I’m a Bookmaker

I often get questions about getting published. My answer?

I have no clue. I’m definitely not an expert.

But you’ve been published. Look at all those books. And you publish a literary magazine.

And I do. And I admit I’m a little surprised when I look at my backlist. Because, yes. I have a lot of published books. And I’ve learned a lot about how to publish them. I know how to format a manuscript, how to upload it to Amazon and Smashwords, I’m usually able to edit my own stuff, and I’m slowly learning the ins and outs of designing my own cover and illustrating my books when necessary.

I try, very hard, to explain that my path to being published isn’t really going to work for everyone. I’m self-taught, but I know my limits and I know when I need to consult an expert. I’ve hired developmental editors, for example, because I know that’s not my field of expertise. I often hire someone to design covers for me, or at least I used to, back when I wrote novels. If I ever write another one, chances are I’ll hire someone for that, too.

With all that said, I have one bit of advice for new writers who want to self-publish. Don’t go to a self-publishing publisher. Do as much as you can yourself. And take an a la carte approach to the rest. Chances are very good if you go to a publisher who charges you to publish your book, you’ll be overcharged and your book will not be a quality product. You’ll make less on royalties from your book because the publisher will take a cut, and you’ll be overcharged for author copies of your book, making it difficult to sell them yourself and make a profit. (I know books are overpriced, but nobody really wants to pay $20-plus for a paperback book.)

And so…I’ve finally broken down and put all my knowledge into a short (about four and a half minutes) presentation. I may eventually start giving this presentation in person, but I’m not a great public speaker except when it comes to reading my poetry (and so far nobody’s wanted to pay to hear that). Plus, as I said, I don’t really consider myself an expert.

But I am a bookmaker.

Sum total of my knowledge about bookmaking, also available here: https://michellegflye.com/self-publishing-from-a-bookmakers-pov/

Bookbuilding: How it all falls together

It’s been a bit since I last updated. I’m busy busy getting Learning Curve finished up. Sometimes it amazes me how synchronous bookbuilding can be. I set out to write fifty villanelles. Actually, I set out to master the art of the villanelle, which is an accomplishment in itself. During the course of writing villanelles, it occurred to me that I could make a book out of them. It also occurred to me that two of my previous poetry books were actually the beginning of a series that Learning Curve could continue.

Synchronicity, man.

And now I’m putting together Learning Curve, and synchronicity seems to be more a factor than ever. I didn’t write the villanelles with any sort of organization or sections/chapters in mind. And yet, they seem to be dividing themselves up perfectly in groups of ten. Almost perfectly, anyway.

For me, this part of bookbuilding takes some time. I have been drawing all along while writing villanelles, and many of those illustrations are finding their way into my book. But I’m also drawing special illustrations for some of my poems. I’m putting together each page separately, just as I’ve done for past books, but I think I’ve gotten better at it.

Plus, it’s been very synchronous.

One of the illustrations from Learning Curve. Copyright 2022 Michelle Garren-Flye

I just wrote the fiftieth villanelle.

And that’s that.

Well, not quite. I’m a bookmaker, not just a writer. Now I am entering the phase of putting the book together. In some ways it’s more fun. In others, I miss the constant search for rhyme, the debate about rhythm, thinking in verse.

I’m trying something different with the illustrations this time. I’ll still have them. This is going to be a black and white book, though, so it will be less expensive. And I sort of felt like the color in my other books sort of interfered with the poetry. Maybe not quite as much with 100 Days as Hypercreativity, but some. And villanelle, man. Villanelle needs to be admired for what it is.

I had never heard of villanelle before July 16 of last year. I had just written Far & wee, my book of 20 sonnets. I felt fairly confident I had a good grasp of sonnet writing and I wanted to try something new. I asked on Facebook what kind of poetry I should try next and a friend suggested villanelle.

The more I researched villanelle and tried to write it, the more it became obvious that I’d have to write much more than twenty to come close to mastering the form. There’s so much to think about. Not only rhyme, but placement of the rhyme. And finding new rhymes. I mean, you could write ten to twenty villanelles with rhymes ending in -ay and -ate but it would get old. (Trust me.)

So this book is going to be a bit different, even, than the other two in my poetry diaries series. It documents what was going on in my life somewhat, but it’s also a literary journey for me. I’m learning how to write something new and hopefully you’ll be able to see that I get better.

I know some of my favorite poetry that I’ve written thus far is in this book. I won’t tell you which ones they are. I’m also kind of fond of some of the illustrations, even though I don’t imagine I’ve improved that much in that respect. (That is not false modesty. I have improved, but only so far.)

So, I’m off to make a book. Hopefully I can have it done soon. Maybe even in a week or so.

copyright 2022 Michelle Garren-Flye