Writing “those” scenes in the age of #metoo

person-couple-love-romantic.jpg

Never has writing romance been more of a balancing act than it is now, at least if you want to be sensitive to the #metoo movement and yet still satisfy your readers’ cravings for romantic escapism. Let’s face it, first of all, the day of the alpha hero who demands what he wants from a simpering heroine is—or at least should be—over. Flirting that goes too far is also dangerous ground. And writing one of those scenes—sex, that is—well, that’s harder than ever, and writing good ones has never been easy.

If you take all that away from romance, you don’t have much left—though I admit I wave a cheerful good-bye to the alpha hero. But the rest? What is romance without anticipation, flirting, and, ultimately—because we are human—sex? At our cores, we are animals looking for a mate, and that’s what the whole romance genre is based on.

I struggled with this for a long time. I want to believe I’m a liberated liberal woman, but I believe in love and romance. I believe in the value of finding your soul mate and building a life together. The #metoo movement and the ugly stories I heard about things that have happened to women seeking that same thing made me rethink myself. I looked back at my past work and found a number of mistakes and missteps. How could I call myself a feminist if I wrote this?

I put away one work-in-progress without writing that scene for a few weeks, went back and wrote a very bad, almost robotic one with no feeling in it, and finally, a couple of weeks ago, did what I should have done in the first place. I examined my characters’ motivations, especially the heroine’s. Why did she want to have sex at this particular time, with this particular person? I knew she was going to leave him right after, so why did she decide on him in the first place? Once I had the answers, I wrote probably the best one of “those” scenes I’ve ever written.

My point, I suppose, is that romance is a genre in flux right now. I believe you’ll see fewer alpha heroes making demands and fewer simpering victim heroines. If authors of romance are willing to make a change, I think the genre has an opportunity to make an impact—to take us all on a journey away from the #metoo movement to a world where women and their partners can create a world that is safer for our daughters. And isn’t that a world worth escaping to?

Begin at the Beginning

IMG_5147You know how you have a story to tell sometimes and you can’t figure out where to start? And then some smartass says “Begin at the beginning.” That’s not always easy, is it? Because maybe you start with waking up that morning and then you realize that you were late because you had a hangover and you had a hangover because your best friend from college was in town last night and you met and had drinks, but to begin with she was in town because she’s getting married… Well, maybe you get the idea.

My point is, finding the beginning of a novel is sort of like that. Sometimes you kick off your novel with a great first line. Like I had this awesome first line for my current work-in-progress. At least, I thought it was pretty good. Want to hear it? “I’m doing Dickens.” So I started there and proceeded…and realized pretty soon after that, damn it, that’s not the beginning of the story. It’s actually about a chapter in.

I tried flashbacks and having the characters discuss how they got to the point they were at, but I knew it wasn’t going to work. I would just have to sacrifice that perfect first line.

So now I no longer have the perfect first line. However, I do have what I feel is a pretty good beginning. I thought I might share it with you. This one will be a Christmas romance. It’s tentatively titled Dickens Magic, and may or may not be a part of the Sleight of Hand series. It’s still early, and I’m toying with making it a standalone. Tell me what you think in the comments!

Kate Joiner pulled another tray of hot biscuits from the oven, tossed four into a basket, and hit the bell for the waitress to pick up before turning back to make sure everything was running well in the rest of the kitchen. It was. Like a well-oiled machine. Her well-trained kitchen staff knew the drills perfectly. Even a busy summer brunch rush couldn’t throw them off.

If only her wait staff were as dependable. She frowned at the basket of biscuits still sitting on the counter, picked it up and stalked around the partition ready to scold whichever teenage waitress was neglecting her duties. However, as she rounded the corner, a young girl dressed in jeans and a “Book Marker Café” t-shirt almost ran into her.

“Quinn!” Kate gasped, stumbling backward and catching the girl in the same movement. “What’s the meaning of this? You guys all disappear during the busiest hour—”

She stopped, her eyes narrowing. “Why are you giggling?”

Quinn was undoubtedly laughing, but her eyes wore a more cautious, almost shocked look. As if she were amused but wasn’t sure she really should be. She got control of herself at Kate’s stern look, however, and swallowed hard. “It’s just—the…out there. There’s a woman in her nightgown.”

“Her nightgown?” Kate peered past the girl and her heart collapsed. There was indeed a woman in her nightgown. Alex’s mom. Mrs. Lawrence. One of the most fashionable women in town who seldom ever left her home without lipstick now sat at one of Kate’s front tables in a lace nightgown, her hair unbrushed and no makeup at all on her translucent skin. Kate nearly dropped the biscuits. “Oh my God.”

“We didn’t…know what to do. The other customers are pointing and whispering and some of them are leaving.” Quinn’s voice held no trace of laughter now. Evidently Kate’s reaction had convinced her which side of amusement she needed to come down on.

Kate took a deep breath. “Get the others in line. Take care of the other customers. Pack up orders to go. Give it to them for free if they don’t want to pay. I don’t care. Just, for God’s sake, don’t let anyone else point and laugh at her.” A lump rose in her throat and she swallowed hard. Then she straightened her back and hurried over to Patty Lawrence’s table, thinking the whole way about the mother of her best friend who’d made her chocolate chip cookies and given her rides to play rehearsals with Alex and had, more than once, organized a cast party for them. The sweetness of the memories gave her strength.

“Mrs. Lawrence.” She smiled as she set the biscuits on the table in front of the woman. “It’s so good to see you.”

Mrs. Lawrence looked up, blinked once and then smiled back. “Katie! It’s been ages.” She looked around. “What are you doing here?”

She doesn’t know where she is. She doesn’t know this is my café. Kate struggled for control. “Oh, Mrs. Lawrence. Don’t you remember? I went in on the business with my mother. She runs the book store and I run the café?”

“Oh. Oh, yes. Of course.” Mrs. Lawrence nodded, but she still looked a little befuddled. “Strange, isn’t it? Having books and a café? All…mixed up. Sort of like New York.” She spread her napkin primly over satin lap. “Well, I’ll start with coffee. The biscuits smell wonderful. Did I order them?”

Katie reached across and touched the woman’s hands. “Those are on the house. My specialty, Mrs. Lawrence. Tell me, have you spoken to Alex recently?”

“Oh, he’s so busy with his plays and things on Broadway.” The older woman fluttered her hands as if speaking of her son’s foibles and hobbies and not the Broadway career he’d built for himself. “I keep saying I’m going to go up and see this last one.” She leaned across the table, lowering her voice confidentially. “You know he plays a gay man, don’t you? But he’s not gay.”

“No, he’s not gay.” Katie squeezed her hands gently.

“This is a very nice place you have here, dear. It’s a little drafty, though.” Mrs. Lawrence shivered. “Maybe you could turn up the heat?”

“Turn up the heat?” Katie blinked. It was June and the thermometer was already at seventy-five degrees when she got up that morning. “Um…sure.” Seeing her chance, she half rose. “But maybe I can get you a sweater or something, Mrs. Lawrence. To keep you warm until—”

“A sweater? Don’t be ridiculous. I’m wearing my winter coat.” As she spoke, Mrs. Lawrence looked down and a horrible change came over her face. She looked back at Kate, then back down at her nightgown, covered her face and began to sob quietly. Kate helplessly knelt in front of her, put her arms around the woman and held her. And even as she did so, she thought, Now I have to call Alex.

****

Whoops…there it is: Rewriting, the true test.

I’ve been offline for far too long, trying to make my Facebook and a few Twitter posts make up for my lack of blogging. It’s not that I’m not writing, it’s that I am. I’m actually writing and having a lot of fun with it.

And something else is looming on the horizon.

My current work in progress is lovely. I’m in love with my characters and it’s set in New York, which is a city I love to write about. Not sure I’d want to live there, but I do love writing about it. I get caught up in the storyline, and the twists and turns of it reveal themselves a little more to me each day, so every time I sit at the computer, it’s an adventure.

But every now and then something else lifts its head like Nessie the sea monster and smirks at me with seaweed-stained teeth. Something that will take the joy—at least temporarily—out of my writing.

It’s the first draft of Movie Magic.

I don’t know if you remember Movie Magic. I wrote it way back in November during National Novel Writing Month, which was only the second NaNoWriMo I’ve ever finished. I have no delusions. Movie Magic is bound to be a mess since it actually started out as Pirate Magic and took a turn a third of the way through…and I obeyed the unwritten NaNo rule not to go back and fix what had gone wrong but just to plow through and get it done.

So it needs to be rewritten. Edited. Reworked. Sweated and bled over. I still owe this book a pound of flesh.

I know it’s coming after I finish the first draft of this as-yet-untitled new book. I plan to publish Movie Magic on October 31 (Halloween to the rest of the world, but always Houdini’s birthday to me). So eventually I must face it.

If you’re asking what the big deal is, you’re not a writer. Mark Twain once remarked that the best writers are the best rewriters. Because that’s the true test. Writing a book is one thing. Being able to open it up six months later and face the mess AND fix it…well, that’s a test of courage and willpower and skill.