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About Michelle Garren-Flye

I am an author of romance, poetry, children's books and graphic novels. I also own a bookstore. My love of the written word runs deep.

A Rose is a Rose?: Maryanne Stahl

Maryanne Stahl is a talented writer and teacher of fiction and poetry with two novels (FORGIVE THE MOON and THE OPPOSITE SHORE) and a chapbook of poetry and flash fiction (ELECTRIC URGENCY) to her credit. Her writing is filled with a lovely Southern grace I’ve seldom found anywhere else so I was thrilled when she agreed to join me for my little experiment.

BREATHE: I am a big fan of The Opposite Shore, your second novel. In the acknowledgments, you say it was inspired by Shakespeare’s The Tempest. Shakespeare was actually a master at playing with the symbolism of names and their meanings. Do you often look for symbolic names for your characters?

MAS: First, thank you. This is a fun topic.

Yes, I am very interested in what names mean and suggest, though that’s only one element to naming characters, for me. The way a name sounds or the associations it evokes are other considerations. And sometimes a character will just kind of develop a name and I won’t really know why. There have also been times I have named characters in light-hearted hommage to people I know–friends, family–just for fun. Each story, each character is different. But yes, the names in The Opposite Shore were all quite deliberate.

BREATHE: I love that you named the sailboat after Ariel in Shakespeare’s The Tempest. How important do you think the names of inanimate objects are as opposed to the names of characters?

MAS: In the case of the Ariel, the name is pretty important. It’s a nod to the character in the play, of course, and also seemed to fit a beautiful, sometimes temperamental vessel that “flies” over the sea. I wanted the boat to be a kind of character. She plays a fairly significant role in the lives of the other characters.

BREATHE: Is the selection of a character’s name a difficult process for you? How do you go about it?

MAS: It depends. I don’t have a consistent process (in anything I do). In the case of TOS, it was fun. I knew from the beginning I wanted to make reference to the play. So in addition to Ariel there was Miranda, Rose for Prospero, Cannibal for Caliban; William Campbell is a combined nod to William Shakespeare and Joseph Campbell.

BREATHE: Do you feel a character’s name affects the way you write him or her?

MAS: Yes…and I think names affect the way people relate to people in life. (Despite what Shakespeare said about a rose by any other name. )

When I use a friend’s name, usually for a minor character, I am always reminded of the person as I write that character. Not that the character resembles the namesake in any way; usually that is not the case. That’s why I use friends’ names only for very minor characters.

BREATHE: Are there any names you will never use for a character? Why or why not?

MAS: That’s an interesting question. I don’t think so. I mean there may be some I would never use, but I am not aware of them.

I don’t mind ordinary character names. Sometimes a character just has a name, and it isn’t one I like or that means anything particularly relevant, or is interesting in any way . It just is. Currently I am working (<–I say that loosely) on a novel set in Savannah and Italy in which the main character's name is Jane Bernardi, meant to embody her hybrid, Italian/American heritage.

To read an excerpt from THE OPPOSITE SHORE click here: Maryanne Stahl’s THE OPPOSITE SHORE.

A Rose is a Rose?: A.J. Brown and Pax

As I said yesterday, A.J.’s choice of the name “Pax” for his unstable zombie killer intrigued me, especially when I looked up the meaning of the name. Does the meaning of “peace” for the name Pax indicate that a character can truly be named anything and still be made to do what we want him to do? Or is there more to the character Pax than just a violent zombie killer? Maybe Pax is trying to restore a peaceful order to the world that has been ripped apart. I don’t know yet as A.J. is still writing the story, but I do know I’ll look forward to reading it when he’s done. Speaking of which, when I asked A.J. for more information about Pax, he was very accommodating, and so I have a little treat here, at least if you’re a zombie fan—which I am.

AJB: Pax is not an emotionally sound guy. He tends to hold things in which causes him to be quite volatile. He has little patience with people, other than the ones he loves. The problem is the ones he loves are all dead, ripped away from him by the living dead. Pax has a bitter hatred seething inside of him and nothing is safe with him around. Not the living and certainly not the dead…

Excerpt from The Dead Reaper

“Alright, boys. Lunchtime is over.”

One by one, the dead fell, parts of their heads missing, until only the man on the base of the statue was left. “Get indoors,” Pax said. “They’ll be coming in droves now.”

Pax walked off, reloaded. He focused on the handfuls of zombies coming out of the alleys and pockets left in empty buildings. “Damn, they’re everywhere.”

From behind him came footsteps, hurried and heavy on the concrete. Pax pivoted, pointed the pistol at the man.

The man ducked, put his arms over his head. “Whoa, whoa, whoa. Don’t shoot.”

“What do you want?”

The man lowered his arms, stood up straight. “I need help.”

Pax looked around them. The dead were moving in. He shot the two nearest them. “Don’t we all?”

“No, I mean, I need help. Those things… they bit me and—”

“Then I suggest you put a bullet in your head and get it over with.”

Pax hurried away, not quite running. He used the machete on several of the dead, splitting their heads in half, saving on as much ammunition as possible.

“You can’t leave me here,” the man said.

“Sure I can.” Pax rounded the corner, stopped. “Shit.” A wall of undead staggered toward him, moans in their throats, faces without expressions, milky eyes seeing without really seeing.

He searched the area, settled on an alley that led to a side street. With any luck he could circle back and get to the van. He passed the man on his way to the alley, paid him little attention.

“Please, don’t leave me here. I’ve been bitten by one of those things and—”

Pax gritted his teeth, took aim at the man, “You’re a dead man. Understand that. Accept it. I can’t help you. No one can. The only real help for you is to put a bullet in your head or whatever. You’re going to die and I have no time for you.”

Up close Pax could see the fear in the man’s face, see the bloodied close. He was missing two fingers and looked like he hadn’t eaten in a few days.

“But, I’m still alive. I can help you until…”

“You’re not alive, not for long,” Pax glanced around, nodded, “but you can be of a little help to me.”

The man’s eyes lit up as he followed Pax into the alley. “Really? How?”

Pax ignored the question and went to the opposite end of the alley, looked both ways. Only a handful of zombies trolled about, possibly not hearing the many gunshots.

“What’s your name?”

“Joel,” the man said, “How about you? What’s your name?

“It doesn’t matter, Joel. I just wanted to thank you.”

“For what?”

“For slowing them down.” Pax lowered the pistol, squeezed the trigger. The man’s knee shattered and he dropped to the ground, his screams echoing in the confines of the alleyway.

A Rose is a Rose?: One more thing A.J.

I’m not sure which side of the debate this might come down on, but one of A.J.’s answers to my questions prompted me to do a little digging. Hence, my followup question for A.J.:

BREATHE: Hey A.J. I was reading over your answers to my names questions and one thing in particular that struck me was the description of your character Pax. Are you aware of all the different meanings of Pax? In Latin it means peace, but it also means friendship. The definition that really intrigued me was on this website: http://www.answers.com/topic/pax-1. It’s the second one: “A time of wide-ranging stability when there is only a single dominant power. Used with a Latinized name”.

AJB: Wow, I did not know that. That’s pretty cool to know and considering the type of character he is and the lack of peace he has, that is most interesting. That could possibly even be worked into the story line.

So, does the name Pax fit A.J.’s character because he lacks peace? Is he searching for peace he never really hopes to find? Guess we’ll have to wait for A.J.’s story to find out…

A Rose is a Rose?: A.J. Brown

If you’ve read my blog much at all in the past, you’ve probably encountered this author’s name. A.J. Brown writes some truly amazingly horrible stuff. But he writes it so well nobody really minds. I asked A.J. to participate in my blog project because I wanted some insight into how a horror writer chooses names, and if there’s an area of horror whose depths A.J. has not fully explored, I’m not familiar with it.

BREATHE: You write short stories of varying lengths. Some are very nearly novel length. Obviously, the more story a character has, the easier it is to get to know him or her. Does this affect how you name your characters at all?

AJB: Yes and no. I usually have no clue how long one of my stories is going to be. Sometimes I start out intending to write something really short only to have it end up being twelve thousand words and then sometimes I have a long story in mind only to have it played out in five thousand words or even less. So, yes, if I have a feeling the story is going to be long, then I do pick a name for the character(s), but if I’m not sure I may toy with naming them and in other cases I don’t name them at all until I realize the story is going to be much longer than I intended. Then I have to go back and rewrite most of the story to liven it up with the character’s personality.

BREATHE: Does the fact that you write horror affect how you name your characters? (I know writing romance has had a definite effect on the names of my characters!)

AJB: Only when I’m trying to create a particularly nasty character does the genre come into play, and then that is based on the characters themselves. For the most part, I try to write realistic characters with realistic fears and desires with realistic lifestyles. With that in mind, I try to pick normal names for my characters. However, when I want to create a really bad person, I try to get a name that reflects that—or counteracts it, as well. I just created a character named Pax for what I hope becomes a series of short stories. He’s a very bitter man who lost everything and everyone that meant anything to him. He’s not a big talker, but big about action and taking care of business, so when he does talk, it’s usually to speak his mind about something. I toyed with a couple of names, but none of them fit. Then I pictured him with his teeth clenched, gun in hand and staring down his enemy and Pax just fit him.

BREATHE: What’s the most difficulty you’ve ever had coming up with a name for a character?

AJB: That’s a tough one for me—I’m a parent and my wife and I discussed both of our children’s names until we finally settled on their names and both of their names have meaning to us and so sometimes I agonize over a character’s name. Not because that character should be a certain way, but because when I write a story that is of any length, I often see my characters as children and with children their names can either help them or hurt them in their school years. Some would argue that point, but it is as I’ve seen it in my life.

BREATHE: Do you feel a character’s name affects the way you write him or her?

AJB: Yes. Back to the previous question, it all depends on how I view the character. If I see them as a child and if I’m going to use anything from that character’s childhood, then the name becomes significant to me. I know I’m weird to picture my characters as children, but that’s the way I picture folks I don’t know when trying to figure out why they would or would not do something. The past tells so many stories about a person’s, well, personality.

BREATHE: Are there any names you will never use for a character? Why or why not?

AJB: Yes. My children’s names. Since I write a lot about death and misery, I can’t use their names in my stories, simply because of how I view those names.

I asked A.J. to share an excerpt from one of his works in which the names of the characters are particularly significant. He sent me an excerpt from a story called “Always Marilyn”, and it’s perfect in more ways than one. Not only is the name of the character one we can all relate to, its attributes and associations are thoroughly explored. Check it out below.

Excerpt from “ALWAYS MARILYN”:

They call it writer’s block. I call it a fucking wall. One I can’t see over or go around or even scale with some rope so I can at least get back on the other side where creativity awaits me in the form of beautiful words that I liken to Marilyn Monroe—buxom and sexy and wanting to be explored.

Thoughts of Marilyn—my Marilyn, not Monroe—surface and my jaws clench tight. She’s a beauty alright. Blond, like Monroe, big chested, like Monroe, pouty lips begging to kiss or suck, like Monroe. A great lay—probably like Monroe. Not dead, unlike Monroe. No, my Marilyn had the cheating heart and the spreading legs to go with those pouty lips and big breasts. And she was married to me for several years as I cranked out novel after novel and she reaped the benefits of having a writer for a husband, while many other men reaped the benefits of her body.

How long has she been gone, out of my life because of a bigger dick and a bigger paycheck? Three years? Four? I check the calendar and note my last sell—nearly four years ago. It was right after that when the well went dry. She took everything. The money, the house, my car… my reputation. All it took was a few well placed lies and she had written her own book of abuse and cheating and drugs. Most of which were untrue. The drugs… well, that part wasn’t fiction. We both did what we could to stay high, to stay on the track of marriage and popularity, though I think I tried to stay on the marriage train longer than she did.

The divorce I can live with. Other than great sex, we never really had anything in common. She was my trophy wife and I was her sugar daddy, being twelve years older than she was and with money, I guess the allure of fancy cars and a big house and a life in the limelight was enough to get her to stick around for a couple of decades. Thank God there were no kids in the mix or things would have probably ended a lot sooner and I probably wouldn’t have my old PC, even if it was a gift from a relative given to me after the divorce.

Names

What is it in our brains that makes that connection? Recently I’ve been doing crosswords and I’ve felt it when I suddenly understood a clue. “Rubber” =
“Masseuse”. Holy cow, you’re freaking kidding me. But there it is. A light goes on and there’s no doubt and the letters fit and you have the answer.

That’s how I feel when I get the right name for a character. Suddenly a light goes on and it reveals every aspect of his or her personality. Who he is, what she does. How she feels, how he reacts.

But why does it matter? What is it about the name that makes the character? Why is it important to character development?

I’m asking some other writers questions that I hope will reveal some of that to me. These are writers I admire, who I consider much more advanced in their field than me. Already we’ve heard from Joe about his novel NAME. I chose Joe to lead off the series for obvious reasons. His novel has more to do with identity than it does with vampires, although it is the best vampire novel I’ve ever read. Of course, you should understand I was never a Rice fan and I’ve never had enough time to sit down and read Stoker.

I loved Joe’s answers to my questions, but I especially found intriguing his answer to my final query. When I asked if there were any names he’d never consider using for a character, he said, “If a character needs a certain name, whatever that might be, then he or she will likely get it. There aren’t certain names with certain associations that I wouldn’t allow myself to use or anything like that.”

That answer struck me as particularly brave and devoted. It’s an issue I’ve fought with that recently. Am I allowed to use all the names in my repertoire? If I know someone with a name I want to use, can I do that? I cannot tell you how many times I’ve thought of using a name for a character, have built a whole history for this character and suddenly realized I know someone with that name. Crap. My character’s entire life falls like a house of cards. Either I start associating the real-life owner with that character or I worry that the real-life owner will do so.

On Monday we’ll get A.J. Brown’s answers to my personal crossword. I can’t say yet how his words will fit into the puzzle, but I’m hoping for that a-ha moment I love so much.

Thanks to Joe! and a HONEOWP update

Thank you Joe Young for kicking off my blog series on naming characters so successfully! I really enjoyed reading Joe’s answers to my questions, and they made me think carefully about my own attitude toward character names. I usually start out a novel with character names already in mind, but if I haven’t taken a little time to really think about who my characters are, I often find I need to change their names. I was especially intrigued when Joe said he knew there’d be a character named “the rabbit” in the book from the beginning, but he didn’t really know who it would be until his main character encountered him. I do love an opportunity to discuss writing with fellow authors. It’s always refreshing finding out about the differences and similarities.

Speaking of which, don’t forget to check back for A.J. Brown’s interview on Monday, January 10. It promises to be a good one. Get to know A.J. a little in the feature area to the upper left.

Finally, I received my latest royalty statement and am happy to report I sold a few more copies, so I’ve donated $25 more to the National Wildlife Federation’s Gulf Oil Spill Restoration Fund. (If you’d like to add a little more to the fund, you can click on the link.) Remember, $25 is the minimum I’ve pledged to donate to a charity each month of this year. If my royalties go above and beyond $25, I’ll donate all of it to my chosen charity of the month.

Here are my HONEOWP stats so far:

November (NWF’s Gulf Oil Spill Restoration Fund): $25
December (NWF’s Gulf Oil Spill Restoration Fund): $25
January (Habitat for Humanity): ????

If you’d like to join me in my HONEOWP (Helpful Outstanding Novelists, Editors and Others in the Writing Profession) initiative, email me at michellegflye@gmail.com. I know 2011 is going to be a great year!

A Rose is a Rose?: Joe Young

When I first heard my friend Joe Young had written a vampire novel, my first thought was, “Seriously?” It wasn’t something I’d ever have considered as something Joe would do. First of all, the longest work I’d ever read by Joe was his excellent collection of microfictions, EASTER RABBIT. Joe writing a novel wasn’t something I could comprehend. After I got over the astonishment, however, I was totally jealous. I knew if Joe had written a vampire novel it would be terrific, and that’s something I’ve never been able to accomplish.

Well, Joe’s novel NAME is excellent, so at least I have the satisfaction of being right. I think of NAME as “vampire realism” if there is such a thing. You know how vampires are either romanticized or turned into animals? How they either glow or are surrounded by gore? Well, NAME takes a different path. It addresses what it would really be like to be a vampire, to find yourself with a different identity from what you spend most of your life with.

It was NAME’s unique take on identity that prompted me to ask Joe to join me in my quest for answers about naming characters.

BREATHE: Obviously, the concept of identity is very central to your book. Is this something you have explored before in your writing, or is it something that emerged in this longer work?

JOE: I answered this first question after answering your second, and I think I kind of talk about this there: the non-naming of my characters in my microfiction is a sort of playing with identity, both the fixedness and the fluidity of it. So, yes, I have explored it before. Of course, in NAME the concept is more central and more overt. In the novel, your identity is attached to your name, and this attachment allows someone (in this case, vampires) access to who you are; by finding out a victim’s name, the vampires gain power over him or her. Also, having a name seems to stabilize a character in the book, and those characters with more than one name, Daniel and, in a way, John (who is misnamed when we first meet him), are the more volatile and even unstable of characters

BREATHE: Looking through your microfictions, I find a lot of pronouns and few names except sometimes in titles. Do the characters in your microfictions have names, even if they’re never stated?

JOE: They don’t have names that I ever think about. I don’t say to myself, This is Michelle and Pete, but I’m just not going to call them that. Therefore I guess the answer is no, they have no names. I think most of the time the he’s and she’s of my microfictions are the same people, even if they change ages or life situations or whatever. So, maybe not naming them lets me have fluidity over their identities in certain ways even while keeping them as the same basic people in my imagination—they are both fixed and fluid people.

BREATHE: Was it difficult to name characters in your first novel? If so, how did you overcome this? If not, why do you think it wasn’t?

JOE: No, it wasn’t difficult at all, the names came to me and I wrote them down as the characters appeared in the story. I didn’t plan them out ahead of time or change them at all. For instance, I came up with “the rabbit” earlier in the book and didn’t know his real name was Daniel until Robert encountered him later on. I don’t think it was difficult because I didn’t put much stock in names in particular, not consciously anyway. The fact that they had names, that they were identified by them, and that the vampires used those names to seduce them, was more important than the names themselves. It occurred to me much later on though that Lena was several times associated with ducks and swans in the book, and I think that perhaps I had unconsciously associated her with Leda, the woman who was raped by Zeus in the form of a swan and who then gave birth to Helen of Troy. Those who read the book might notice when the character of Helen appears. Some of the other names, John and Daniel, for example, have Biblical associations that perhaps were working subconsciously for me as well.

BREATHE: Do you feel a character’s name affects the way you write him or her?

JOE: I think so. Something about who a character is suggests a name, even if, as above, that suggestion is less than conscious, and then once they have that name it becomes part of their identity, influencing who they are and what they do. It could be an interesting experiment that when you revise a story you change the protagonist’s name and see what changes you make to his or her character as a result.

BREATHE: Are there any names that you absolutely will never use for a character? Why or why not?

JOE: I can’t imagine there are. If a character needs a certain name, whatever that might be, then he or she will likely get it. There aren’t certain names with certain associations that I wouldn’t allow myself to use or anything like that.

Here’s a taste of Joe’s novel NAME to whet your appetite:

Robert, a vampire, the novel’s protagonist, and Lena, his vampire love interest, go out hunting together for their victims. They come upon a pair of young lovers, about 14 years old.

Robert led them toward the woods, the pair of them, Lena and he. The other pair was up ahead, holding hands as they went. The girl and boy walked awhile, and then they stopped, a wide spot in the path, and put matches to their cigarettes. The boy propped one foot on a log, the girl’s hand on his knee. She said something at which he smiled, small and ironic at first and then opening out, into joy. He took his cigarette from his mouth, put it in the girl’s lips, took her cigarette and put it into his. She leant against him and exhaled, long and noisy, eyes closed.

Robert looked and it was so near the surface. It was clear and bright, at the bright surface of her thoughts. It was there, her name, as unclouded as her eyes, as if she’d just spoken it aloud. It was as if the boy had said it to her and she’d taken it into herself, her own name, like a gift. It was a small package, dressed in blue light and clear water.

“Maggie,” he called, and the girl looked up. And from Lena, “Ryan.”

2010 in review

The stats helper monkeys at WordPress.com mulled over how this blog did in 2010, and here’s a high level summary of its overall blog health:

Healthy blog!

The Blog-Health-o-Meter™ reads Wow.

Crunchy numbers

Featured image

A helper monkey made this abstract painting, inspired by your stats.

A Boeing 747-400 passenger jet can hold 416 passengers. This blog was viewed about 2,100 times in 2010. That’s about 5 full 747s.

In 2010, there were 87 new posts, not bad for the first year! There were 42 pictures uploaded, taking up a total of 27mb. That’s about 4 pictures per month.

The busiest day of the year was October 13th with 89 views. The most popular post that day was Springtime inspiration.

Where did they come from?

The top referring sites in 2010 were networkedblogs.com, facebook.com, zoetrope.com, blogsurfer.us, and mail.live.com.

Some visitors came searching, mostly for michelle garren flye, kindle giveaway, “ellen meister”, breathing moment, and michelle garren flye blog.

Attractions in 2010

These are the posts and pages that got the most views in 2010.

1

Springtime inspiration April 2010

2

Free Fiction Page August 2010
9 comments

3

Day 9 of the Kindle Giveaway: Let’s Make it Two! November 2010
15 comments

4

Day 2 of My Kindle Giveaway November 2010
13 comments

5

Want a Kindle? November 2010
16 comments

A New Year: Happy 2011

I’m only twelve hours into the new year but I’ve already broken one of my resolutions. Remember that 5K I first thought I’d run, then decided I’d walk with my kids? I didn’t make it. I’ve been fighting a cold for the past week and it got the better of me today. I wasn’t totally certain I’d even make it without a fit of coughing, so I stayed home. I have to admit, I’m a little disappointed, though.

Still, I am focusing on the positive. My HONEOWP initiative. My friend A.J. Brown blogged about it today, making him a true HONEOWP, but then I already knew that. Check out his blog here: Type A.J. Negative. So, with A.J. and Steve, my HONEOWPs now number three including me. And we’re only one day into the new year.

And I’m not giving up on the 5K, either. I plan to walk at least three miles with my kids today and I’m going to keep an ear out for another organized walk/run in the coming weeks. Maybe I’ll even stay well long enough to train to run it this time! In the meantime, I’m ready for the marathon of this year. I’ve simplified my resolutions to one: Face every challenge with everything I’ve got. If only because it won’t do any good to do anything else.

Last post of the year!

Happy end of the year, everybody! It’s not quite midnight, but I wanted to take a breathing moment to say hey. I’ve been working hard at my edits of WINTER SOLSTICE for the past couple of days. I want to get them back to my editor by the end of next week.

Besides the publication of WINTER SOLSTICE I’ve got a lot to look forward to this year. For instance, my HONEOWP initiative has attracted some attention. I’ve already had a fellow writer offer to join me for a month. Check out his website here: Steve Lowe. I’m hoping more writers, editors and publishers will choose to join up eventually. Next month my royalties will be donated to Habitat for Humanity. If you’d like to help, you can buy my book or you can donate directly: Habitat for Humanity.

I’m also going to start the search for a publishing home for ALWAYS FAITHFUL next year. I haven’t quite finished the self edits but once I do, I’ll send it to my test readers, and after I incorporate their suggestions, it’s off to find a publisher! I have a lot of faith in ALWAYS FAITHFUL. It’s a good book, a little more than the romances I’ve been writing.

And of course, I’m going to keep up with my blog. I love hearing from readers on here, and I love telling you my plans for the future. I’ll do my best to keep it interesting, starting with my interview with Joe Young for my series A Rose is a Rose on January 3!