it. Two excerpts today illustrate the action content of Time Being. The first is Jack’s first encounter with Drake, Kaelyn’s long-lost uncle who’s not terribly happy about being found.

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I’ll leave it there so you’ll be eager to find out how, exactly, Jack manages to get out of this one. But one more scene, this one featuring Kaelyn and the Raven Mocker you might remember from Out of Time

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I hope you’ll join me here Wednesday for the all-day release party of Time Being, Book Two of the Synchronicity series. And if you missed out on Out of Time before, don’t worry, I’ll be giving away copies of both books on Wednesday! So join me and find out what Synchronicity is all about.

Another excerpt: Time Being just five days away!

Time Being: The countdown begins!

What with sick cats and cars and failing computers and historic Senate appearances, I’ve nearly forgotten what’s really important (well…). Time Being emerges from its chrysalis on June 21! Book two of my Synchronicity series follows the adventures of Meti Queen Kaelyn and her Elf King Jack. And they’re joined by one of my favorite characters ever, Hunter Drake. He’s Kaelyn’s uncle. He’s an Elf sorcerer. He’s magical, mysterious and nobody’s sure what his motives are.

Are you intrigued yet?

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What can I say about Tracks in the Sand? (Excerpt at end of a long and rambling post.)

Well, it’s out now, for one thing. My ninth novel. Wow. That number sort of floors me. When I wrote Secrets of the Lotus I actually worried that I might not have another one in me. For those counting, here are my novels, in (as best I can remember) order of release:

Secrets of the Lotus
Winter Solstice
Weeds and Flowers
Ducks in a Row
Where the Heart Lies
Close Up Magic
Escape Magic
Saturday Love
Tracks in the Sand

Tracks in the Sand is only the second novel I’ve set in my hometown, Brevard, N.C. (Weeds and Flowers is the other one;Winter Solstice comes close, but it’s in Asheville.) I can’t really say why that is, either. I love Brevard. I know Brevard better than any other place I’ve ever lived, I think, although it really has changed a lot since I lived there. The dime store is now an antique store. There are more restaurants near the town square than the entire TOWN used to be able to support (anybody remember Berry’s? I loved that place). The library I worked at from the age of 12 to 18 has moved into a much nicer, more modern building and the old library (previously the old post office) is, sadly, being converted into town offices.

But some things remain the same. The last time I was home, I took my kids to see “How to Train Your Dragon 2” at the Coed Cinema, the same movie theater I saw “Mary Poppins” at for the first time. And the old hardware store (the one I modeled Sean Anderson’s after in Tracks in the Sand) was right there next door to the movie theater. And the county courthouse, which I also mentioned in my book still “perched on the corner of Broad and Main Streets like a large bird of prey watching the little mouse cars go past.” That’s not a very flattering description, and I’ve always loved that old building, but there really is something deliciously creepy about it.

Anyway, all this rambling is just to say, Tracks in the Sand is set in my hometown, a beautiful little place nestled in the Blue Ridge Mountains of North Carolina. It’s the county seat of Transylvania County, has a population of around 7,500 and an elevation of 2,230 feet. It’s become a tourist destination but it’ll always be home to me.

Excerpt from Tracks in the Sand:

What would she do if I kissed her? Half the attraction was that he had no idea. She might kiss him back, she might hit him or bite him. She might kiss him back and then hit him. Whatever she did, he knew it would be unexpected because that was what Paige was.

“Well?” She raised her eyebrows. “What did you mean?” Her voice was so crisp and no-nonsense, he knew she had no idea what he was thinking.

And why was he thinking it now? But he knew the answer. Before she’d left ten years ago, he’d never been able to imagine his life without her in it and hadn’t been willing to do anything that might destroy what they had and scare her off in the process. But now he’d lived without her. He could do it again, if their relationship didn’t work out.

I don’t need her as a friend anymore. I want her as a woman.

“Sean? You still there?” Her expression had softened a little, concern overcoming some of her irritation.

“I meant that he never deserved you.” He took a deep breath and stepped toward her. “I meant that I can’t stand the thought of you sleeping with him. For revenge or anything else.”

Decision made, he reached for her, caught her by the arm and pulled her to him. Startled and off balance, she tipped forward into him, catching herself by grabbing his chest. Her expression when she looked up at him had changed from confused to uncertain.

“I never said I was going to sleep with him.” She sounded a little breathless…and like she was trying very hard not to sound breathless. The idea that she felt the attraction too and didn’t want him to know pleased him. And she didn’t try to push him away, either.

Maybe this would be easier than he’d thought. Probably not, though.

He slid his arms around her waist, pulling her closer as if it were the most natural thing in the world. “You don’t have to say anything. I know what you’re thinking.”

“Do you?” Her gaze flickered—instinctively and unwillingly—to his lips and back to his eyes. “Do you know what I’m thinking right now?”

“Sure.” He grinned. “You’re thinking that if I don’t let go of you you’re going to knee me in the groin.”

“Then why are you still standing so close?” She tilted her chin, her voice determined.

“Because you’re not going to do it.” He deliberately stopped smiling, and, still keeping a firm grip on her waist with one arm, he lifted a hand to trace the softness of her lips with one finger. He knew her so well. Even after all these years, he could read the nuances of her expression, could see the battle between attraction and irritation. I’m probably the only one who can do that, too. The wonder of it filled him.

“Why would that be?” Her arms slid up a little to his shoulders. She could be about to knee him in the groin or move further into his embrace. Knowing her, she probably hadn’t made up her mind yet.

For answer, he moved his hand to brush back her hair, exposing the tender skin beneath her ear. Bending, he took a deep breath of her and kissed the spot, feeling her tremble in response. Because you feel the same way I do and you’re wondering why we haven’t done this a long time ago if it feels this good. He didn’t have to speak the words. When she slid her arms around his neck, moving her lips to his, he knew she knew.

I’m not sure I actually write romance.

It’s not that I don’t want to. Or even that I don’t try. It’s just that I’m told…over and over…that even though my stories have strong romantic elements (and…spoiler ahead…a happily-ever-after ending), they’re not really romance. Check out the following quotes from actual reviews:

“Reading this book was an odd experience, and my grade for it really depends on what it’s trying to be. As “womens’ fiction” this is quite an engaging story, but as a romance it fails.” –Amazon review for Where the Heart Lies

“Even though I was not thrilled with the romance in the book, it is still a worthwhile read.” –Amazon review for Where the Heart Lies

“a well-written, thought-provoking novel and is not what I expect from a typical romance” –Amazon review for Ducks in a Row

“Although categorized as romance, it is not the typical romance that I normally read.” –Amazon review for Ducks in a Row

You get the picture. I have had to accept the fact that I don’t always write the typical, run-of-the-mill, escapist romance. However, I feel the romances in the two books above were the meatiest (ooh, not a romantic descriptor at all) ones I have ever written. And here I am with another offering that probably won’t please all romance lovers.

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Tracks in the Sand has been turned down by some of the best romance publishers out there. I suspect it’s because although it fits RWA’s definition of a romance (it has a central love story with a happily ever after ending), it isn’t your mama’s romance. And it’s not what passes for romance in today’s market, either.

First of all, my heroine is a tough little bitch. Seriously, she is. In fact, one of the editors who turned Tracks down originally told me she couldn’t relate to the heroine as she was written then. I softened her a little, but I didn’t want to change her too much. She’s been through some serious shiznit in her life, and her current attitudes about people and situations reflect that.

By contrast, my hero is not an asshole. He’s warm and kind and exactly what the heroine needs to heal. He knows what he wants, he’s not afraid to go after it, he’s even successful—although not a doctor or a lawyer or any of the typical trades. He’s not even a fireman. In fact, he owns a hardware store.

And though the romance is central to the story, the heroine’s journey is fraught with many topics you don’t find in typical romances. Cancer, alcoholism, and child abuse to name a few. Not romantic subjects but perfect obstacles to add a touch of reality and depth to her story.

So I have to say…don’t read Tracks in the Sand if you’re looking for escapism. It’s not that kind of romance. However, if you want a story that’ll make you believe in the strength of love and family and forgiveness, I think this one might be it.

In with both feet and hoping self-publishing isn’t one of the deadly sins.

I recently published this picture on Twitter and Facebook:

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I captioned it “A preview of things to come”. And yes, that’s my name on the front of an actual physical book. It’s just a proof copy for me to find all my errors (and there are a few), but when I give CreateSpace the word, it becomes real. It’ll really be for sale. You can order it from Amazon and it will arrive in a box. Huh.

Back in the days when self-publishing was called “vanity” publishing, it was, perhaps, the deadly sin of writing. I’ve dipped my toes into the swirling whirlpool of self-publishing by creating Kindle e-books from two of my manuscripts that I couldn’t find homes for elsewhere, but I never considered print-on-demand before. Recently, however, I was encouraged to jump in with both feet and see where the whirlpool takes me, and I decided to do it. I figured, hey, if nothing else, I’ll see my name on the front of my book (I think I see where the “vanity” comes in).

Yesterday the proof arrived. Proof of my vanity? Maybe. But it’s kind of neat to hold that book in my hands and know it’s something I made. From beginning to end, I created it. I took the picture that’s on the front cover. I edited it (and it takes courage to admit that, because it’s going to have some mistake). I built this book like my kids build spaceships with Legos. It’s not quite finished yet. I still have to make certain I don’t need to reformat anything else, and then I jump in, feet first, and find out what it’s really like being a self-published author.