But before we get to that, I saw a few of you joined my live yesterday. It was on my Instagram. It was sideways. Lol. My daughter reassured me that people could turn their phones if they wanted to watch it, so I did save it to my Instagram, so you can go check it out if you want. I was nervous. It was honest-to-god my first-ever live. I’ve posted videos before, but I can stop and redo those if I mess up or whatever. This one’s got me fumbling for words and misreading and everything. All in five minutes! What entertainment.
Anyway, I haven’t gotten any actual questions about poetry to answer yet, so I probably won’t do another live until next Sunday unless something comes up before that I think would make more sense to answer live than here on my blog.
And now, a poem! I actually wrote a poem I kind of like! This morning!
(I’m a bit excited.)
It’s about a primrose.
No, really. A primrose. I took a picture of a Beach Evening Primrose this morning and it turned out super good. Plus, a friend sent me a poetry prompt last night from another poet/writing coach who suggested that we find something in nature that inspires us and write a poem about it. I intend to post this picture with the poem on Instagram and tag her to see what she thinks, hopefully. Her name is Ann Kroeker. She wrote a really nice poem about a pinecone. You should look her up.
Poem and photo copyright 2023 Michelle Garren-Flye
It’s National Poetry Month and I have no idea what to do with it. I’ve come at this for the past few years with a real plan. Haiku, renga, a poem a day.
I’m clueless. I’m clueless because I’ve been fighting writer’s block since my mother passed away. I miss her so much and the last decent poem I wrote was a goodbye to her written a few days before her death because I knew it was coming.
I’m not saying this because I want you to feel sorry for me. I’m just saying it because I truly don’t know what to do this time around. I was in the midst of writing love poems, which was really kind of fun, but now I’m stuck. It’s hard to write about love when the person who probably loved you the most in this world is no longer in it. And I’ve written enough morose stuff. I won’t go back to that but that’s where my heart is right now.
So… This National Poetry Month is a bit different. For me. For anyone who wants to follow, I’ll be doing a bit of everything from live poetry readings on Instagram (I’ll announce when on here) to posting whatever I’ve managed to write that day. Today I’m posting a thought and a picture I took yesterday. I’m already planning a short live poetry reading tomorrow morning at 11 a.m. EST. If you have any questions you want to ask me about poetry, send me an email to mgflye (at) yahoo.com or just comment here.
I wish I lived in a culture that used the same word to mean both hello and goodbye. It’d make it easier, wouldn’t it?
I’m saying hello now because the last post I made was Goodbye. And it was me saying goodbye to my mother. More than a month ago. Saying goodbye sucks. When my kids leave to go back to their own lives. When I hang up the phone with my father now. When a friend I’ve waited a long time to see leaves again. I hate that word. That strangely cheerful sounding, heart-wrenching, chillingly lonely word.
Goodbye.
And yet, having said goodbye to the woman I loved most in this world, somehow it’s been even harder to say hello again to all of you. Maybe it’s because it feels like everything I say echoes in a hollow space. (As a poet, I appreciate that hello and hollow rhyme so well…) But I’m saying hello now because I know there is more to be done here. I have plans for National Poetry Month in April that include this blog. So I will say the word that, strangely, begins with a syllable that describes where I sometimes feel I am stuck.
Hello.
Two words, so very different in construction, not at all alike in sound,
So very difficult to say.
Hello
By Michelle Garren Flye
A whisper of a word over an abandoned grave—
soft breezes blow spring grasses around
and I am searching for redemption.
Courage, the wind whispers, try to be brave,
don’t hesitate, reach for the crown
and your place in life with strengthen.
But in the end, I am naught but a slave,
helpless and a bit of a letdown—
even if I have your attention.
Hello is too much, I can’t do it, I say,
my face marked by an anguished frown,
Goodbye hurt too much; hello is no fun.
Hello, from me. Sometimes I forget to smile. 🙂 Selfie by Michelle Garren-Flye.
This is my mother. It was taken not long ago by my brother. He often took her and my father out to lunch since he lived nearby. My mother had Alzheimer’s. She was diagnosed in February 2020. She passed away on February 21 this year. I like this picture because her smile is bright and though the disease she fought had taken so much of her by this point, you can still see her intelligence and humor. And there’s a bit of innocence there, too. Like maybe she was already becoming an angel.
I saw her a month ago. She was still awake and still knew me, though communication was difficult by that point. But I could see she knew who I was, and I am grateful for that. I got to hold her hand and even felt her squeeze it a little. I know this is not always the case. I miss her. I’ve missed her for a long time, but now, knowing she won’t wake up and talk to me again one day, it’s different.
My mother taught me to laugh whenever I could, to curse when I had to, to enjoy music and reading, how to clean toilets (although I don’t use that much), that you always vacuum before you dust (again, not something I use much), to clean as you cook, that the beach is a bit of heaven on earth, that fried potatoes and country-style steak are the best food you’ll ever have on this earthly plane, to apologize when you’re wrong, and that loving and protecting your children takes precedence over everything else and doesn’t end just because they’re adults.
Among many other things.
I remember hearing that you’re not truly dead until no one is left to remember you. That’s part of why I’m putting this out there. Tomorrow is her funeral, and I will say goodbye to my mother. But I don’t believe she will truly be gone. Because I will always remember her. And maybe now some of you will, too.
Goodbye
By Michelle Garren-Flye
Let’s say goodbye as many times as you like:
once when I’m lying in bed unable to face the day,
When I set out to write love poetry, I knew I’d have to find a different angle for it. I am still working on that, and I may have taken it to the extreme with this one. Anyway, Happy Valentine’s Day!
Poem and illustration copyright 2023 Michelle Garren-Flye
I’m writing another poetry book. It’s a book of love poems.
No. I’m not in love. Not even close.
But I do have love. I have love for a lot of things and people and places, and if I concentrate on that love, I’m never lonely. If I let it fill me up, it lights up all the dark spaces so even when I’m scared, I know I’ll find my way.
If you think I’m lucky, you’re right. If you think it’s easy, you’re wrong. The worries of the world, mean people, personal problems, Chinese spy balloons…I could go on but I won’t because those things sneak in too easily. Instead, I will make the decision to live my life in love because it will make me stronger. I will draw my life the way I want it to be.
And I will not wait to be in love to write my love poems.
If you follow my writing at all, you know I am fascinated by different styles of poetry. I’ve written haiku, sonnets, villanelle and am now tackling the dreaded ghazal. I’ve often said that if I have writer’s block, I will write haiku to break it.
So when one of my favorite e-newsletters arrived in my mailbox featuring an article about Oulipo, an organization of French novelists and poets, I was intrigued. These writers believe writing with certain constraints actually inspires creativity. For example, very restrictive forms of poetry as far as rhyme and/or length and even more daring constraints on works of fiction. Like writing an entire novel without using the letter “e”. Some of these works have been translated from French to English…also without using the letter “e”, if you can believe that.
What would it be about restricting yourself that actually inspires creativity? I can’t answer this, but I know that historically adversity can lead to great works of art. The Renaissance, for instance, was conceived during the darkness of the Bubonic Plague. Amazing works of art resulted from the pain of the Aids epidemic. Wars have always inspired great art. And the Covid-19 lockdown released a flurry of works of art, literature, and music that we are only beginning to appreciate.
Is it because we as humans have to hope that adversity creates great work? And following that, do we as artists create artificial constraints on our work just so we can burst out of it? Does restriction force something else out of us? Or is writing a sentence without the letter “e” just silly? (Or: Is it silly to try to show our thoughts without using a common symbol?)
I can only really answer to what works for me (and it’s not not using the letter “e”). Although I don’t totally agree with Robert Frost that “Writing free verse is like playing tennis with the net down”, I do believe that I write good sonnets…and haiku…and villanelle. Not sure about ghazal yet. What do you think?
Star Falls
By Michelle Garren-Flye
Recite poetry in a husky voice—I hear your calls!
Tell me the story of the world and the star that falls.
How is it okay to whisper it all in my ear?
Count every moment from now to when the star falls.
It won’t matter anyway, I won’t let myself care.
I’ll run away—I swear I will—run ‘til that star falls.
But wait!, you say, are you sure that’s really okay?
The moments don’t pause, though, no, not until the star falls.
You’re silent at last, peace surrounds me and I will stay.
Last chance to wish on my whisper (sun’s rising!)…and star falls.
Confession time. I am and always have been a fangirl. It has taken various forms over time. Some things have stuck, others have worn off, and some have…grown. For instance, my current obsession with K-Pop has expanded from one or two groups and styles to multiple. As long as I don’t understand more than half of what they say, I’m in. (LOL, it’s not really based on the language, but you get my drift.) Oh, and K-Dramas, too. I’m actually picking up a bit of the Korean language now…thanks to all the subtitles.
I became a fan of David Bowie early in my life thanks to my older brother and Major Tom. Space Oddity actually came out several months before I was even born, but I remember my brother playing it on the jukebox at our local Pizza Hut. I was maybe five or six years old at the time but I remember listening and dancing next to the table with my little brother.
In 1977 I distinctly remember watching the Bing Crosby Christmas special where he sang “Peace on Earth/Little Drummer Boy” with Bowie. I was seven years old and had no idea that what I was witnessing was a miracle of negotiation and compromise between two diametrically opposite human beings. I also remember the debut of Bowie’s “Heroes” music video during the commercial break. Again, I was too young to fully comprehend the importance of that music video debuting at that time when people like my parents were the audience, but I now feel certain that bit of strategic marketing contributed heavily to Bowie’s career.
Bowie songs came and went and got stuck in my head over the years. I really became a true fangirl in 1986 when I saw Labyrinth. I fell head over heels in love with Bowie’s mysterious, sinister portrayal of the regal Jareth, but the songs were what captivated me. “Underground” in particular. I fairly ran to the store to snatch up the cassette tape, lol. And I was done for after that. A fangirl of Bowie’s for life.
The obsession faded, of course. I was distracted by other 80s hair bands like Bon Jovi and Ratt for a time. I even fangirled over them a bit. As an adult, I had a beach music/Jimmy Buffett phase. But I still listened to Bowie. And then the word came that he had died.
That news hit me pretty hard. I’d never really gotten over Bowie. In fact, although I hadn’t listened to him regularly in a long time, I immediately pulled out all my old Bowie music, downloaded even more and spent more than a year listening to him exclusively.
Yesterday was the seventh anniversary of Bowie’s death. I saw all sorts of tributes to him on the internet. I heard his songs again, sometimes just playing on repeat in my head and echoing in my heart. And I wrote a little something. Because, I guess, that’s what fangirls do.
Echoes in a Fangirl Heart
By Michelle Garren-Flye
Hello, Starman.
Where have you been?
Admiring the sky I caught sight
of you quite by accident,
pale shadow.
Welcome back, Hero.
Where did you go?
The sun came up, the curtain fell…
I never gave up though,
Astronaut.
Insane lads leave me distraught…
How come they can’t be caught?
Image distorted, I can’t see your face,
going against all I was taught…
…Alien.
Greetings, my long-lost friend.
Just on the other side of the moon
is where I find you now,
even though it all ends too soon,
Spaceboy.
Full moon at sunset. Photo by Michelle Garren-Flye Copyright 2023 Michelle Garren-Flye
It’s cold here today. Yesterday it was mid 60s. This morning? In the 30s. That’s why it wasn’t really surprising to see a dead butterfly on the sidewalk. Poor insect is as confused as I am about the weather. Yesterday, shirtsleeves, today, winter coat. But he didn’t have a winter coat. He was frozen but still beautiful.
It reminded me of poetry. Is that morbid? Definitely dark. But then, I’m one of the best poets you’ve never heard of, and I’m thinking it might be difficult for many people to name ten living poets off the top of their head, anyway. Because poets don’t become household names anymore.
Robert Frost said, “Poetry is a way of taking life by the throat.”
Carl Sandburg said, “Poetry is an echo, asking a shadow to dance.”
Considering the competition between these two poets, sometimes one-sided, it’s not surprising that these two poets had very different views of poetry. What has always intrigued me was that people paid attention to that rivalry. It was a different time, I suppose. These days, poetry is a hard sale. I see it every day in my store. I have shelves of used poetry—some modern, some classic—in my bookstore. I also have a section of local poetry, including my own.
It’s the classic poetry people still want. Byron, Dickinson…Frost, Sandburg. I understand that want. Those poets wrote about things that aren’t our reality. They’re a higher brow type of escapism than bestselling fiction. I myself have two poetry books sitting on my desk right now. One is The Complete Haiku of Matsuo Basho and the other is A Little Treasury of Modern Poetry (published in 1950). I study haiku, so that’s my excuse for that one, but I love the pastoral themes of past poets. I adore reading about love and beauty and passion as if I hadn’t a care in the world.
But I know modern poets are important. We are dreamers and truth speakers, but when we put those dreams of truth out into the cold December mornings, there’s the danger that they may die of the cold.
I’ve been making up some graphics to help me promote Learning Curve, which will have its official release day next week. If you can’t wait, you can order it on Amazon now, of course, but if you’d like a signed copy, my bookstore is the place to come, specifically next Friday from 5-8 p.m. (although any other of my open times works as well).
Here’s a bite-size tidbit to help you decide if you want to join me on the learning curve of life…
BREATHE: Michelle Garren-Flye 