Poem: Echoes in a Fangirl Heart

Confession time. I am and always have been a fangirl. It has taken various forms over time. Some things have stuck, others have worn off, and some have…grown. For instance, my current obsession with K-Pop has expanded from one or two groups and styles to multiple. As long as I don’t understand more than half of what they say, I’m in. (LOL, it’s not really based on the language, but you get my drift.) Oh, and K-Dramas, too. I’m actually picking up a bit of the Korean language now…thanks to all the subtitles.

I became a fan of David Bowie early in my life thanks to my older brother and Major Tom. Space Oddity actually came out several months before I was even born, but I remember my brother playing it on the jukebox at our local Pizza Hut. I was maybe five or six years old at the time but I remember listening and dancing next to the table with my little brother.

In 1977 I distinctly remember watching the Bing Crosby Christmas special where he sang “Peace on Earth/Little Drummer Boy” with Bowie. I was seven years old and had no idea that what I was witnessing was a miracle of negotiation and compromise between two diametrically opposite human beings. I also remember the debut of Bowie’s “Heroes” music video during the commercial break. Again, I was too young to fully comprehend the importance of that music video debuting at that time when people like my parents were the audience, but I now feel certain that bit of strategic marketing contributed heavily to Bowie’s career.

Bowie songs came and went and got stuck in my head over the years. I really became a true fangirl in 1986 when I saw Labyrinth. I fell head over heels in love with Bowie’s mysterious, sinister portrayal of the regal Jareth, but the songs were what captivated me. “Underground” in particular. I fairly ran to the store to snatch up the cassette tape, lol. And I was done for after that. A fangirl of Bowie’s for life.

The obsession faded, of course. I was distracted by other 80s hair bands like Bon Jovi and Ratt for a time. I even fangirled over them a bit. As an adult, I had a beach music/Jimmy Buffett phase. But I still listened to Bowie. And then the word came that he had died.

That news hit me pretty hard. I’d never really gotten over Bowie. In fact, although I hadn’t listened to him regularly in a long time, I immediately pulled out all my old Bowie music, downloaded even more and spent more than a year listening to him exclusively.

Yesterday was the seventh anniversary of Bowie’s death. I saw all sorts of tributes to him on the internet. I heard his songs again, sometimes just playing on repeat in my head and echoing in my heart. And I wrote a little something. Because, I guess, that’s what fangirls do.

Echoes in a Fangirl Heart

By Michelle Garren-Flye

Hello, Starman.

Where have you been?

Admiring the sky I caught sight

of you quite by accident,

pale shadow.

Welcome back, Hero.

Where did you go?

The sun came up, the curtain fell…

I never gave up though,

Astronaut.

Insane lads leave me distraught…

How come they can’t be caught?

Image distorted, I can’t see your face,

going against all I was taught…

…Alien.

Greetings, my long-lost friend.

Just on the other side of the moon

is where I find you now,

even though it all ends too soon,

Spaceboy.

Full moon at sunset. Photo by Michelle Garren-Flye Copyright 2023 Michelle Garren-Flye

Dead Butterfly on a December Sidewalk

It’s cold here today. Yesterday it was mid 60s. This morning? In the 30s. That’s why it wasn’t really surprising to see a dead butterfly on the sidewalk. Poor insect is as confused as I am about the weather. Yesterday, shirtsleeves, today, winter coat. But he didn’t have a winter coat. He was frozen but still beautiful.

It reminded me of poetry. Is that morbid? Definitely dark. But then, I’m one of the best poets you’ve never heard of, and I’m thinking it might be difficult for many people to name ten living poets off the top of their head, anyway. Because poets don’t become household names anymore.

Robert Frost said, “Poetry is a way of taking life by the throat.”

Carl Sandburg said, “Poetry is an echo, asking a shadow to dance.”

Considering the competition between these two poets, sometimes one-sided, it’s not surprising that these two poets had very different views of poetry. What has always intrigued me was that people paid attention to that rivalry. It was a different time, I suppose. These days, poetry is a hard sale. I see it every day in my store. I have shelves of used poetry—some modern, some classic—in my bookstore. I also have a section of local poetry, including my own.

It’s the classic poetry people still want. Byron, Dickinson…Frost, Sandburg. I understand that want. Those poets wrote about things that aren’t our reality. They’re a higher brow type of escapism than bestselling fiction. I myself have two poetry books sitting on my desk right now. One is The Complete Haiku of Matsuo Basho and the other is A Little Treasury of Modern Poetry (published in 1950). I study haiku, so that’s my excuse for that one, but I love the pastoral themes of past poets. I adore reading about love and beauty and passion as if I hadn’t a care in the world.

But I know modern poets are important. We are dreamers and truth speakers, but when we put those dreams of truth out into the cold December mornings, there’s the danger that they may die of the cold.

Photo by Michelle Garren-Flye

Promoting Learning Curve

I’ve been making up some graphics to help me promote Learning Curve, which will have its official release day next week. If you can’t wait, you can order it on Amazon now, of course, but if you’d like a signed copy, my bookstore is the place to come, specifically next Friday from 5-8 p.m. (although any other of my open times works as well).

Here’s a bite-size tidbit to help you decide if you want to join me on the learning curve of life…

Copyright 2022 Michelle Garren-Flye

Welcome to December. What should I write?

Happy December! It’s cold today. My hands are cold as I type. But it doesn’t usually stay cold here for long. Tomorrow will be warmer. Maybe I’ll find something else to write. Any suggestions?

Learning Curve is coming soon!

Copyright 2022 Michelle Garren-Flye

Happy Thanksgiving…have a fortune cookie?

I’ve picked up an interesting tradition? habit? madness? (You pick)

Every few days I have a fortune cookie. And I either shrug off the fortune inside or spend the next few days pondering it. Yesterday I got a fortune that read “A person who wants to sing will find a song.” (Or something to that effect. I think I lost the fortune…)

That one has stuck with me. Because it’s true, and I have spent far too much time living my life for wishes to think it isn’t. Because I can make as many wishes as I want, but there’s no wish fairy out there fulfilling them. Wishing is, quite simply, a way to focus my intent on something I want.

I want success, so I’m finding ways to make it happen.

I want happiness, so I’m learning to concentrate on the things I have in my life that make me happy. (And deal with the things that don’t without letting them upset my apple cart.)

I want a cherry red Ferrari for free— Okay, maybe not. (Adam Sandler fans will get that one.)

I’m still looking for the song I want to sing. I will have to write it myself, and I know that it won’t be easy, it won’t look exactly like I once pictured, and it won’t be the only thing in my life.

Nobody’s life is filled with one thing. It’s mixed up with the good and the bad, but if I want the good, I can choose it. If I want to be happy, I’ll find that happy in the middle of everything else. I can succeed if I’m willing to put in the work. And for this knowledge, among all the other good things in my life, I am grateful.

Happy Thanksgiving.

A villanelle from Learning Curve. Illustration and poem copyright 2022 Michelle Garren-Flye.

Learning Curve is at the printer: Want a peek?

I just sent my latest poetry book, Learning Curve, to the printer. This is the third poetry book in my Poietry Diaries series, my sixth poetry book overall. I think. If I counted them right…

Anyway, it’s done. I started this one in July. Now in mid November, almost exactly four months later, it’s done. And I’m proud of it. The poems are well written, edited and illustrated. The format of the book makes sense. I’ll be proud to have it on the shelf at my store. It’s a good addition to my repertoire.

Here’s the blurb for it:

Learning Curve is a contemporary collection of poetry written in the style of villanelle, originally a rustic Italian song, later developed into a French form of short poetry and then into a format with a rigid and demanding rhyme scheme and format. Award-winning poet Michelle Garren-Flye takes on this form in the latest volume of her Poetry Diaries, taking the reader along on not only an emotional journey but also one that promises to introduce the reader to a beautiful form of song-like poetry that will delight and enchant any poetry lover.

Let the reader beware, however. As the poet acknowledges, poetry is the most true of any form of literature. If the truth is anywhere, it’s definitely in these pages.

And finally, it took me a while to decide on how to format this book. It’s a little different from my others. For one thing, I went with black and white again. I was going to go with all simple line drawings, which is more my forte anyway, but I wound up adding shades of grey (lol) to many of them. Here’s one I particularly like that I thought I’d share with you. If you like it, stay tuned. Release date will be announced soon!

Poem and illustration copyright 2022 Michelle Garren-Flye

Bookbuilding: How it all falls together

It’s been a bit since I last updated. I’m busy busy getting Learning Curve finished up. Sometimes it amazes me how synchronous bookbuilding can be. I set out to write fifty villanelles. Actually, I set out to master the art of the villanelle, which is an accomplishment in itself. During the course of writing villanelles, it occurred to me that I could make a book out of them. It also occurred to me that two of my previous poetry books were actually the beginning of a series that Learning Curve could continue.

Synchronicity, man.

And now I’m putting together Learning Curve, and synchronicity seems to be more a factor than ever. I didn’t write the villanelles with any sort of organization or sections/chapters in mind. And yet, they seem to be dividing themselves up perfectly in groups of ten. Almost perfectly, anyway.

For me, this part of bookbuilding takes some time. I have been drawing all along while writing villanelles, and many of those illustrations are finding their way into my book. But I’m also drawing special illustrations for some of my poems. I’m putting together each page separately, just as I’ve done for past books, but I think I’ve gotten better at it.

Plus, it’s been very synchronous.

One of the illustrations from Learning Curve. Copyright 2022 Michelle Garren-Flye

I just wrote the fiftieth villanelle.

And that’s that.

Well, not quite. I’m a bookmaker, not just a writer. Now I am entering the phase of putting the book together. In some ways it’s more fun. In others, I miss the constant search for rhyme, the debate about rhythm, thinking in verse.

I’m trying something different with the illustrations this time. I’ll still have them. This is going to be a black and white book, though, so it will be less expensive. And I sort of felt like the color in my other books sort of interfered with the poetry. Maybe not quite as much with 100 Days as Hypercreativity, but some. And villanelle, man. Villanelle needs to be admired for what it is.

I had never heard of villanelle before July 16 of last year. I had just written Far & wee, my book of 20 sonnets. I felt fairly confident I had a good grasp of sonnet writing and I wanted to try something new. I asked on Facebook what kind of poetry I should try next and a friend suggested villanelle.

The more I researched villanelle and tried to write it, the more it became obvious that I’d have to write much more than twenty to come close to mastering the form. There’s so much to think about. Not only rhyme, but placement of the rhyme. And finding new rhymes. I mean, you could write ten to twenty villanelles with rhymes ending in -ay and -ate but it would get old. (Trust me.)

So this book is going to be a bit different, even, than the other two in my poetry diaries series. It documents what was going on in my life somewhat, but it’s also a literary journey for me. I’m learning how to write something new and hopefully you’ll be able to see that I get better.

I know some of my favorite poetry that I’ve written thus far is in this book. I won’t tell you which ones they are. I’m also kind of fond of some of the illustrations, even though I don’t imagine I’ve improved that much in that respect. (That is not false modesty. I have improved, but only so far.)

So, I’m off to make a book. Hopefully I can have it done soon. Maybe even in a week or so.

copyright 2022 Michelle Garren-Flye

Sometimes it’s enough to write the next first line

The other day I wrote that I had completed my fortieth villanelle. This project has taken much longer than my last one (Far & wee). I’ve been writing villanelle since July. I still haven’t perfected it, but the forty I’ve kept are decently passable. Some are even quite good. I think there’s at least one that’s among my favorite poems I’ve ever written.

I’m trying to write fifty total for the book. And I haven’t yet figured how I’ll illustrate them, although I’ve also been drawing at the same time. I have an idea or two. We will see what works out.

At any rate, although I can see the finish line, I’m so far away still! So even after a busy day, I take my computer up to my room with me and before I sleep I try to write a little. Yesterday was one of those days. Busy from 6 a.m. to 9 p.m. I collapsed and ate a bagel and watched a bit of television with my daughter. And then I went to bed and wrote.

A line and a half.

It took me thirty minutes.

And still when I closed the computer, I was happier than I would have been if I hadn’t written anything. Because I knew today I would finish that poem. I haven’t done that yet. But I did finish the first verse. And I like where it’s going.

Copyright 2022 Michelle Garren-Flye

Poetry Diaries: It’s happening!

Everyone who knows me as a poet knows my feelings about poetry being nonfiction. Poetry is a much more personal form of writing (to me) than novels or short stories. I can write about anything in a novel or short story. I once wrote a flash fiction about a woman who’d lost both legs in an accident. I used to write horror. And yes, romance. All fiction.

Nothing personal.

Poetry, on the other hand, is almost never fiction to me. I can’t really put myself in someone else’s shoes when I write poetry. The few times I have, it’s because I’m able to empathize for one reason or another. And I almost never think those poems are as good as my others.

So poetry is very personal. It’s my thoughts and feelings. And when I put together a poetry book, it’s almost like a diary. I tend to share a bit about what and why I wrote different poems. Like a diary.

I noticed this trend in my work after Hypercreativity. Both Hypercreativity and 100 Warm Days of Haiku fit this concept I had for poetry diaries. So I decided to make them part of a series. The Poetry Diaries was born. The third in this series is coming soon. Well, hopefully. I’m hoping it will be fifty villanelle, but I haven’t even hit forty yet and may stop there, honestly. I’ve discovered a new type of poetry I really want to try. In the meantime, however, I did design the cover to the next poetry diary. And it’s pretty good!

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