Poetry continues to be my main objective in spite of a couple of ideas I’ve had about novels. If I hear about a new form of poetry, I have to try it out. And then I have to stretch it. Remember Stretch Armstrong? How you would stretch and stretch him to see how far you could stretch him and he’d still go back to his original form…until he didn’t.

I sort of feel like I did that with haibun. Haibun is the combination of a haiku and a prose poem. Matsuo Basho wrote them. I discovered them relatively recently and decided to give them a try. And stretched the form a bit. What do you think? Is it still a haibun at its heart?

Silence
By Michelle Garren-Flye

it’s awkward, silence,
because it wants treasuring
and I reject it

laying too heavy on my ears in the dark, begging to be broken, shattered against the brick wall, revealing the death of sound ringing in my ears, spilling out like the yolk of an egg until the utter madness is stunned by a brief click in the wall behind the thermostat as the furnace breathes life into our emptiness…

don’t rejoice too soon
complete silence verges on
total perfection

you will seek it again, want to crawl into it, feel it envelop you in velvety warmth as if it can never break because it always always bends and that’s why you can never make friends with silence, why you can’t love it even if you want it, you will always seek release from it, but…

the birds will ghost you
the wind and waves will give up
leaving you…awkward