Buy local: Support independent authors

Studies show that buying local is important to local economies, right? More of the money you spend returns to your own local economy. Did you know buying from an independent local author has the same benefits?

Authors published by large publishing companies get much less of the profits from sales of their books. Therefore, the majority of the money you spend on a bestseller in the bookstore goes national, not local. However, if you buy a book that is independently published or published by a small press, the author gets much more of their proceeds. Therefore, more of that money returns to your local economy, growing local businesses and

True, you may only be able to find independently published books at online retailers, meaning part of your money goes to support those retailers. However, this pales in comparison to the portion of money that goes to traditional publishers. The average traditionally published authors makes, on average, a ten percent royalty, but this is on net profit, so any discounts or overhead are taken out of the proceeds before the author gets a check. So an eight dollar book does not make the author eighty cents per book sold.

By contrast, independently published authors (read self-published here), can make up to a seventy percent royalty on a book. Usually independently published books sold in ebook format online are priced much lower than traditionally published ebooks (mine range from free to $2.99). Paperbacks can be more expensive because, at the moment, they are print-on-demand, which means there are no warehouses full of my books anywhere. I keep a few on hand for promotional purposes, but basically, if you order a physical copy of my book, somewhere a press fires up and prints it off.

It’s kind of cool to think of that.

In truth, though, you as a consumer have the chance to change the way books are made. You can go into a bookstore and suggest that they carry my books. The bookstore could then contact me and we could haggle out a price, which would result in me shipping them a few copies of my books, which would then share brick-and-mortar shelf space with traditionally published books. In most cases, larger chains are less likely to do this than the independent book stores which are, sadly, becoming fewer in number.

Consumers can change that, too.

So, buy local. Chances are good that no matter what subject matter or genre interests you, there’s a local author who’s got it covered. Please feel free to list your favorite independent author’s website in the comments.

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Filed under Publishing, self-publishing, traditional publishing, Writing

How I spent November and what NaNoWriMo means

NaNo-2017-Winner-BadgeYes, you can tell a lot from a picture. This particular one is not worth a mere thousand words, though. It’s worth 50,000. And yes, it means I did indeed “win” National Novel Writing Month.

What does that mean? It means I spent a month learning, again, how to refocus whatever writing talent I actually do possess into a businesslike attitude. I did not allow life to get in the way of my writing for a change. I wrote, consistently, almost every single day of November. (I did skip one day due to being sick.) And almost every one of those days, I wrote more than I actually wanted to.

It means a lot to me this month in particular. I didn’t know if I would make it through this National Novel Writing Month. If I had known at the beginning of the month what would be happening throughout the month, I might not have begun. But I did begin. And in spite of everything, I finished. I won.

But what do you win at the end of NaNoWriMo? Fifty thousand words are not $50,000. Do you at least have a complete novel, ready to send out to publishers? No. I always end up with what I consider to be a sort of fleshed out outline of a novel that is probably lacking between ten and twenty thousand words. The story and plot and characters are there, but some of the connections and scenes are not. Heavy editing and rewriting are required to turn such an outline into an actual book. So what’s the point? Why give up daily workouts, binge-watching Netflix, and going to bed at regular hours?

It’s not just for the accomplishment, though writing 50,000 words is an accomplishment. It’s not to have a completed product at the end of the month. As I’ve said, it’ll be another year or more before this novel is ready for public consumption. As a matter of fact, tomorrow I get to work on editing last year’s NaNo.

To me, what National Novel Writing Month really is is a renewal. It’s a pilgrimage back into the writing world, a sort of training session that will help me stay on track for the next year. Finishing the 50,000 word goal—and recognizing that it is not yet a book—remind me of what I really am. A writer.

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What a Review Actually Means to a Writer

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Review Tour of Movie Magic begins December 14. Watch my blog for details!

As I wait impatiently for more reviews for Movie Magic, I have been reflecting on the nature of the review machine. Authors are constantly asking for reviews. As a reader, maybe you wonder why. Why would we open ourselves up to criticism?

Here’s the thing, though. Reviews—even critical reviews—are not a bad thing for a writer. Sure, we gloat when we get a good review. What writer doesn’t count their five-star reviews on Amazon and feel a little gratified? But it’s the other reviews that truly reveal something to us.

For instance, my book Where the Heart Lies, published by Carina Press in 2012, has 14 reviews and a total of 3.7 stars. This book garnered me my first (though I am sure not last) two-star review on Amazon. It actually has two. Which were kind of “ouch” at the time, but both reviews are chock full of advice that I’ve put into play in my growth as a writer.

I read every review I get and I try to learn something from every review that doesn’t just say “not my cup of tea”. Because, you know, if it’s not your cup of tea, don’t drink it. If you do drink it and feel moved to say something, then say why it’s not your cup of tea. I can’t help it if you picked up the wrong cup of tea, but if I put something in your tea that you didn’t like, definitely tell me!

This is all a rambling way of saying reviews are not just status symbols for writers and we don’t just want you to write a review if you loved the book. Yes, I’d like to see a hundred or more five-star reviews on all my books, but not just because. I want them because I earned them. But if you feel I earned two or three stars instead, tell me why. Then read my next book and see if I paid attention. You might be surprised.

Would you like to review Movie Magic? Contact me for a free copy or sign up here:

Goddess Fish Review Tour

XPresso Book Tours Review Opportunity

Please note, all review requests subject to approval by tour service/author.

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Filed under Movie Magic, Reviews, Writing

Five stars on Amazon and an excerpt from Movie Magic

Currently Movie Magic has five stars on both Amazon and Smashwords. If you enjoy romance (and possibly even if you don’t), you’ll like Movie Magic. I’m confident about that. It has everything. I realized that when I was coming up with tags for searches on Beaches, small town, Hollywood, contemporary romance, movies, movie making, California…the list goes on. I could even have included “pirates” in it, but I didn’t. What are you waiting for? It’s only $2.99 for an ebook! Here’s an excerpt to help you make the decision to commit to reading Movie Magic:

During a lull in their work, she laid her head on the sofa arm and closed her eyes. The storm raged on outside. She opened her eyes to see Walt sitting beside the sofa, his gaze locked on the fire. He held a beer in one hand, his elbow resting on the knee of one long, denim-clad leg. She smiled a little, watching the dance of the firelight on his beard. “A sandy cowboy and a sexy pirate.” She yawned. “Hollywood really would love you.”

He glanced at her. “I thought you were asleep.”

“Mm. Maybe I will. I bet my dreams will be sweet.”

“Did you have more wine than I thought you did or are your internal censors busted?” He took a sip of the beer.

“Just sleepy and a little high off a job well done.” She reached out to touch the stack of crumpled paper on the coffee table.

He smiled, turning back to the fire. “Get some rest.”

“Where will you sleep?”

Did his smile deepen a little bit? His voice rumbled with amusement when he answered. “Everything you say right now sounds like an invitation, you know.” He took a sip of his beer. “And I’m having a really tough time not replying in the affirmative.”

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Filed under Movie Magic, Sleight of Hand, Writing

A Christmas Carol: A new adventure, an old love

7A241F6E-D057-4BE3-8D35-3CB616A54869.jpegThis is my father’s copy of Dickens’ Christmas Stories. It’s seen better days. It was old the first time I laid my hands on it, when I was about nine or ten. Someone—probably me—drew on the first pages. You can see the binding is loose. It wasn’t a well-made book to begin with and many readings have pretty much destroyed it.

It’s one of the most precious things I own.

My father gave me this book when I left for college. I’d read it many times during the years and he knew how much I loved it. The very first story in it is A Christmas Carol. Has there ever been a better first line than this one?

Marley was dead, to begin with.

If ever it was necessary to end a sentence with a preposition, this is the one. From the first line to the last, “God bless us, every one!”, I was hooked. And the description of the Fezziwig party! “…three or four and twenty pair of partners; people who were  not to be trifled with; people who would dance, and had no notion of walking.” I always felt as if I were there, dancing and singing and reveling, and I always wished I really was.

When I heard our local theater was going to do a musical production of A Christmas Carol, I knew I had to be involved. This was my chance—or as close as I was likely to ever get—to join in the parties Dickens described. I have no experience at all acting. I can’t sing. I didn’t know, at the time, if I would be able to dance. But my daughter convinced me that we should audition together, so I threw my hat in for a non-singing role.

Now, less than a month away from the first show, I’m glad I did. I’ve learned most of two dances, one of which is in the Fezziwig party. I’m enjoying the company of the rest of the cast, all of whom have more experience than me in this sort of thing. They’re wonderful people, every one of them, and they’ve taught me a lot. Even the ones who are younger than me.

But mostly, I’m loving experiencing first hand a new (to me) way of storytelling. I imagine when Charles Dickens sat down to write A Christmas Carol, he never imagined it being adapted to the stage. He never thought of the way his beautiful story of self-discovery and redemption could be told through song and dance, visualized by a director and translated by actors on a stage.

I’m sure he never thought of it, but I believe he would have liked it.

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Wrapping up launch day so I can go trick-or-treating!

I’ve spent today having so much fun talking to some of you, blogging, bragging about knowing Arjay Lewis and even reading to you (check out my first post of the day). It’s been a blast of a launch day (pun intended), but all things must come to an end. By now I’ve contacted my winners of books and Amazon gift cards. I’d like to thank everyone who helped make this day a success, whether it was by leaving a comment or just by reading the blog. Special thanks to Arjay for letting me interview him!

Everyone have a wonderful Halloween. And if anyone hears from Houdini, please let me know. And above all else, BELIEVE.

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Interview with a magician: R.J. Lewis

With no further ado, then, please help me welcome R.J. Lewis (Arjay) to my blog.

Arjay interviewMGF: You started out as a puppeteer, went from there to performing magic and Broadway. You’ve written screenplays and been in movies and on television, and you’re now a resident magician for Princess Cruise Lines. I hesitate to ask, but how does all that lead you to write dark fantasy and horror?

Arjay: Actually I write in several genres, wherever the story takes me. My main series is a collection of murder mysteries that feature a psychic detective who is a professor of parapsychology. I have two books released in that series, Fire In The Mind and Seduction In The Mind. The Muse is a stand-alone, inspired by my writing of a short story The Dark, which appeared in H.P. Lovecraft Magazine of Horror. I used to avoid scary books, as I was a bit of a sensitive child. However, I have been won over by the writing of Dean Koontz and Stephen King. As a reader I just get pulled in so strongly by the writing and the excitement of the situations, despite the dark overtones.

MGF: Have you always wanted to be a writer?

Arjay: My entire life I have been surrounded by writers. My father wrote a novel, which I never saw, and the manuscript is long gone. I have written plays and live shows since I was fifteen or sixteen. Finally two of my mentors and friends were writers, Parke Godwin and Marvin Kaye. I learned early on the discipline of the work and the joy of when you have a good writing day.

MGF: You’ve mentioned the “call of the odd” to me. I used to write a little horror myself (not very successfully), and I’m still a consumer of horror, so I have an idea what this phrase means to me. What does it mean to you as a writer?

Arjay: I am attracted to the paranormal. Which is interesting, as I am a major skeptic. Since ancient times we have been handed down stories of unusual creatures and concepts that defy explanation, as well as tales of those with extraordinary gifts. I think there is a desire within us as a species to explore those concepts, and fiction is the perfect outlet. We can create entire worlds, but as writers we must people them with characters that will appeal and pull the reader into the story. If so, the reader will go anywhere you want to take them and they will enjoy the ride.

MGF: I have to ask, since it’s the anniversary of Harry Houdini’s death. Some people think performing magic led him to a belief in the occult and then to a desire to debunk fake psychics in his quest to find the real thing. Do you think your career in magic affected your decision to write about odd things like psychic detectives and parasitic creatures?

Arjay: Absolutely. On one hand I am a complete skeptic, and can debunk people who bend spoons and “read minds” with ease. But underneath, a part of me wishes to believe in the impossible. And that part is what makes me strive in my act to create effects that will leave the audience wondering. My act is the perfect counterpoint. On one hand, I tell the audience it is all a trick, but then I do things that leave them unsure.

MGF: The Muse was definitely part of that “call of the odd”. I know there’s a little story about how it came to be written. Can you tell us?

Arjay: In June of 1999, I had the desire to write a horror tale about a night guard who saw things in the dark—that were actually there. I had been a guard in my youth and always found the dark places in the warehouse I worked creepy and for some reason those feelings came to the forefront with that story. It wasn’t until the next day, when I read the news that Stephen King had been hit by a truck in Maine. I was overcome with an odd sense that something needed that story to be written and since he couldn’t, it moved to me. The thought stuck with me and I wondered what it would be like if there was something—an actual physical entity that could make people write—and not just write, but write best sellers. That concept became The Muse.

MGF: Okay, so your characters in The Muse go through some pretty dark stuff. Do you ever write something and wonder, Where did that come from?

Arjay: For me that sort of sums up that entire book. My villain in The Muse is a famous writer who is secretly a serial killer, and who has a symbiont living within him that influences him. I knew that the creature had to leave him, but I didn’t expect him to devolve into a monstrous killing machine. A lot of the book revealed itself to me as I went, and I kept saying “I didn’t see that coming” which was great fun.

MGF: I have to admit I haven’t started your series about the psychic detective (Fire in the Mind, Seduction in the Mind, Reunion in the Mind)—yet. They are definitely on my list. These books are coming out pretty rapidly. June, September and November of this year respectively. Any chance you’re going to take a break and let us readers catch up?

Arjay: I have six books in that series already written, so I intend to release the next three next year, fairly quickly as well. I have over a dozen finished manuscripts and I want to start to release them to build momentum and establish myself as a writer. After that I will have to write the new ones, so that will slow down the release a lot. However, I have rough outlines for eighteen In The Mind books, which will not only cover the lead character’s growth but the ups and downs of his relationship with the female lead.

MGF: So your first book was published in June of this year and you already have a backlist. You obviously write a lot. What is your writing routine like?

Arjay: I write every day and usually block out nine to noon for writing new material. I live on the cruise ship, The Ruby Princess , which allows me to wander to various place I have to write, even outside in a deck chair. In the late afternoon, I will do rewrites on books that are getting cleaned up for the copy editor. If I have a release date looming, I put in evening hours as well.

MGF: Not that you need to, but because it starts tomorrow—any chance you’ll be joining National Novel Writing Month?

Arjay: My daughter, also a writer, is rising to that challenge. My rule is that I do not start a new book while one is sitting half done. This is why I have over a dozen finished novels. I have a book that I must turn my attention to in the In The Mind series, and I have a release on November 20 of Reunion In The Mind, so I must focus on getting that work finalized. However I will attempt to raise my word count for the month.

MGF: Finally, thank you very much for being my special guest today. It means a lot to have you here. I know my readers can go to your website (http://arjaylewis.com) to find out more about you and your novels. Anything else you’d like to include?

Arjay: Yes, I want to take a moment to praise YOUR writing. I went through your novel, Movie Magic all in one day and it is a great read. My complaint with many romance novels is that they sometime can be slow—often as a device to build the amorous tension. However, your book takes off like a rocket and keeps going, with vivid descriptions and fully developed characters, plus a four act structure that kept me turning pages. Since I have a background in magic and filmmaking, you really got the “feel” of what it is like to work in those industries. Plus the male lead is a magician! What more could I want?

What more indeed? Again, many thanks to Arjay for taking the time to answer my questions (and read Movie Magic). I’m looking forward to reading the In the Mind series and I highly recommend The Muse to anyone who enjoys horror. It’s fast-paced, horrifying and fun. And the twist ending caught even me off guard. Check out Arjay’s author page here: https://www.amazon.com/Arjay-Lewis/e/B071P9NND3/ref=dp_byline_cont_book_1

 

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Filed under Movie Magic, Writing